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TASTES LIKE CHRISTMAS - Juniper Berry Simple Syrup | Countdown To Christmas With Sarita - Duration: 2:34.
it is beginning to look smell and feel a lot like Christmas around here and I'm
getting really excited because we just got back from a Christmas themed trip
where we were out in the middle of a log cabin there were juniper berry trees
growing all around us it smelled like pine it was so cozy and just made me
just get really into the Christmas spirit so I thought it'd be really fun
to show you how to make a juniper berry infused simple syrup that you can add to
your cocktails and drinks and just really liven up your festivities with a
really you know cool drink that tastes a lot like Christmas because juniper berry
is piney it's rich and it's actually what flavor is good so you know this is
gonna be awesome and great and perfect for the holidays so we're gonna get
started all that you need to make your juniper berry simple syrup is some dried
juniper berries that you can just get at the grocery store some sugar and water
and this is so simple and fast all we're gonna do is heat up our saucepan or
we're gonna get a saucepan going on medium heat we're gonna add some water
to it mine is really hot sprinkle on some granulated sugar and I'm gonna give
that a little mix to start dissolving that sugar and this is equal parts sugar
and water to this we're going to add our juniper berries and I'm going to tell
you it really is just build with that pine scent you don't need a whole lot
because it's really flavorful no just give you a huge pop of flavor and they
just look so good we can already smell it and using the simple syrup
once you get your juniper simple syrup to a boil you're gonna reduce the heat
down to simmer and we're just gonna let it simmer down for 15 minutes
once your juniper simple syrup is steep for 15 minutes it's gonna be thicker and
sticky and sweet it's gonna have just a hint of color to it also and then you're
just gonna strain out all of the dried berries and pour your simple syrup into
a glass container and this glass container of your simple syrup it just
needs to cool you can put it in a mason jar or whatever else that closes
airtight I'm just gonna put this in here to cool now for about 4 hours and then
it's going to be ready to use in anything you desire I have some fun
cocktails coming up so make sure to subscribe to my youtube channel where I
am making the holidays so festive and fun
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Rap Flow Simple Definition Plus Examples - Duration: 5:49.
it was up its Pat and I recently got asked a question about what is Flo and
rap there's a lot of times in my freestyle training I talked about before
you focus on rhyming it's good to build your flow muscle first and to build your
flow and so one of the students that's okay well what do you mean by flow so
it's a great thing that he asked and now we're gonna cover it my definition in
what the Wikipedia definition we could piteå definition is flow is defined as
the rhythms and rhymes of a hip-hop songs lyrics and how they interact the
book how to rap breaks flow down into rhyme rhyme schemes and rhythm also
known as cadence flow is also sometimes used to refer to elements of the
delivery pitch timbre volume as well though often a distinction is made
between the flow and the delivery okay so I have a slightly different
definition so when I talk about flow I'm talking about making sounds with your
voice rhythmically over a beat and it doesn't mean it has to rhyme it doesn't
have to be crazes that would be fast or slow it could be anything but it's just
making sounds with your voice over a beat and that's kind of like the
foundation of learning how to freestyle learning how to rap is being comfortable
coming up with flows when you hear a beat I'm gonna give you some examples in
a little bit but just coming up with flows so rap flow is really important
it's it's really the foundation of what you're doing everything you're doing
with your songwriting you need to have a flow first and makes it a lot easier
when you have a flow so when you're freestyling if you already have a flow
in mind and just adding words when you're writing songs you have a flow and
then you add the words after you have your flow first and that's gonna make
sure that your raps stay on beats it's gonna make sure you are doing unique
things with your flow over the beat and it sounds cooler an example of how pros
use flow if you ever seen pro rappers in a radio show and they kind of mess up
and I start getting made fun of a lot usually what happens is they're rapping
the rapping some words then all of a sudden they start going oh uh uh uh
from the west side of town red hair goatee but a nice guy not a clown
and then they get back into the rap but what that shows is that even though they
forgot their words they still have their flow they have a sense of where the
words would go but then they weren't able to come up with words in time and
if they took my class they would know how to have more words and be able to
say stuff the good thing is because they already have flow freestyling and
writing songs becomes a lot easier because what pros do in the studio is
they put on a beat I'm gonna give you example of this and then they start
freestyling a rhythm without even saying words they'll be like those start
scatting like da da da da da da you know keep on coming up with different flows
for a beat so they come up with something interesting that they like and
then they both that's an interesting flow that'd be really cool if I add
lyrics to that and then they add lyrics to that flow and that's how they make
their songs so the flow is really important that flow is the foundation so
something you can do when you're listening to a beat try to come up with
the flow first that whatever whatever flow comes to you try to come up with a
flow that's kind of unique and interesting to you record the flow and
then add lyrics to that and that will make it so your song flows better I have
a whole course teaching that the eight steps reppin like a pro where I show you
how you can steal pro flow and combine that into your own skill that's a really
good thing to do I'm gonna play this beat and give an example of just coming
up with a flow on the spot so this is a beat that I made it's on my youtube
channel so an example of what a pro would do in the studio they're writing a
song they would they would first come up with the flow like a MIDI I intro flow
alright so be like the data divided the budget debate the budget if you think
that would be attributed to AC to a particular opportunity picture from
dislike is increasing pity the hoppers and picking up on a side and then from
there there oh that's kind of cool or be like oh maybe that's kind of boring
let's see if I can make a more interesting flow and I'll try to come up
with maybe some another poll I did know about it but just a few step is to fight
it to fit in to rise to face the Tosic in the folks the past the phone people
talk all techie stuff oh what a bass to hit them for picking pitches to people
so picking up these two people only thing I seem to be poor so the slam
stupid to fake it to firm statement of folks it's trippy to get you to take it
yeah so so come to that flow that oh that sounds kind of cool what if I added
lyrics to that that would be awesome so that's how people come both float
something you can do put on a beat see what kind of rhythms see what kind of
patterns you can do don't let the word distract you from finding her flow
because a lot of times people are so caught up in words and making it dope
and making the wordplay cool and the metaphor is cool that they forget about
the actual flow and it kind of hold you back so don't worry about the words
don't worry about the rhymes maybe you'll kind of naturally come up with
places where you want ranch to go when you're flowing but allow the flow to
kind of dictate your rap and it'll make it a lot better so if again for me what
rap flow is is just saying noises over a beat rhythmically because if you use
that definition and you don't have the pressure to come up with words and
rhymes right away right all these other definitions aren't about come up with
rhymes but if you're focused on rhymes and the words and the wordplay then it's
gonna mess up your flow so it's better to focus on the flow first and the
wordplay comes because you have to use wordplay to make your words fit to that
flow when you're writing it and to make your words fit it's gonna take a lot of
wordplay and metaphors and similes to make your words fit to that flow so I
hope that he'll just hope that it gives like a clear example of what flow is so
I recommend using this definition of flow because it makes it more simple for
you makes it easier for you to freestyle and write songs if you focus on the flow
first and then add the lyrics if you're freestyling I have a lot of turning on
freestyling I've up my training below a lot of free training on my channel check
all that training and that'll make sure you never run out of words but the cool
thing about these pros who mess up during the freestyle is that you'll
notice they don't stop their flow because they know that when they're
making their songs having that flow having that cadence is the most
important so practice scatting over beats record it if you like when the
flow is you come up with try to write raps to that flow it might take a while
especially if it's your first time but when you do it it's gonna make your rap
sound a lot better it's what xxx dentists you own does it's
what all the pros do is they come up with the flow like oh that's interesting
what if I turn that into words that'd be sick and they do it that's flow all
right hope that helps press like subscribe share love me love me
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Watch HGTV's Dylan Silver Create This DIY Word Art In 5 Simple Steps - Duration: 1:42.
For more infomation >> Watch HGTV's Dylan Silver Create This DIY Word Art In 5 Simple Steps - Duration: 1:42. -------------------------------------------
Simple DIY Folded Christmas Tree Napkin | Shabby Fabrics Tutorials - Duration: 13:01.
Hi everyone. This is Tammy with Shabby Fabrics. I have the funnest DIY project
for you today. This is a folded Christmas tree napkin. A very good friend of mine
brought this to me and showed me she had received it as a hostess gift and I
asked her if it'd be alright if I showed you all how to do this and she said
absolutely! So this is a folded Christmas tree napkin. I'm going to show you what
this looks like. It's just this half circle and you simply fold it together
and you have this adorable Christmas tree. Wouldn't this be fun on your table?
I think I'm making lots for my table. So let me show you how to do that. To get
started you're gonna go to our our homepage on shabbyfabrics.com, scroll
all the way to the bottom and click on Free Downloads. There you're gonna see a
folded Christmas tree napkin. From that you're gonna click on "download the free
pattern". This is what your pattern is gonna look like.
Here's your template. You have your fold lines, you have a cut line, and you have a
seam line on here. Okay? So to make this napkin – you can make two napkins out of a
Fat Quarter. So you can take two Fat Quarters and put them together. I just
pressed my fabric Right Sides Together. I have a beautiful green and a beautiful
red, so I'm gonna put them together like this, I'm going to place my template on
here, and then I'm gonna take a few pins and get this on here just to hang – just
enough pins just to hold onto my template. I didn't go crazy pinning this,
but I am gonna keep my pins away from my cutting line which is my outside line. I
don't want to put my pin over that. I'm going to show you how I do this with a
rotary cutter. Alright. And I'm gonna move this guy out of the way so he's in
the safe zone away from the cutter. Alright, here we go.
I'm gonna take my big ruler and I'm going to line this up on my solid line
here and cut just like that, and now I'm going to use my rotary cutter and I'm
just gonna slowly cut around this circle. This is a gradual enough curve that I
feel confident doing this. If you don't feel confident doing this feel free to
use your shears. Your nice fabric shears would work well. I usually use a larger
shear when I'm cutting circles like this rather than small scissors. I find it
just makes my cut smoother and nicer. Just like that! Ta-da! Done! Alright?
Now I'm going to remove my pattern and set this aside. I'm gonna use this again
when we make our folds on it so it'll give you a guide for folding. We're going
to pin this together. Just a few pins is all I need and now when I do this –
so I'm sewing this with my right sides are together, I'm going to take my little
Shabby ruler and a Frixion Pen and I'm gonna make a mark right here at the top.
I want – a mark always reminds me to leave an opening. You know how that goes, right? I
don't know how many times I've gone to sew something, not made a mark, I sew the
whole thing closed. Great, now I'm seam ripping! So I always
make marks so I know where to start and where to end and I did do a little back
tack at the end of these. Okay, so instead of you watching me sew on camera, I have
done that ahead of time for you. So here's my piece. Here's my little marks
with my back tacks. I took my little Kai Scissors
and I clip my corners off. This just helps to reduce the bulk in those
corners a little bit. This is a fairly gentle curve but I did go ahead and clip
this around like this. I just wanted to make sure that when I open this up this
is gonna be a nice smooth edge, so I do have little clips in here and I'm being
careful not to cut my stitches. Okay? Alright, ready to go. Let's turn it
right-side out an d see what we've got. So I can't very well get into this point
very well, so I'm gonna use my Clover Point Turner. I love this point to point
turner. Wow! Makes a really sharp point. Do the same
on this side just like this. Beautiful. Turn this. Now I'm gonna use this smooth
spatula side. Let's turn that over. I'm just gonna run this in here. Look how nice
that just quickly and easily puts that fabric right where it's supposed to be. I
love that. Okay? Now we're gonna seam press it and then we're gonna take it to
the sewing machine and stitch it with some pretty metallic thread. So I like to
roll my seams when I press just to make sure that I have that seam right where I
want it. Go ahead and give this a press here just like this.
Keep going. I'm just kind of working those edges. I'm just getting that seam
right where I want that before I press it in there. On around and the steam is
turned on on this. You can steam that as much as you want to. You don't have to
worry that you're not to use steam on this. I use steam all the time. Don't know if I
got that corner quite poked out like I want it, let's redo that a little. There
we go. Okay? Now when we get up here to the top the reason I leave an opening on
the straight edge is it is a lot easier to fold my edges in on a straight edge
than it is on a curve. I have done circles and you fight that curve when
you are doing that. So I'm gonna fold the front out of the way, I'm gonna take my
back, and I'm gonna fold it down a quarter-of-an-inch, and I'm gonna give it
a press. Okay, so all I pressed right now is the back. Now I'm gonna come back with
my front and it's easy to just fold this where it needs to go. Now I have a guide
and I can just line this up just like this and I'm just fussing with my fabric
and pulling it in and out a little bit with my fingernail just so I get them all
lined up and give it a press. Just like that. Perfect, okay.
Now we need to top stitch that to stitch our opening closed, so what I'm gonna do
is I decided to use metallic gold thread; give it a little bling, I love that, I love
metallic thread at Christmas, so I'm gonna go to the sewing machine and I
want to talk to you about the Thread Director because metallic thread can
sometimes be a little scary to use. I understand that. I didn't used to like
metallic thread either, so I'm using a Sulky Sliver Metallic today. This is a
Thread Director and what this is gonna do it's gonna guide my thread
through my machine. If I attach this spool here, when it comes off it's twisted
and it turns. What the Thread Director does is it redirects my thread. Let me
put this on here correctly. You want it so it's coming up and over, okay?
Just like this I'm gonna attach it here. Now I want this spool to spin freely. I
don't want it to catch at all or to grab, so you can loosen this little
disc back and forth on here so you make sure it goes freely, alright, and then
we just go ahead and thread our machine as normal and then we're going to stitch
this lovely Christmas tree. Alright, so here we are at the sewing machine. I am
going to start on this corner up here, and I'll hold my thread out of the way,
and I have loosened the tension on this machine a little bit and I'm going to
sew this with about an eighth-of-an-inch seam allowance, so I'm just gonna find a –
find somewhere on your machine that you can use as a guide. I am gonna use this
right here where this metal piece and my feed dogs are. That's a really good place
to use as a guide. It's about an eighth-of-an-inch and then my seam is gonna be
even all the way along. Let me get that thread back where I want it. There we go.
Perfect, alright, here we go. I'm gonna sew slowly. I don't want to sew really fast.
There we go. I love this Bernina machine. I have a
Schmetz Metallic Needle in here. I always want to use a Metallic Needle when I'm
sewing with metallic thread. It's gonna make your life a lot easier. The Thread
Director feeds that thread so it doesn't get twisted.
I've also lengthened my stitch length a little bit; I think I'm at 2.75, and my
tension has been lowered to 2.75 as well. Normally I think it runs around five and
a quarter so a little bit less tension. There we go, we're gonna come around the
corner and again I'm just lining this up right on that – right on that mark there.
Go through, there we go, alright. So now we have top-stitched this
and we have a beautiful half circle that's top-stitched. We have our gold
thread here. I used red on the back so that you're not gonna see my stitches
there. Now we're gonna take it back to the iron and we are gonna press this and
press our folds into it, so now we're gonna use our pattern that comes with
your download, and these have your fold lines on them. I'm gonna lay this on here
like this and lay this on here, alright. Our first fold is over like this. There
it is. You see that fold line? So all I've done is I've laid this on here with my
red side facing up, fold this over for my green, I'm gonna fold it back now to line
that up, and down. This is so cute! I just love this little thing. What a clever,
clever idea. Alright, here's our napkin. So now I want to set that crease in
there really well because I don't want them to come out. So I'm going to take my
iron on hot and I'm gonna give this a little bit of
extra steam because I definitely want to steam that in there. There we go. Nice.
Clever! Isn't that cute? And we're done. Just like that! So I hope you've enjoyed this
DIY project on making a folded Christmas tree napkin. We'll see you again soon!
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Simple Lighting Set-up for Photography and Video: OnSet ep. 191 - Duration: 9:07.
Hey this is Daniel Norton
I'm here in my studio in New York City
with Casey, and so I get the question a lot
because I've been doing a lot of videos you know..
I love to use all the different new
equipments coming out, and we've done a
lot of videos with LED's lately, and I got
a question. You know, why would a stills
photographer let's say get LED panels, or use
LED panels versus flash, and right away
especially in my case, but in many
people's case, I thought well if you need
to shoot a video too. Right, a lot of
people are doing multimedia now ...
whether you're doing a catalog, you know ...
where they want to show some
movement in the
clothing, or you're shooting.. you know,
a head shot of somebody.
They need to show some expression...
or an interview, you're gonna maybe mix
what you're doing, right?
And it used to be we'd set up our like
hot lights, maybe, and then we'd set up our
flash, but now the lights are so
versatile, that I think you can get away
with oftentimes using your constant
lights for everything. In this case LED's,
so I have a few LED's here from my panels
to kind of show you guys a good, like
basic beauty/interview lighting
setup, and we'll first, we'll talk about
shooting the video, part of it, and then
this still. So I'm gonna hit the video
record on my Canon here, so I'm recording
some video there, so you guys can see.
Casey so don't make any funny faces!
Alright so back here, I have a Bi-focus
light panel, so what this is going
to allow you to do is, to kind of change
your beam angle. Right, I'm using this for
the hair light. You might also use it
let's say if you are throwing another spot light
in the background.
The reason I'm using it for my hair light is..
because I'm gonna back it kind of... out
so it's out of my shot, shooting forward,
like we do hair lights, and I want to point it
right at her, and then I'm gonna kind of
just change my focus pattern, until I get it
where I want it, on her hair, so we'll fire
the guy up, so I'm shooting in daylight
white balance. This is a daylight unit,
I'm right now, I'm all the way spotted, I
think I'm gonna go mostly flooded on
this one, and we'll get it where we like
it. Cool!
So I'm looking here if you have a
monitor or something, you can kind of
look through as well. But you guys can
see kind of bring the power up, and
down, so you guys can see the difference.
Anyone want to bring it along. So nice
and simple spotlight... from the back. I got
it mostly flooded now, but it's giving me
that control. Right. If I wanted to spot
it to get it off of things, I could do
that as well.
So now what I'm going to do basically..
Our fill light right is over here. I've got
the six times Astra, so that's the more
powerful one. So they've got different
levels of them. You've got like your
basic ones, then your powerful ones, so
this guy's got more oomph. So I'm using
it for my fill. The reason why is cause
I'm bouncing my fill, bouncing the, the
light is gonna scatter it everywhere.
It's gonna, I'm gonna need more light to
do it. I'm just bouncing it off a simple
reflector, if you had, if you were in a
smaller space, she might have light bounced off
a wall or something, but there's a nice
silver reflector bouncing it in, for some
specular... look to the light, this one by
the way is Bi-Color, and I have this one
dialed into about 5600 Kelvin. So you
could if you wanted, a warm fill or
something, you could always warm it up a
little bit, but I'm going to keep it around 56.
Cool, adjust my power, so it looks good on
her. Usually you're just eyeballing it.
You guys can see how that comes in on her.
Right about there. Looks good to me, and
that'll get our decent exposure. I'm
gonna look to my camera.. yep.. she looks
pretty good. She's very dark, and moody
right now, but we're gonna bring in the
key light now. So key light as I
mentioned often times. I usually like to
set it over center, when I'm shooting a
female subject. So nothing different here,
gives her a nice shape to her face. Now
what I am doing here is. I'm using the
Astra soft. This has like a nice panel in
front, to give creamy light on the face.
It really comes in nicely, and gives her
a beautiful light right across her face,
gives a nice kind of even look. We can
see so if she's looking at me, and she
could be if she was doing an interview
or something... you know.
I could be standing over here, and she'd
be talking to me and.. haha hey talk to me!
She was hosting right there.. so she did
that... that's hosting - when you look
at the lens you're hosting. She's
interviewing... she's talking to me oh... there we go.
Right... so there we go.
It makes it nice and simple right,
really clean, so let's talk camera
settings for a second right.So because
I'm shooting 30 frames and the reason why I'm
shooting 30 frames is, because the system
I'm using to shoot this multicam right
now for you guys is 30 frames. So I set
to match that. I want to set my shutter
speed at 1/60th of a second, you're
always gonna want to set your ISO as low
as possible of course. So I set it at 100
here, and I just dialed in. I'm.. I wanted a
decent amount up the filter. I dialed in
to about 5/6 and that actually gave me a
nice exposure. If at 5/ 6 yeah we're still
dark I would give myself more ISO, since
I can't really play with the shutter
speed too much. You can get you know, most
cameras, you can get up to 400, 800 ISO
no problem,
so and here... but these are very
bright lights, and they're close so it
wasn't really a problem. So that's where
I'm setting now, that's perfect for video,
but if I'm shooting stills.
Number one - the backgrounds black,
so I don't need to
have it in focus and
Number two - you know
I might try being a trying to get actual
reactions from her, and smiles and stuff.
So she might be moving and a sixtieth
might give me a little bit of blur. So I
kind of want to mess with my settings
now. I'm going to keep the same amount of
light so that evey value as they call it
is the same, but I'm going to kind of
move my exposure triangle around a bit.
I'm also going to switch lenses, so I'm
at 50mm right now, 'cause that's
for video... that's pretty common to
use a normal lens for this kind of thing.
I'm gonna switch to my 85 though
because for a portrait. I often like to use a
slightly longer lens. This is the 85
millimeter 1.2 Canon. Obviously, okay cool
that's up. I'm going to switch to stills
mode. I'm going to plug-in. I'm tethering
into Capture One here, so whenever you're shooting
obviously in a situation like this,
especially tethering. It's really going to
be helpful to you, because you can see
the shots right away. They can see them
right away, you know, and then they can be
the shots are so great... I love them!
Or they can say... they, they sucA!
Also hopefully it's not gonna.. alright so
we're gonna wait for that thing to fire
up. We're gonna Capture One.
Yeah I'm up, ok so again, I'm at sixtieth of a second.
100 ISO, f/5.6 I know, I don't I
know, I want more shutter speed, so I want
to go I think 250. That way she could
move around and stuff, and express if she
wants to, and if I do my math, I should go
f/2.8. So a simple way to do this, if you
don't kind of, can't do the math in your
head. Your camera is going to remember
everything lines up. Right so your camera
clicks. So if I bring my shutter up in
this case they're in thirds, so I brought
my shutter up six clicks. I can bring my
aperture open six clicks. It balances out.
Alright so we'll take a look, obviously
closer to her now because I have the 85mm,
I'm gonna back up a little bit, remember
compression is based on where you stand!
So I'm gonna get nicer compression by
backing up.
I'm focusing on her eyes, I'm going to take a
shot. Boom... there we go, nice and clean,
right wouldn't come in again. We're
shooting a f/2.8. We have a nice exposure
on her. Her eyeballs are sharp!
I mean at f/2.8 her ears are getting soft
but that's pretty acceptable for a portrait ..
now we can move around, and do
whatever we like.
You'd even do it in portrait style
instead of landscape style, if you want.
But I like to shoot landscape, I feel
like a lot stuff now is online. So and
also if you want to use as a thumbnail
for a video, also I'm gonna get in and
chop off the top of her head a little
bit, which I love to do, and you guys can
all make comments about that.
Good okay... so there we go,
okay so let's shoot, if
you like this, boom beautiful eyes, nice.
She can look around, you cannot stop
because at 250 that's pretty good right?
I mean again 250, is not crazy, crazy fast,
but it's fast enough to stop most things.
So should be able to take as many shots
like that. Boom like that, okay one more
with your hair fixed. And looking at me...
that's what we can use as a thumbnail,
get lots of views, there we go!
Good, perfect,
nice, and of course I'm raw, so I can do
you know whatever I like, if I want to
come in and mess with it, okay. So that
looks cool, so now what we'll do is, we'll
shoot a few more. So we have a good
thumbnail, so you guys will watch this.
Well they were already are watching,
whatever... alright, so here we go I'm going
to focus you know, take couple shots.
Nice, like that, as easy as that. Nice oh yeah.
I like what you did there, so you look
down and then she looked up, that's like
a good technique.
I'm gonna look down and
then I'll look up you have the same
problem that I have with the hair except
you have more of it. My hair does that
too. My eyes, okay, so well yeah.
As you can see, at 250 right, 'cause we want to
catch the action, wanna do all this stuff,
but again going back to the original
concept here...
like why would you want to
or well should photographers maybe use
constant light sources?
This is a really good example.
it's like sometimes you're
gonna want to shoot some video.. you know?
Whether it being interview or some like
I said, and some time you're gonna want
shoot stills, and by doing it together
you don't set two sets of equipment, you
know you don't have to, you know look
around. Double the amount of stuff have
two setups, and move people around
especially if you're by yourself. So it
really can help, are there advantages to
using each thing,
sure, but sometimes having something that
can do everything for you can be really
good to have.
So we're gonna put Casey's
info in the description, make sure you
follow her. Thanks for watching, be sure
to subscribe to Adorama TV,
and I'll see you next time OnSet.
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தேங்காயை அதன் ஓட்டிலிருந்து எப்படி எளிதாக பிரிக்கலாம் - Duration: 1:56.
Simple way to Remove Coconut Flesh From Shell | Useful Kitchen Tips in Tamil
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