Thứ Tư, 11 tháng 10, 2017

News on Youtube Oct 11 2017

PIA SORENSEN: So, welcome.

Welcome, everyone.

Who is here for the first time?

I love that.

Wonderful!

Welcome.

So this is the Science of Cooking Public Lecture Series,

and we do this every Monday at 7:00 PM.

And very soon, I'm about to introduce Sandor Katz, who

is going to talk to us about all things fermentation.

But first I just want to put this into context.

So who was here last week?

Wonderful.

So for those of you who are new, you know that we're

playing a little game every week?

Yeah?

Do you know?

So if you paid very careful attention to what

happened last week when Chef Lydia Bastianich was here,

you had the chance to win prizes.

And in order to do that, you have to answer a question.

The prize is these aprons, which I'm going to try to do with one hand--

aprons with equations.

[APPLAUSE]

So we clap for equations.

So Lydia made risotto.

And she said it's very important to make risotto in a wide saucepan

rather than in a deep saucepan.

Why is that?

Yes.

[INAUDIBLE]

The increased area of the saucepan allows all the greens to cook evenly.

Anything else you may want to add?

Yeah.

Good.

There's more area for liquid to evaporate.

OK.

Next question.

As Chef Lydia slowly cooked the rise for the risotto,

a component that contributes to that creamy base of the risotto

was pulled out of the rice and into the sauce.

What is the name of this component, and what kind of macromolecule is it?

That's two questions.

But you get an apron.

Anyone?

Yeah.

AUDIENCE: A starch and a carbohydrate?

PIA SORENSEN: Do you know the name of the specific starch?

Anyone?

Yeah?

AUDIENCE: Amylopectin.

PIA SORENSEN: Amylopectin.

[APPLAUSE]

OK, I think this one is easier.

So Chef Lydia claims that it is very important that the stock is hot.

So she had a pot of risotto, and then she

had a stock which she was adding to the risotto just one little at a time.

And she claimed that it's very important that this stock is also kept hot.

It can't be at room temperature.

Is it true that it has to be hot?

OK, raise your hand.

Yes.

It is important.

I could have asked you to show me why.

So if you were here, you remember the equation of the week, which was this.

[APPLAUSE]

And if you were a student in this class, on your homework--

which is actually due tomorrow, so please don't spread the word--

you would have calculated how much this affects the temperature of the stock.

So if you add, early in the cooking process,

you add one ladle stock to it-- you don't have to pay attention to this--

the final temperature, after you've added a ladle of stock to your risotto,

is 72 degrees Celsius if you do it early in the cooking process.

If you do it late in the cooking process, it's about 82.

So yes, adding that ladle of stock actually

does bring the temperature down by like 20 or 10 degrees, which you can imagine

is enough to actually not really keep the risotto at the right temperature.

So these equations are useful, sometimes.

OK, so that's it for aprons.

So last week, we cooked with heat.

Lydia added all kinds of things to water,

but basically what she did, from a scientific standpoint, was

she added grains to water and then she added heat.

And then she waited.

That was basically it.

This week, we're going to cook with microbes.

So you would think at first glance that these are kind of opposite ways

to cook.

Most of you know that adding heat to food

is what sanitizes food, is what kills microbes.

And when we cook with microbes, as Sandor will tell us,

you really want to make sure that you keep those microbes not just surviving

but happy, thriving, dividing, doing their thing so they add flavor,

preserve the food, do their thing.

So that's kind of our goal for today.

And the reason for this is that microbes are busily banks of enzymes.

Enzymes are basically proteins.

Usually when we cook food, we mess with proteins, right?

If you cook a steak, you're messing with the proteins.

If you're whipping egg white, you're actually messing with the proteins.

If you are cooking an egg, you're denaturing the proteins.

You're messing with the proteins.

Now if you messed with the proteins inside these cute little yeast,

you would be messing with all of these enzymes and the yeast would die.

So you don't want to do that.

So they may seem opposite, but they have actually a lot in common.

So one of the things that cooking with heat and cooking with microbes

have in common is it's something humans have been doing for millennia.

So I guess the most current number for how long

we've been doing this is fish found in Sweden, actually--

that is 7000 BC, so 19 years old is some of the earliest evidence.

Our second earliest evidence is similarly about 7,000 B.C.

is beer, ancient beer recipes in China.

So this is something how humans have manipulated foods

in this way for way, way, way back.

The other thing that cooking with heat and cooking with microbes

have in common is that they're really simple recipes.

I mean, cooking pasta--

you add pasta, water, heat, done.

Here is sauerkraut-- add sauerkraut, a little salt, time, wait, wait.

But then you're done-- eventually you're done.

So simple-- really simple recipes.

You know, often when we think of cooking,

we think of these complex things.

You add this, you do this, it's very complex.

You have to have a lot of skill and training--

not necessarily that hard.

The other thing that cooking with heat and cooking with microbes

have in common is they break down larger molecules.

So the large molecules of food, the proteins, the carbohydrates, the fats--

you break those down when you cook, say, a steak.

So the delicious molecules on top of a brown steak--

it's due to the breaking down of the proteins.

And similarly, when you ferment, say, milk,

you're basically breaking down the long carbohydrates in the milk,

adding lots of microbes.

And over time, you're getting these beautiful flavors,

but they come from that milk.

They come from the long, big molecules.

It's the breaking down of them that creates this beautiful, new flavor.

So very quickly-- so microbes are good at what they

do because they divide really fast.

And I like this.

I usually do this.

So if you have one bacteria, it divides and makes two bacteria.

Then the first one dies, and each of these create two new ones, blah, blah,

blaH.

They keep doing this.

And over time, you get something like this.

[APPLAUSE]

Good, good, good.

So you can put all this together in an equation.

The equation looks like this, and it basically

says that if this much time elapsed and if the time of a generation

is this long--

so the time of a human generation is like 30 years--

microbes, 20 minutes, 30 minutes, an hour to two hours.

You plug it in.

You can basically find out how many there'll

be after a certain amount of time.

So as I thought we should do an experiment, do a little calculation.

So question number seven--

this is an old homework problem.

E. coli divide every 20 minutes.

If the spinach you had for dinner at six--

that's an hour ago--

and there was one bacteria on it, how many extra E. coli

do you currently have in your body now?

It's seven.

And how many do you have tomorrow morning at 9:00 AM?

So you can do your exponentials in your head.

I'm sure you're good at that.

But I can also just show you.

So after an hour--

so two-- after an hour we have 60 minutes, the time per generation

is 20 minutes.

So now you have about eight E. coli in your stomach.

It's OK.

Tomorrow morning-- that's about 15 hours later, an hour is 60 minutes,

over 20 minutes, lots and lots, 10 to the 13.

And if every E. coli weights ten to the negative 10 grams,

that means you would have three kilograms of E. coli in your belly

tomorrow morning.

That's a lot.

That's why exponentials are amazing.

You produce all lot of microbes.

Is that true?

Is that going to happen?

Yes or no?

Why Stomach acid?

[INAUDIBLE]

The early generations die.

They run out of nutrients.

Yes, exactly.

In order for them to divide and build that biomass,

they would have to eat stuff in your stomach.

And so they would have to eat of you.

So they run out of nutrients, and they can't divide that much.

You'll still have some E. coli, and you still

may get sick, but maybe not as sick.

OK so things to think about as we go into this lecture.

So it is a great honor for me, huge honor for me, to introduce Sandor Katz.

Sandor Katz is one of the great fermentation experts of our time,

and we go way back, by like two years, because Sandor

has Skyped into my classes and talked to my students for years.

And so it's super exciting for me and many of the people on the staff

to finally have him here.

So please welcome Sandar Katz.

[APPLAUSE]

SANDOR KATZ: All right, well, thank you.

Can everybody hear?

OK, great.

No more equations.

So OK, what I want to start with is just addressing the question, what

is fermentation anyway.

But first, I want to do a little poll.

How many people here would say that they have eaten

or drunk something fermented in the course of this day?

OK, I'm seeing a lot of hands, maybe most hands.

But I would bet that most of the people who didn't raise their hands actually

have eaten something fermented already today.

Almost every individual in almost every part of the world

eats and drinks products of fermentation every day.

So if you're here in Cambridge and sort of eating a standard American diet,

maybe you had some coffee this morning.

Coffee is fermented.

Maybe you ate some bread.

Bread is fermented.

Maybe you had some cheese on that breed.

Cheese is fermented.

Maybe you had salami or some other kind of cured meat

on that bread, which is fermented.

Maybe you had a salad with salad dressing

that included vinegar, which is fermented.

Maybe you ate some chocolate, which is fermented.

Maybe something with vanilla in it, which is fermented.

But an incredibly diverse range of everyday foods and beverages

are products of fermentation.

And what is it that unites all of these disparate foods.

They're all produced by the transformative action

of microorganisms.

And from a food and beverage perspective,

that's how I would define fermentation-- it's

the transformative action of microorganisms.

Now I imagine we have some biologists in the house,

and the biologists are already shaking their heads because, for a biologist,

fermentation means something a little bit

different than that-- something that's both more specific, and also

a little bit broader.

For biologists, fermentation describes anaerobic metabolism, the production

of energy without oxygen.

And in fact, the cells of our bodies are capable of fermentation.

And mostly we operate with respiration.

And the most efficient way that our cells produce energy is with oxygen,

and we have this elaborate system to distribute oxygen

to each of the cells of our bodies.

But if we exert ourselves in ways that sort of demand energy beyond what

that oxygen can facilitate, then our cells

revert to this fermentive mode of energy production, which is less efficient.

It produces this byproduct with lactic acid,

which can be responsible for giving us that feeling of a muscle

burn when we exert ourselves.

Now how does this relate to these foods and beverages?

Most of the foods in beverages that we describe as fermented

meet the biologist's definition.

They are anaerobic.

When we turn this bowl of cabbage and other vegetables

into sauerkraut, that's an anaerobic process that does not

require oxygen. When we take milk and fermented into yogurt, that's

an anaerobic process that does not require oxygen.

When we take grape juice and ferment it into wine,

that's an anaerobic process that does not require oxygen.

The reason why I typically depart from the biologist's definition

of fermentation is that there are a large handful of microbial transformed

foods and beverages that do require oxygen. So if any of you

like to drink kombucha, a kombucha is an example of an aerobic ferment,

call it an oxymoronic ferment because it's

a microbial transformation that requires oxygen.

But everybody thinks of it as fermented.

Similarly, vinegar requires oxygen. Similarly,

many types of cheese require oxygen. The Indonesian soy ferment tofu--

I'm sorry, tempeh requires oxygen.

So because there are all of these microbally transformed

foods that don't meet the biologist's definition of fermentation,

I like to work with this broader lay definition

that fermentation is the transformative action of microorganisms.

However, not every transformative action of microorganisms results in something

delicious that we're ready to put into our mouths.

And for most people, our primary awareness

of the microbial transformation of food comes when we clean the refrigerator.

In the deep recesses of the refrigerator,

you find decomposed vegetables and things that have begun to mold.

And that's also the transformative action of microorganisms.

But we don't call that fermented.

We have a different vocabulary to describe that.

We call that rotten.

We call that spoiled.

And we reserve the word fermentation to describe intentional or desirable

microbial transformations.

But I think the fact that we all inevitably experience

food decomposition maybe can give us some insight

into the inevitability of microbial transformation of our food.

Now in terms of science and cooking, one of the things

that's most fascinating to me about fermentation

is that people have been practicing this for 10,000 years--

I would argue longer, that what the archaeological record really as is

finding is it's telling us about the history of pottery.

And that's when pottery emerged and that the earlier vessels were all

biodegradable.

So we're not finding remains of them.

But anyway, who knows?

But the people who figured out fermentation techniques,

they didn't have the benefit of microbiology.

They didn't know about microorganisms.

And what we now understand is that all of the plants and all of the animal

products that make up our food are populated

by these elaborate communities of microorganisms.

So the question is, are these microorganisms going

to decompose our food into something disgusting

that nobody would ever put into their mouths,

are these microorganisms going to create toxic byproducts or make us sick,

or are these microorganisms going to somehow elevate the food

and make it more delicious, more stable, more digestible,

or improve the food in some way.

And without knowing about the existence of microorganisms,

people in every part of the world figured out through observation,

through trial and error, through happy accidents,

who knows how they figured it out how to guide the microbial transformation

of the food.

And really what the practice of fermentation amounts to

are manipulations of environmental conditions

that determine which of the multitude of organisms that are present on anything

that makes up our food are going to develop and in what way

they will be transformed.

So a head of cabbage--

here, I'll be referring to this repeatedly through the evening.

But if we just left a bowl of cabbage like this

sitting on the counter for two weeks or two months,

it is not going to turn itself into sauerkraut.

And it's really quite predictable what's going to happen.

And some of us have seen the early stages of this--

like maybe you had a piece of cabbage like this leftover

from something you cooked.

And let's just say there was no room in your fermentation slowing

device, your refrigerator, and you left it on the counter,

and you didn't get back to it the next day, and it sat there for a few days.

Has anyone ever seen like a little film of a mold

develop on those cut surfaces?

And you can still use the cabbage.

You just sliced those away.

But where the carbohydrates are losing out in the presence of oxygen,

mold is going to grow.

So it's possible to have a bowl of cabbage turned into a cloud-- oh, here,

you're not gonna see where it's--

it's possible to have a bowl of shredded cabbage turn into kind

of a cloud of mold that could literally reduce

that cabbage into a puddle of slime that bears

no resemblance to delicious, tangy, crunchy sauerkraut.

Also, I mean not to scare anyone about eating

cabbages or other raw vegetables, but the bacteria that

produces the scariest food poisoning pathogen that we know of,

Clostridium botulinum, which produces a toxin called botulism,

it's such a common soil bacteria that probably none of us

have ever eaten a vegetable in our lives that didn't

have cells of Clostridium botulinum.

But we really only ever hear about botulism in the context of canning.

So if you sterilize food in a jar in order

to preserve it but you fail to use adequate heat,

Clostridium botulinum can survive higher than boiling temperatures.

So what you do is you sort of kill everything else

and leave that as the sole survivor in the very contrived environment

where it can thrive in the total absence of oxygen--

obligate anaerobic.

It can only function in the absence of oxygen.

We don't really spend much of our time in a totally anaerobic environment.

So when you chop up cabbage to make a coleslaw or to ferment into sauerkraut

or to make a stir fry, you don't have to worry about the botulism.

It's only if you put it in that specific environment where it can grow.

So there's a lot of potential ways that a cabbage or a glass of milk

or a glass of grape juice or anything that we could eat--

there's a lot of different ways that it can microbially transform.

And which of the microbes that are on it are going to develop

is entirely an environmental question.

And so fermentation is all about manipulating environments

to encourage the growth of certain kinds of organisms

while simultaneously discouraging the growth of other kinds of organisms.

So I mean, what we'll be doing eventually with this bowl of cabbage

is we're going to get the vegetables submerged under their own juices.

And that just protects them from the free flow of oxygen.

So the molds can't grow.

It's not totally anaerobic.

There's dissolved oxygen in the water.

So the Clostridium botulinum can't grow, and in that sort

of protected environment the lactic acid bacteria, which are generally

believed to be present on all plants growing out of soil on planet Earth,

they can thrive and flourish.

And as they acidify the environment, they

kill off most of the other organisms that are present.

And that's part of what enables the food to be so effectively preserved.

So fermentation is the transformative action of microorganisms.

There is no food that cannot be fermented.

It doesn't mean every food has equally prominent traditions of fermentation.

Avocados are like an example of a food that, I

don't think that there's much tradition of fermenting.

But I've put avocado in sauerkraut.

It works great.

And nothing that we could possibly eat could not be fermented.

And then a related issue is fermentation is practiced everywhere.

I definitely do not possess encyclopedic knowledge of culinary traditions

everywhere in the world.

But I've been looking really hard for counter-examples

for more than 20 years, and every time someone

has proposed I'm a part of the world where they believe that fermentation

is not practiced, I've been able to learn

about a fermented food or beverage from that part of the world.

So I think it would be conceptually possible for hunter-gatherer people

to live without fermentation.

If you're going to spend each day procuring the food resources that

are going to get you through that day, you

don't really have to think too much about the dynamics of how

food fares over time.

But as people in different parts of the world

transitioned from hunter-gatherer societies into agricultural societies,

if you're going to invest your energy and your resources

into crops that are ready at a certain moment of the year,

then that is only feasible as a strategy for survival

if you have some strategies in mind for how

you're going to preserve the harvest to get you through the rest of the year.

So I would argue that agriculture itself would not

be possible without fermentation.

It's not the fermentation is the only ancient method of preservation,

but most of the ways that we preserve food today

just hadn't existed in the past.

I mean, OK, we can't even imagine how you live without a refrigerator.

And if we were sitting here just 100 years ago,

nobody would have a refrigerator.

And bear in mind that most households on planet Earth in 2017

do not have a refrigerator.

Refrigeration is not universally available.

And so people use other techniques for preserving food.

Then, we might think about canning.

Some of us might think of canning as an old time preservation technique

because we mostly associate it with a grandparent or great grandparents

or something like that.

Canning is a 200-year-old technology.

It was patented in France in 1812, where it's called up appertization

because they remember the name of Nicholas

Appert, the clever Frenchman who invented the process of sterilizing

food in a jar.

So if you take away refrigerators and freezers and canning,

there aren't that many other methods of preservation.

There's drying food.

Drying food preserves food basically by depriving

the microorganisms that are on the food of the water

that they need in order to function.

So dried foods are not sterilized in the way that canned foods are.

The microbes are present, but they're in a state of dormancy

because they lack the water that they need in order to function.

And certain foods are just dry when they're mature.

That's their nature-- any kind of grain, any kind of bean, any kind of nut.

They're just dry when they're mature.

Other foods can be dried, like fish or meat or fruit or vegetables.

Really any food could be dried.

And then beyond that, fermentation has been just a major way

that people have preserved food.

Sauerkraut, kimchi, pickles-- these are all strategies for people

in temperate parts of the world to preserve vegetables

from the limited season when they can be grown to get people

through the rest of the year.

Cheese, we mostly think about cheese as something that's tasty

and something that you walk into a gourmet store,

and there's all these different choices and exciting flavors and textures

and all that.

But I mean, really what cheese is preserved milk.

Cheese and yogurt and kefir and other forms of fermented milk

really are strategies for extending the life of this,

or the usefulness of this you know extremely perishable food.

Salami-- you walk into a delicatessen, and the salami

is just like hanging from a string in the ceiling.

I mean, that's preserved meat.

You take this animal that you've been feeding for months,

and you know it weighs 300 pounds.

And you can't eat it all at one sitting.

So you have to have strategies to preserve the meat so you can eat it

over a longer period of time.

And that's what all cured meats are.

So preservation has been just an incredibly, incredibly important reason

why people ferment.

I wish I could say that I got interested in fermentation for something

as high minded as that.

But what first made me start thinking about fermentation

was the flavors of fermentation, and fermentation

creates compelling flavors.

And if you walk into a gourmet food store anywhere,

most of what you're going to see and smell are products of fermentation.

And most of the world's greatest delicacies

are products of fermentation.

And fermentation creates strong flavors.

Of course with strong flavors, not everybody

loves every flavor of fermentation.

And I think cheese illustrates this so well.

So as my taste has evolved--

and I wasn't born like this-- but like I love stinky, stinky cheese.

And if I can smell it from hundreds of it away,

it-- just catches my attention, and I'm dying to try it.

And I'm so sure not everyone in here would share

my passion for stinky cheeses and.

Whenever I have a really very ripe, sticky piece of cheese

and I invite some friends over to share it with me, inevitably

somebody gets to the door and just makes this awful face.

And they're thinking, did something die in here.

And they would never ever think about putting something

that smelled like that into their mouths, and the world of fermentation

is just full of these strong flavored.

They're what we would call acquired tastes.

You're not born loving a stinky cheese.

You're not born loving surstromming, the Swedish low salt fermented Herring.

Just the stronger flavors of fermentation,

people learn to like through exposure, through seeing other people get excited

about them, through being willing to taste them a second and a third time.

So flavor is a very important aspect of fermentation.

What's getting a lot of people interested

in fermentation at the present moment is perceived health benefits.

So I want to just address that a little bit.

It's not like all of these foods have precisely the same qualities.

It's not like coffee and bread and cheese and kimchi are all the same.

They're all different.

They're all based on different foods that have different qualities,

the fermentations are different, every food is unique.

But the process of fermentation transforms nutrients

in some very clear patterns of ways.

The first way Pia referred to in her introduction,

and that is what I would call pre-digestion and the idea

that, while the food is fermenting, the bacteria or the fungi that

are fermenting it are breaking down nutrients into more elemental forms.

And frequently these simpler forms are easier for us to access.

I would say that the most dramatic example of this is soybeans.

The reason why the vegetarian subcultures of the West

became so interested in soybeans and they became almost a singular

replacement for meat and milk is that soybeans

are considered to be the plant food with the most concentrated protein.

But you really never hear about people just

you eating a plate of soybeans for dinner the way

they might with lentils or chickpeas.

And the reason for this is that our human digestive systems are not

capable of breaking down the protein in soybeans.

And it won't kill you if you eat a plate of soybeans for dinner,

but it'll make you really gassy.

It'll give you terrible indigestion, and you're not

going to get the protein out of the soybeans.

And so somehow thousands of years ago, the Asian cultures

that pioneered soy agriculture recognized

the indigestibility of the soybeans and figured

out how to make soybeans digestible.

And we have this whole range of fermented soy foods.

There's soy sauce.

There's miso.

There's tempeh.

There's natto.

There's really like dozens of other variations.

The four that I mentioned are very different in flavor,

they're different in texture, they're different and fermentation processes,

they're different in the organisms that ferment them.

But what they all have in common is that that protein

gets broken down into amino acids, the building blocks of proteins.

Similarly, when you ferment milk, lactose--

the milk sugar that so many people have a hard time digesting-- breaks down.

And many people who can't drink a glass of milk have a fine time eating yogurt.

But of course, it's not a question of yes or no.

It's a matter of degree, and most commercial yogurt

that's available I mean the assumption, at least in the United States,

is that people want their yogurt minimally sour.

And so most commercial yogurt in the United States

is fermented for about 2 and 1/2 hours, which

is enough to just set the yogurt but without making it too sour.

But what the sourness is is lactic acid, and that's with the lactose

is being transformed into.

So the more sour it is, the less lactose there is.

So if you make yogurt yourself at home, instead

of fermenting it for 2 and 1/2 hours, you can fermented for eight hours.

You can fermented for 12 hours.

You can fermented for 24 hours, and you'll have a different product.

It'll be more sour, but there will be less lactose to it.

That's pre-indigestion.

Even gluten, the notorious wheat protein that so many people

have a hard time digesting, can be broken down by fermentation--

not by yeast, but by bacteria.

And yeast you can go to any store and buy.

Yeast has been present with us forever, and people

have been making bread for something like 10,000 years and using yeast.

But until Louis Pasteur isolated yeast in the 19th century,

yeast was never alone.

Yeast has always been used with the bacteria

that it travels with-- so on the wheat itself, like on grapes or on barley.

The yeast is there, but it's not alone.

It's with lactic acid bacteria.

So what we now call sourdough, which is natural leavening--

which is really how bread for the first 1900 years was made.

The fermentation included not only yeast but bacteria,

and those bacteria can break down gluten.

So there's a much lower level of gluten in bacterially fermented bread or bread

made with natural leavening or a mixed culture.

And this question of mixed cultures is really kind of essential

because until the emergence of the science of microbiology

there was no such thing as singular microorganisms.

Microorganisms are everywhere, but they're never alone.

They always exist in communities and in pretty elaborate communities.

And we've all been reading a lot about the human microbiome

over the last couple of decades, and more and more

is known and understood about that.

And each of us is host to something like a trillion bacteria, many more bacteria

than we have human cells with our own unique DNA.

I mean, the carrot and the cabbage also have a microbiomes.

Every living thing has a microbiome, has its sort of simbiance

that they live with.

But there are always these elaborate communities.

It's never one singular micro-organism.

Pre-digestion-- OK, I got off on a little tangent.

A flip side of pre-digestion is in addition

to breaking down nutritious compounds, fermentation

can break down toxic compounds.

So there's all kinds of toxic compounds in different kinds of plants

that fermentation can break down.

And some of them are dramatic, like cyanide in cassava.

Cassava in certain parts of the world grows with these extraordinarily high

levels of cyanide.

And if people were to eat unprocessed cassava roots,

they would literally kill them.

And yet it's this very important source of nutrients

for about a billion people around the equatorial regions of the world.

And so in the parts of the world where cassava

grows with high levels of cyanide, one of the major strategies for removing

the cyanide is fermenting it.

And it's very simple.

You peel it.

You coarsely chop it, put it in a vessel filled with water

that initiates a fermentation.

And it breaks down the cyanide compounds into benign forms.

A lot of food toxins are not quite as dramatic as that.

Oxalic acid found in a lot of vegetables breaks down by fermentation.

Phytic acid, which is found in the outer layers of seed foods,

breaks down through fermentation.

There's even some evidence showing that residues of organophosphate pesticides

can be broken down through fermentation.

So all kinds of toxic compounds and foods

can be broken down by fermentation.

Then another interesting aspect that's really

just beginning to be investigated are the metabolic byproducts

of fermentation.

And a lot of them are turning out to have interesting therapeutic potential.

So for instance, in sauerkraut and other fermented vegetables,

there are these compounds called isothiocynates which

are regarded as anti-carcinogenic.

And they're not found in the vegetables you begin with.

They're generated by the lactic acid bacteria

over the course of the fermentation.

Natto, the Japanese soy ferment-- that's never really caught

on in our part of the world because it's got a slimy texture

and it's an example of an alkaline ferment.

So it sort of smells a little bit like ammonia.

I know.

I'm making it sound very appealing.

But it's actually incredibly delicious.

And in that slimy coating that develops on the soybeans

is this compound called nattokinase, and you could go in

and any vitamin supplement store in North America and buy nattokinase

that's been extracted from natto because so many people

are taking it because it's been found to dissolve fibrin.

Fibrin-- when you hear about people with clogged arteries, the fibers that

build up inside of our blood vessels, that's fibrin.

And this compound that's a metabolic byproduct of bacillus subtilis

as it ferments soybeans actually can break that fiber down.

And so a lot of people are taking it in therapeutic ways.

Then finally, what I would consider to be

the greatest potential benefit of fermentation

would be the bacteria themselves.

So I talked a little bit about the microbiology.

I mean, all of us older people here who grew up through the 20th century,

we were brainwashed with this idea that bacteria are our enemies,

bacteria need to be avoided.

And when they are encountered bacteria need to be destroyed by any

means necessary.

And science is actually telling a much more nuanced story these days.

Bacteria are the matrix of all life.

There's an emerging consensus in evolutionary biology

that all life is descended from bacteria.

The flip side of this is that no multicellular form of life

lives without bacteria.

And just as we're dependent on these trillion microorganisms that

are part of us, so too is the cabbage and the carrot and the cow and the pig.

And really everything we eat has its own microbiome.

And yet we're still in this war on bacteria mentality,

and we all have chemical exposure to compounds

that are designed to kill bacteria, whether it's antibiotic drugs,

whether it's anti-bacterial cleansing products, whether it's

the chlorine that's on all of our municipal water systems.

But we all have exposure every day to these compounds

that are designed to kill bacteria.

And luckily none of them kill all bacteria.

But what they do is they diminish biodiversity.

And we think a lot about biodiversity in terms of the oceans and the rainforest,

but biodiversity is a concept that applies inside our bodies as well.

And as we learn about the incredible range of our functionality

that involves bacteria, we're also learning

ways in which we are hurting ourselves through this chemical exposure that

diminishes our biodiversity.

So I mean, bacteria in our bodies do way more than enable us to digest food.

I mean, that's a very important thing, that bacteria

enable us to effectively digest food and assimilate nutrients from food.

What we call our immune systems are largely

the work of bacteria in our intestines.

In the last few years has been incredible groundbreaking work

demonstrating that serotonin and other compounds that determine

our neurological function-- how we think, how we feel--

are regulated by bacteria in our intestines.

And it turns out that nearly every process in our bodies

involves these bacteria, and yet we continue killing them all.

And so this has given rise to what is called probiotics.

It's the antidote to antibiotics to ingest bacteria.

And there's a huge industry of you know little capsules that you can buy,

probiotics.

And each of these capsules is saying, oh, this

is a billion cells in this little capsule.

Well, it's a billion copies of one or two

or three different bacteria which has limited impact on biodiversity.

The current contrast to that would be traditional fermented foods, none

of which involve singular bacteria.

They all involve these elaborate communities of bacteria.

And so when we ingest living fermented foods,

I mean we are promoting biodiversity in our gut.

And we don't fully understand it at all.

I mean, there are elaborate interactions between the bacteria we ingest

and the bacteria in residence in our intestines.

The earliest articulations of the idea of probiotics Elie Metchnikoff writing

110 years ago.

I mean, his vision of it was you eat the yogurt, and the bacteria of the yogurt

just take over the intestine and make everything better.

And it's a highly competitive environment in there.

It's not like the bacteria in residence in our intestines

just sort of move over and make room for the new bacteria

in the yogurt to take up residence, but there is an elaborate interaction.

And part of that interaction is a genetic interaction.

And one of the most fascinating things about bacteria

is their genetic flexibility.

So in contrast to us and animals and plants and fungi--

which all have fixed genetics for the course of our lives--

bacteria aren't constrained in that way.

Bacteria are extremely genetically flexible.

They can exchange genetic information.

They can pick up genetic information from the environment.

They can get rid of genetic information that's

no longer relevant to their existence.

And so part of that interaction is a genetic interaction.

All of that said, I think that fermented foods are very important.

I think there's also a lot of unsubstantiated hype.

There are web sites telling people that, if they drink kombucha everyday,

their diabetes will go away, your hair will never get gray,

you'll reverse aging.

I mean, there's a lot of ridiculous things that the people are saying.

But I mean I think that the underlying idea

that there is great potential when we ingest bacterially rich food to improve

digestion, improve immune function, potentially improve

mental health and other systems of the body without any risk, is significant.

OK, now let me talk a little bit about some fermentation concept.

So the first book that I wrote about fermentation-- my books are up there.

I'm going to do a little book signing after--

was called Wild Fermentation.

I didn't make up this expression.

It's found throughout the literature, and it describes something specific.

While fermentation is fermentation that is based on the organisms that

are present on the food like nobody-- well,

I won't say nobody uses starters to make sauerkraut

because people are selling starkers to make sauerkraut.

But I mean it's totally unnecessary.

Lactic acid bacteria are present on all plants.

There's no reason to add a starter because you'll find

the bacteria you need on all plants.

You don't need yeast to make wine either.

I mean, nobody had used to make wine you know until Louis Pasteur did his work.

I mean, you crush the grapes.

The yeast and bacteria are on the skins of the grapes.

They initiate the fermentation, and they transform the sugars into alcohol.

And then if you don't protect it from oxygen, other bacteria that are there

will transform alcohol into acetic acid.

But that's wild fermentation.

It's just sort of basing your fermentation on the organisms that

are spontaneously present.

The contrasting style of fermentation, no less wonderful,

is when you introduce some sort of a starter.

There's basically three different categories of starters I would say.

I reference the packet of yeast.

That's something that Louis Pasteur and the emerging science of microbiology

made possible, isolating singular microorganisms.

Yeast is the most common one.

If you wanted to make Camembert cheese here in Cambridge,

initially it was done as a wild fermentation with raw milk

in a certain cave system in France.

But if you could simulate the temperature and humidity

conditions of those caves, you can go on the internet

and you could buy the right bacteria and the right fungus

and follow procedures that have been outlined,

and you could sort of simulate the conditions of the caves of France.

And you could produce Camembert cheese in your apartment in Cambridge.

I make koji, which is a Japanese rice with a fungus grown

on it that's the starter for making soy sauce, for making miso,

for making Sake, for making Amazake and many other foods.

And so I buy imported from Japan a fungal starter to make my koji.

But what's important to understand about these singular

microorganisms is they are brand new in the scheme of things.

They're 20th century technology of isolating organisms,

and an incredible range of starters are available.

But they're new in the scheme of things.

The ancient form of a starter is what I would describe as backslopping.

And that's basically, you take the old batch

and you put some into the new batch.

This, is how people make yogurt.

The way you make yogurt is you save a little bit of the old batch

and you put it into a fresh batch of milk.

And there's some temperature manipulation involved in there too,

but the source of the bacteria is typically the last batch of yogurt.

This is what a sourdough is.

I mean, generally a sourdough is started as a wild fermentation

because really all of those use and bacteria are present on the wheat

or on any other grain.

But once you have a nice vigorous sourdough with a good flavor

and a good lifting action for your bread, you never bake the whole thing.

You always save a little bit to perpetuate it,

to introduce into some fresh flour and water.

And I've met people who have sourdoughs that are hundreds of years old

that's been passed down in their families for generations.

And you can do lots of things this way.

I mean, before pure yeast was available a lot of breweries

made beer by saving a little bit of the last batch

to introduce into the next batch.

This is the way a lot of traditional salami making

has been done-- save a little bit of the old batch

to introduce into the next batch.

So that's really the ancient form of a starter.

And then the third form of a starter are what we would describe generically

as scobies, S-C-O-B-Y, which is an acronym which stands for Symbiotic

Communities Of Bacteria and Yeast.

And so there's really just a handful of these.

The most famous example right now would become kombucha.

The scoby is the mother of kombucha.

It looks like a rubbery pancake, and it floats on top of the sweetened tea.

And that community of organisms that are part of the rubbery pancake

grow into the sweet tea and digest carbohydrates

and transform it into kombucha.

Another example of this would be kefir, grains of kefir--

very different appearance from kombucha.

They look more like little florets of cauliflower.

And embedded in those florets of cauliflower

is an incredibly complex community with more than 30 distinct organisms that

have been identified that somehow coordinate their reproductions,

spin this skin that they share, and ferment milk in the process.

There's a handful of other ones.

There's one called tibicos, also known as water kefir, which comes from Mexico

and looks more like little crystalline structures.

And you put them in any kind of carbohydrate rich liquid,

and they'll ferment the carbohydrates into acids and a little bit of alcohol.

And you can make delicious beverages with them.

Now I mean, conceptually all of these starters

had to start as a wild fermentation.

I mean, where did the first yogurt come from?

I mean, it's a little bit of a chicken or an egg problem.

But I mean, in my mind it's very clear that it

was a happy accident in some very warm place on a hot day,

and somebody sort of realized that the temperature had something to do with it

and figured out a technique for, through backslopping, reproducing

their results.

But the questions of origins are, with anything, and certainly with any

of these foods is very, very murky and highly speculative.

And there's a huge literature that's addresses the question,

how did humans discover or invent fermentation.

And I mean, my perspective is totally that humans didn't invent or discover

fermentation, that we evolved already knowing it.

There's a lot of great documentation of different kinds of animals

gorging themselves on fermented fruit, including primates.

And it just so happens that we evolved with enzymes that can digest alcohol.

Interesting.

So I mean, humans didn't invent alcohol.

I mean, alcohol is a natural phenomenon.

If you ever pick a lot of berries, you'll note some of them are fermented.

And it's a natural phenomenon that our clever ancestors figured out

how to make happen, and we developed a lot of technology.

I referred to pottery earlier, but we developed lots of technology

to enable ourselves to sort of your master techniques

for making these foods and beverages.

OK, let me just talk about the cabbage a little bit.

And then we're going to leave some time for questions, which hopefully there

are some.

So this is cabbage, some green cabbage, some red cabbage, some carrots,

some onions-- sauerkraut does not just have to be sauerkraut.

It doesn't have to just be cabbage.

Like literally you could ferment any vegetable you want.

We cut the kernels off of an ear of corn into here.

Know we could put ocra in here.

Any vegetable you want you could put it here.

I lightly salted them.

OK, for the sauerkraut method, the dry salting method,

you have to chop up the vegetables.

If you leave the vegetables whole, then you need to mix up a brine solution

and ferment it in the brine solution.

But when you shred your vegetables, then you

can have a more concentrated flavor because you're not

diluting the flavor with water.

But remember, at the beginning I said that our objective here

is to get the vegetables submerged under liquid.

So we have to get some juice out of the vegetables.

And so earlier when we shredded the vegetables, we lightly salted them,

lightly salted them because it's easier to add salt

than it is to subtract salt. So at some point I'll taste it and I'll evaluate--

does it need more salt.

What I'm doing right now is I'm squeezing the vegetables.

I'm massaging the vegetables.

And really what I'm doing is I'm breaking down

cell walls to release juice.

In larger scale production, families or villages

that would get together in northern Europe

and make big barrels of sauerkraut, they weren't usually doing it like this.

They had some kind of a big, blunt, heavy tool,

and they were smashing down on the vegetables.

Or a story I hear over and over again--

generally people my age or older who grew up in Eastern Europe

is memories of having their feet scrubbed

and being put inside the barrel so that they'd

have their kids jump up and down.

Whether you're going to jump up and down or smash it with the heavy tool

or, on a small scale, do this and just squeeze it with your hands,

you're doing the same thing.

You're breaking down cell walls-- oh, OK.

And you're releasing juice.

I'm going to keep doing this for a couple

more minutes while I talk about some of other issues.

OK, first of all, let's talk about salt. A lot of people

imagine sauerkraut has to be extremely salty.

Sauerkraut definitely does not have to be extremely salty.

I'm going to add a little bit more salt. But I mean, I'm just doing that.

That's just to taste.

If we had five different versions, one at a half a percent salt,

1% salt 1 and 1/2% salt, 2% salt, 2 1/2% salt,

we wouldn't all agree about which one tasted the best.

I mean, we would probably have people thinking

each one of them tasted the best.

And if you follow a recipe in the Joy Of Cooking which

by the way is where I first learned how to make sauerkraut--

if you follow a recipe for lentil soup, it will never tell you how much salt.

It'll say salt to taste.

And people imagine that that fermentation somehow

requires more precision than that, that you need a scale to weigh your salt.

I mean, if you're going to have a commercial business

and you want to make a consistent product,

then you need a scale to weigh your salt so that it tastes consistent.

But if you're just making it for your own personal pleasure at home,

there's no need to measure the salt.

The reason why many of us have the idea that it needs to be very salty

is that this was a survival food.

If these were the last vegetables we were going to see for the next six

months, we have an incentive to use more salt. If on the other hand,

we're trying to make something that we're going to enjoy eating, that's

going to support our continued good health,

then there's just no reason to make it extremely salty.

I mean, I get emails every week from people

who say like, oh, I really want to eat sauerkraut

but my doctor told me I can't eat heavily salty foods.

It does not need to be heavily salty.

This is not rocket science.

It doesn't need to be a precise proportion of salt. In fact, you

can make it with no salt at all.

I mean, it doesn't taste very good, and it has or it has a really soft texture.

The salt does very helpful things.

So the first thing the salt does is it starts

to pull juice out of the vegetables--

osmosis.

The second thing the salt does is, what makes vegetables crispy are pectins,

and salt hardens the pectin.

So it makes the vegetables crispier.

The third thing is, if you from vegetables for a long time

or in a warm environment or certain vegetables--

mostly watery, summer vegetables like cucumbers and zucchini,

they'll get very soft, very quickly when you ferment them.

What makes the vegetables soft--

and it'll happen with sauerkraut too if you do it for a long time

or in a warm environment.

What makes the vegetables get soft are a class

of enzymes called pectinase enzymes that break down the pectins,

and salt slows down the pectinase enzymes.

It also slows down the lactic acid bacteria.

And when your objective is preservation, slowing down the process

is actually very helpful.

So salt does all these wonderful things.

But you don't need a lot of salt.

So, OK, I squeeze the vegetables until--

oh, you can't really get it on the camera.

What if I go--

no.

Oh.

[LAUGH] OK.

Can you see that, when I'm squeezing the vegetables, it's like a wet sponge

and all this juice is coming out.

That's when you know that it's juicy enough to get the vegetables submerged.

You could measure the salt. The generic proportion

that is repeated over and over again in the literature is 2% salt by weight.

But you don't need to.

Just lightly salt it.

It's always easier to add salt than it is to subtract salt.

As for a vessel, a glass is perfect, a jar.

Wide mouth is a little bit easier to deal with than something

with a narrower neck.

But you can do it in a mayonnaise jar, and it would be totally fine.

You can use ceramic crocks.

You can use wooden barrels.

You can use plastic buckets.

The material you really want to avoid is metal

because we're using salt as we cultivate bacteria that are producing acids.

And both salt and acids can corrode metal.

And while stainless steel theoretically resists corrosion,

it turns out that household grade stainless steel just

has a thin coating that's stainless.

And anywhere where it gets scratched, it'll start to corrode.

Then the million dollar question in fermentation

is how long do you ferment it.

And there's just there's no straightforward

answer to that question.

The acids accumulate over time.

As a survival food, people in a temperate environment

might make this in September, October, November, depending on where they live

and keep eating it through the next spring when there's fresh vegetables.

It doesn't mean you have to wait for six months to eat it.

It means it's still good after six months,

particularly if you have a nice cool place where you can store it.

So you just fill the jar, then fill it some more.

You don't want to fill it to the very, very top

because it's going to produce carbon dioxide and expand a little bit,

and we don't want it to all spill out.

You can see, as I press down, the juice is rising up.

I chopped up too much.

It takes about two pounds of vegetables to fill a quart

sized jar, a kilo for a liter.

So now the vegetables are submerged under liquid.

There'll be more liquid tomorrow.

No matter how much liquid there is, the vegetables

are going to want to float to the top, like our bodies in the ocean.

So what I like to do is--

I mean, there's all kinds of gadgets people are making.

Somebody just gave me pickled pebbles that

are like these little glass disks that go in the jar and hold everything down.

A ceramicist friend of mine made me some little

ceramic disks to do the same thing.

But the good old-fashioned improvisational method

is to take one of the outer leaves of the cabbage that has a strong spine,

use that almost like a spring, stuffing it in,

get the little spines stuck under the shoulders of the jar,

and let it hold everything down.

And then if it peeks up, it can be sort of sacrificial.

I say sacrificial because we're protecting it from oxygen,

and there's a surface.

There's a place where it's meeting the oxygen.

There are all kinds of clever vessel designs

that are engineered to protect the surface from oxygen.

But OK, how many people here have ever fermented vegetables?

How many of you have ever had any funky surface growth develop?

Oh, look, it's the same people.

So I mean the vulnerable place is the surface.

That's where your protected environment meets the oxygen.

And where the oxygen is all these other forms of life can develop,

most prominently molds.

So the funky surface growth can be a combination of yeasts and molds.

Almost always the molds are white molds that will get darker

as they mature and sporulate.

I don't want anyone to go home thinking they heard

me say it's OK to eat any kind of mold.

But because there are definitely molds that are extremely, extremely toxic

and you definitely don't want to touch any like bright colored mold,

but molds that start out white and stay in a monochromatic range

are generally regarded as safe.

Everybody scrapes them off the top.

Remove any discolored or softened vegetables near the top.

And what's underneath it is fine.

And this is sort of like repeated throughout the literature.

And I mean, just the fact that I've been doing this for 15 years

and never had anybody say I followed your advice

and then my friend with extreme mold sensitivity has had a reaction.

It just makes me feel increasingly confident that they

were totally, totally harmless.

And just everybody who does this has this experience,

and it's not a problem.

OK, I could go on and on and maybe I will but--

PIA SORENSEN: But how about we-- thank you all of you for coming,

and thank you, Sandor.

For more infomation >> Sandor Katz: The Art of Fermentation; Science & Cooking Public Lecture Series 2017 - Duration: 1:06:38.

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Le prince William distant avec Kate Midd­le­ton en public à cause d'une phobie person­nelle ? - Duration: 3:23.

For more infomation >> Le prince William distant avec Kate Midd­le­ton en public à cause d'une phobie person­nelle ? - Duration: 3:23.

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Lidia Bastianich: The Science of Risotto; Science & Cooking Public Lecture Series 2017 - Duration: 1:05:43.

DAVID WEITZ: So welcome, everybody.

We have certain traditions in this lecture.

If you haven't been here, I will teach you about our traditions.

First of all, you know, these lectures are associated with a lecture series,

a class at Harvard.

It's a science and cooking class.

And so we may see equations.

And if we do, what do we do?

[APPLAUSE]

I see only a small fraction know that we have to do that.

Everybody has to do that if you happen to see an equation.

Also, just to encourage people to come to these public lectures,

we have a quiz about the last lecture, and we give out prizes.

Where did our prizes-- oh.

Can we show a prize?

So it's an apron with all the equations on it.

[APPLAUSE]

OK.

So those of you who were here at the last lecture

will have a little bit of a head start, but anybody can answer.

And just raise your hand as quickly as you can.

And if I see you first, I'll ask you.

So from before, why does sparkling water taste so different from normal water?

AUDIENCE: It has carbon dioxide.

DAVID WEITZ: Oh, come on.

That's easy.

Why?

What does it do?

Anybody else?

AUDIENCE: The carbon dioxide comes up from the-- or through the water.

[LAUGHTER]

DAVID WEITZ: I'm going to be tough.

It's carbon dioxide.

So what?

AUDIENCE: Makes it acidic.

DAVID WEITZ: Ah, he wins.

It's acidic.

So what did we learn?

[APPLAUSE]

Do you know what the pH is?

AUDIENCE: Sorry, I wasn't here for that.

DAVID WEITZ: Oh.

[LAUGHTER]

It's 4.5.

And it turns out that all good foods are much more likely to be acidic than they

are to be basic or even neutral.

And so that's why.

So sorry.

You missed the main point.

[LAUGHTER]

OK.

Harold talked about tea, and we had black tea and green tea and--

AUDIENCE: Oolong.

DAVID WEITZ: Oolong tea.

Very good.

AUDIENCE: All right.

[APPLAUSE]

DAVID WEITZ: Two lessons.

If you're closer to the front, it helps.

And if you come to the-- if you come to the next lecture,

you'll be all set for this quiz.

Let me hand it back to Pia.

PIA SORENSEN: OK, thanks Dave.

So I thought we should go into this lecture.

So very soon, I'm going to introduce Lidia.

But I thought we should just start pondering a few questions

that we can keep with us as we go through the lecture.

And the question I want to ask is, what is cooking?

So when you cook, what is the definition of cooking?

Are there any ideas?

No aprons.

Well, actually, we have one apron left.

Any ideas?

What is the definition of cooking?

All the way in the back.

AUDIENCE: Altering raw ingredients with heat.

PIA SORENSEN: Altering raw ingredients with heat.

Good.

Any other ideas?

Yeah?

AUDIENCE: Altering the chemical structure of ingredients so you can

[INAUDIBLE].

PIA SORENSEN: Uh-huh.

Altering the chemical structure of the ingredients.

Anything else?

Yeah?

AUDIENCE: [INAUDIBLE] together to make the food edible.

PIA SORENSEN: OK.

Make the food edible.

I like that.

So if you go to the Oxford English Dictionary,

it says, "To prepare or make ready food."

So that's kind of along the lines where you're saying.

And then it mentions the heat.

It says, "To make fit for eating by due application of heat

as by boiling, baking, roasting, broiling, et cetera."

So I would probably argue that cooking is a very broad term.

How you define it is kind of a philosophical question.

But the fact that you apply heat, I think

that is one of the things that comes foremost to mind for a lot of us,

that you somehow add heat in some way.

So that I want you to keep in mind.

And the next question to ask is, well, how much heat

do you have to add to food to cook it?

Like, when is it cooked?

And I would say that this depends on--

so you want to add some heat to food, some cue.

[APPLAUSE]

That's barely an equation, but thank you.

[LAUGHTER]

There is an equal sign, so it's an equation.

Good.

Good.

Good.

[LAUGHTER]

Good.

So I would say--

so if something is very big, you're going to have to add a lot of heat,

right?

If something's very small, you're going to have to add less heat.

So I would say that the mass is important, right?

[APPLAUSE]

And then I would say, well, it kind of depends on what kind of food it is.

Let's say you're cooking pasta, or let's say you're just cooking a marshmallow.

They have very different textures, so maybe you

have to add different amounts of heat to the food to make it cooked.

And for that in science, we have something

called the specific heat, which is CP.

[APPLAUSE]

See, you'll get tired doing this.

And then I would say, well, it depends on how hot you want to make the food.

So if you just want to heat it up a little bit and make it lukewarm,

you don't have to add as much heat.

But if you want to make it really sizzling hot,

then you have to add a lot of heat.

So it depends on the temperature difference, right?

[APPLAUSE]

And now-- and now if I put all of this together,

I get the equation of the week.

Now you clap.

[APPLAUSE]

So this is the equation of the week.

And if you were a college student in this class,

you would now go into lab, into our cooking lab,

and you would explore this question by cooking pasta.

So the dish of the week is pasta puttanesca,

and we would ask all kinds of questions about pasta.

Pasta seems to be one of those really basic things

that most people have cooked, right?

Right?

But there are all kinds of questions around it.

So do you add salt to your water or not?

How much salt do you add?

Do you add the pasta--

so how many here waits until the water is boiling until you add the pasta?

Who does not?

Yeah?

Why?

Why?

Right?

[LAUGHTER]

I mean, it's just a question.

It's just a question.

[LAUGHTER]

But questions you can find the answer to.

So this lab was actually born out of an article

by Harold McGee, who was here last week.

Who was here last week?

Wonderful.

So then you listened to Harold talk about tea.

But this is an article from 2009 in The New York Times

where he asks the question--

and this is another question related--

so for example, when you cook pasta, do you have a lot of water?

Do you, like, fill the pot?

Who just fills the pot with a lot of water?

I do.

Who is, like, no, I just try to take the bare minimum water?

OK.

So we're a bit more divided.

So Harold asked this question, and he said--

let's see up here--

why boil so much more water than pasta actually absorbs, only

to pour it down the drain?

Couldn't we just cook pasta just as well with much less water, less energy?

Another question quickly followed.

If we could, what would the defenders of Italian traditions say?

So next he goes on and I described my method in email messages

to two of this country's best known advocates of Italian cuisine.

Lidia Bastianich told me, my grandmother would have thought of this idea

surely as blasphemous, but I think it's curious.

And so she went into her kitchen, and she actually did this experiment.

And she finally concluded that the cold water pasta-- so

if you add the pasta to the cold water and then you wait for the whole thing

to start to boil, you boil it that way, it had lost some of its nutty flavor,

right?

So she thinks, yes.

I think it's good and doable to reduce the cooking water by a third

from six quarts to four quarts.

But please, (ITALIAN ACCENT) put-a la pasta in boiling water.

So there you go.

So with this-- and I'll show you this too,

because this is what we do in this class here for those of you who were really

into the structure of pasta--

this is a graph of what pasta looks like in a SEM microscope.

This is dried pasta.

This is pasta that has been--

has been hydrated-- sorry.

That has been-- what's the name?

Cooked, hydrated, rehydrated in 20 degrees.

20 degrees.

And this is 80 degrees.

So you can actually, on the microscopic scale, see a difference.

I'd like to argue that maybe chef Lidia could

taste that difference with her mouth.

So with this, I'm going here is what we would do in lab.

So with this, I'm going to soon introduce Lidia.

So this is very fitting in a number of ways.

For those of you who attended this lecture series last fall,

Eataly had just opened in Boston, and we were all really excited.

And Mario Batali came and gave the last lecture.

Was anyone here?

Yeah.

So I thought it would be fitting now to start off

this lecture series with Lidia Bastianich, another co-founder

of Eataly.

Also the person behind Lidia's Kitchen, Felidia, Del Posto,

many other restaurants.

And the other reason this is very fitting

is because what we're doing here is we're applying heat, right?

In the first lecture by Harold McGee and Dave Arnold, we cooked--

Harold talked about tea, right?

Very simple manipulation of water to make a delicious drink.

Dave Arnold talked about sparkling water.

Also very sort of simple manipulation of water to make it delicious.

Here we're going to add heat.

I mean-- and some more things.

But essentially, we're now adding heat to our food.

And we're doing it to a kind of basic material in a way,

just to grain, to rice grains.

So as scientists, we like to study simple systems,

and I'd like to propose that we're kind of doing that here.

Although as you'll see, it's actually very complicated.

So with this, please welcome Lidia Bastianich.

[APPLAUSE]

LIDIA BASTIANICH: Thank you.

Thank you, professor.

Thank you, professor.

Mia grazie for the invitation.

Thank you very much.

And it's a pleasure being here with you.

Where are you two guys?

Come on out.

[LAUGH]

So you know, we have--

there's here the executive chef of Eatily down at the Pru Center,

and his assistant Daniel.

And we chose to make risotto today.

And risotto's all about the technique.

But you know, as she said, they told me, well, you could cook.

You can talk about it.

You can taste things.

And I says, how are we going to have all these people look at me

and not give them a tasting?

[LAUGHTER]

So we have the two of them, which they're mixing the pots,

so there will be a tasting for everybody.

Because I think--

[APPLAUSE]

Because-- because I think, you know, yes, you listen to the technique

and to the whys and to the hows and answer the questions.

But at some point, you know, you've got to record it.

You've got to record the flavor, the textures, and all of that.

So we made sure that you had that.

So risotto.

Risotto.

What is risotto?

Risotto is an Italian technique of cooking rice.

And it is a technique.

It's considering Italian culinary sort of sequence.

It's a primo.

A primo is usually a starchy dish.

So you have dente pasta.

Then you have your primos.

It could be pasta, it could be soup, and it could be risotto.

And it is very much appreciated by the Italians.

And yes, it's in the ingredients, but there's

so much in the technique of cooking this dish.

And once you have the technique down-- and by today, you should--

you can go home and make any flavor risotto.

And I'm pretty sure of that.

So pay attention.

But what-- you know, let's talk about rice.

Rice is the one food that feeds the most people in the world.

There's records of 2500 before Christ that rice was already being used.

75% of the world cultures, the cultures use rice in their meal.

And rice is grown in every part of the world except in every--

except Antarctica.

So rice is quite an important element in our cuisine.

There's more than 400 different--

4,000-- no, 40,000 different species of rice.

So you know, there's a lot to select from.

The rice that we use for risotto is the short grain rice.

So you hear the word arborio.

You hear the word carnaroli, vialone nano.

These are all specific kinds of--

they're in the same species, but there have

little nuances and little differences.

But all of them are for making risottos.

And in Italy, which is the largest country growing rice--

the largest rice-growing country in Europe,

basically they grow the short grain rice.

So let's-- when did rice come to Italy?

Rice sort of initiated in China, Middle East, North Africa,

and it crossed over into Sicily about the 700s.

Sicily, if you look at the Sicilian recipe repertoire, you see rice.

But rice, even though rice grows in all parts of the world,

Sicily wasn't the ideal conducive to rain for rice,

and rice slowly traveled up to northern Italy,

and it really gained a hold in the 1200s up in Lombardy.

Of course, Lombardy is the Po River that comes down from the Alps.

It has all its divisions, and it's a great setting for rice.

So the Po Valley, the Po Valley starting from Lombardy into Piemonte,

that is the area in Italy where rice is really grown.

Vercelli one of the cities is the capital of rice growing in Italy.

So what is the difference between short grain rice and long grain rice?

Now let me-- maybe I'll begin to cook so that, you know, you get to the tasting.

[LAUGHTER]

Rice, one cup of rice will yield two cups of risotto.

It will take about 3 and 1/2 cups of liquid to get there in about 17

minutes.

So the formula is not that complicated, but everything else that comes in.

What's important is that you have some good stock

to coax that starch out of that kernel.

The stock, because rice, once it's milled like this, rice has a bran.

It's brown.

It's a kernel.

It's brown.

And then it also has a germ.

So when you look at the rice kernel, and you see almost like a chipped tooth,

that's the rice that has been milled of its bran.

The germ has been taken off.

Germ is the food of the rice kernel.

So it has fat.

It has nourishment.

When you have brown rice, brown rice has its bran on and it has the germ on.

That's why brown rice oxidizes fast on you, because it has the germ

and it has the fattiness, and it oxidizes.

So brown rice, you keep in the refrigerator,

whereas regular rice keeps well three months with no problem.

The one thing, when you buy rice and you run it through your hands,

you don't want it to feel floury.

You don't want the rice kernel to have begun to open up, in a sense.

Lose its starches.

You want a nice dry kernel, and it has the chip.

That's perfectly fine.

At that point, rice has about 95% starch.

So when we cook it, we need to add the flavorings every step of the way

to flavor that rice.

And what we get out of that rice is the texture,

and it is that it absorbs the flavor, and the flavor

that we impart on the starches that make the risotto creamy.

So the first is to get a nice hot stock, and it

has to be hot at the same temperature, you know?

Heat, catalyst.

You have a chemical reaction going.

You put another temperature, your stop that.

And you do not want to do that in this cooking process.

You want to continue, continuously.

You're coaxing up those starches, and you

want to continue at the same temperature to add so it continues.

But what you do need is a wide pan like this so that--

yeah.

Am I speaking too close?

So that as you're coaxing that starch and add in the stock.

The stock, you put it in, pulls out the starch,

and it evaporates, and this process continues.

So it's back and forth of pulling that out.

So a pan, a wide pan with a nice thick bottom

so that this heat is spread evenly.

If you were to do it in this pan here, you would have the rice up to here,

and that rice wouldn't be at the same temperature as the bottom rice,

and whatever.

So a nice open-- and this is a big portion.

I'm going to make quite a bit of rice.

If you make, you know, a portion for four or six people,

all you really need is two cups of rice, three cups of rice.

So you need a smaller.

But that's important, a constant temperature.

And what I like wooden spoon.

And you can get all in the corner so that the starch doesn't scorch,

because then you have another flavor, another element, which you don't want.

So we have the pan.

The olive oil.

Get olive oil.

Let me raise the temperature here.

And we'll-- you don't wash the rice before cooking.

The rice is milled, the bran is off, and it is clean.

In that package that you get it, it is clean.

So you do not wash it.

You do not introduce water, because then you

begin already to break those starches down, and you don't want to do that.

So some oil.

You guys are going to do it on that side.

Onions.

I like a lot of--

this is the flavor.

So you can make a risotto just with onions,

like the risotto Milanese that is made with onions.

But the risotto Milanese has a little bit of bone marrow in it

and a little bit of saffron.

But you can make a simple risotto with the onion family,

and then you can add the different flavorings.

So shallots and get a little bit of salt.

Salt. And if you notice this, I'll go along.

I'll salt as I go along.

Right here I need salt, because you want it--

I want to disintegrate these onions as soon as possible.

I want to pull out the water in them.

And of course, salt will do that.

And I must say, this is fine salt. If you want to do that, the flake salt,

the bigger the kernel, the more it pulls out of whatever you want,

especially if you're curing meats or something.

The size of the salt is important on pulling out those liquids.

Here I have some--

so we're going to make mushrooms.

The flavor is going to be mushroom, basically.

Love mushrooms.

We have some porcini, dry porcini.

Porcini are the boletus mushrooms.

You know, in Italy, of course, they are very much prized.

But dried porcini for me, it's an essential in my kitchen.

It is one of the umamis that we have in the Italian cuisine.

It has a tremendous amount of flavor concentrated.

So in this case, what I'm going to do is that I'm going to--

you did yours, right?

That I'm going to take some of this stock.

And this is all vegetarian today.

The stock is a vegetarian stock, so for anybody.

I'm going to reconstitute the porcini just like that.

And then I'm going to chop them and add them on.

But the porcini are also good if you have them at home

when you have them dry like that.

You put them in a little food processor, and you get porcini powder.

And they are great for meats, for barbecues, if you have steaks.

You put a little porcini--

yeah?

A little bit of--

[LAUGHTER]

I put a little bit of porcini, a little bit of brown sugar.

What else do we put in there?

JASON: Sugar, a little chili flake, a little bit

of salt. Giving all our secrets away.

LIDIA BASTIANICH: It's OK.

[LAUGHTER]

It's OK.

They'll still come and visit you.

OK.

[LAUGHTER]

So the light went off, but I-- you can hear me, right?

I think the light, the switch jumped.

So you make this powder, and you keep it,

and you season your steaks, your chops, and you leave them

outside with this porcini and sugar and salt powder--

JASON: [INAUDIBLE].

LIDIA BASTIANICH: Huh?

Yeah.

OK.

OK.

Now this is on.

Am I on?

AUDIENCE: No.

LIDIA BASTIANICH: No?

OK.

This is important, as long as the risotto's--

[LAUGHTER]

I can project.

[LAUGHTER]

OK.

So I want to get those onions a little bit wilted,

and then we will add the rice directly into the onions that

have been already wilted.

And what we're beginning to do is to create kind

of a little capsule out of this kernel.

I'm going to coat it with a little bit of-- here,

toast it first so the first layer of the starch,

of the outside starch kind of cooks a little bit.

I say toasted, but it doesn't take on a toasty look,

and doesn't even smell toasty.

But sort of, it's a clickety sound, a few minutes.

And I have coated that kernel with oil and with a little bit the first layer

of starch that has been cooked.

The addition of flavoring elements, you have 17 minutes for a risotto.

So if I'm going to add the mushrooms, the mushrooms,

I'm going to add them halfway through.

Sometimes I even saute them before to give them some flavor.

But here, we're just didn't have that the fires to do that.

But I would recommend, if you have it, you take it,

put a little bit of garlic and oil, saute them, put a little bit of thyme

in there, and give them the flavor.

So every element has a flavor.

And then you add them on.

But I'll add them about halfway through.

If I wanted to do a shrimp risotto, shrimps, two, three minutes,

they're done.

I would saute them quickly, also flavor them, and then

add them in the last two, three minutes of the risotto

so that they finish together.

If you have a venison ragout, a venison ragout risotto is delicious.

The venison ragout takes about two hours to break down and braise and whatever,

so you make that first.

And then you add it about halfway, like once the rice is already

releasing some starches.

It takes in the ragout, and it finishes that way.

Now OK.

So I'm going to take one third, and 2/3 is yours.

OK.

Also if you take a look at rice, at the kernel of rice and you look at it,

you will see an opaque center.

It's the core.

And that, what that is, that will give me an indication.

But this is really fine tuning how big that core is, that center,

how packed the starches are.

You know, so in the center he has a lot of--

so the wider that center is, the more of the packed starches are.

And the chances that the rice will maintain its shape.

So what the ideal risotto is that the rice remains--

it's thoroughly cooked, but it's al dente.

Al dente is the word to describe a sensation, a feeling that for Italians,

when they bite into their pasta or into their risotto, the resistance

against your--

as Italians like that little resistance in their mouth.

But you know, it's not just the Italians.

Think about yourself.

You love texture.

You love-- celery has to be crunchy.

Asian pear, nice and crunchy.

So you know, an element in cooking and in creating sensation is that tactile.

We always talk about flavor and aromas and taste, and so on.

But the tactile element of food is very important.

And I think because it just sensitizes our receptors here, more or less,

and gets them kind of excited about enjoying food.

So al dente for an Italian is imperative for pasta and risotto.

So I'm looking-- it's being tested.

It's toasting slowly.

So I said that rice has 95% starch, and it's not tasty, as it is.

It's starchy, as a matter of fact.

So you have to kind of season it.

So at this point where it's nice and dry and when it's thirsty,

you put white wine.

And wine.

I always get, what kind of wine?

A good wine.

A wine that you would drink.

A wine that you have some left over.

Just don't do cooking wine.

Cooking wine has all kinds of seasoning and salts and all kinds.

And at this point, nice and dry.

[SIZZLE]

You'll hear that-- that siz.

And what's happening is that the rice is taking it in.

So when you're cooking with wine, you want the acidity.

You want the flavor.

The alcohol dissipates in 10, 15 minutes.

The alcohol will have dissipated and the rice will be balanced on the inside.

So when you eat that rice, it has flavor.

It has the acidity, and it has some of the flavor of wine.

And then it will take on the flavor of everything else.

But at this point, I want to bring the rice again down completely

to a dry level before I add the stock.

OK.

So that's all.

You don't need any more time.

This is-- so, they're great in soups.

I told you how to make the marinade for the meat.

Porcini mushroom, soup, braising, roasting.

You know, when you're roasting a piece of meat and you put your celery

and carrots and whatever.

Put some porcini mushrooms in there, and they are really fantastic.

Cut them up.

So be careful, because they do tend to have a little bit of sand or Earth

because, you know, they are from the Earth,

and the stem usually maintains some of that.

So I will-- you can strain it through a cheesecloth or a clean rag.

But I will just kind of pour and leave a teaspoon at the bottom with the dust.

You guys have already divided it, right?

Did you use wine?

Did do--

JASON: We added wine.

LIDIA BASTIANICH: You added wine.

JASON: Yeah.

We have more mushrooms.

LIDIA BASTIANICH: OK, no.

I'm OK with the mushroom.

So OK.

So here it is.

It's nice and dry.

I'm going to throw this in.

This is really going to give the flavor.

So if I were to do this with vegetables, all kinds of vegetables,

string beans and squash and whatever, let me just add this,

and then I'll get back to the vegetables.

So you add another stock.

You see I always make sure that you scrape everything off.

And a little more stock.

OK.

And always you see me scraping off the sides, because if it stays up there,

some kernels will not be cooking at the same-- given the same time.

So I'm always trying to get everything in there, cooking at the same time.

Just enough liquid to kind of-- when you press like this, you see the bottom,

but not that much.

And again, you know, if you're doing in chemistry or whatever,

you put ingredients together in a liquid.

They'll try to neutralize each other.

Pull everything out of one so it combines.

And this happens here as well.

You say, OK.

You're going to stay there 18 minutes and going to stir.

Just-- you know how much it takes.

Put all that liquid in there, and go and do your chores.

But it doesn't happen, because the technique,

you know, it's not that kind of pulling out of the starches,

retaining the kernel whole, and yet a creamy result.

Because if I put all of this, the rice will open up.

It will open up.

And I'm sure that you've had that experience where

you eat this mushy rice and the heart isn't even--

it's not cooked yet.

And that's exactly what happens.

Too much liquid all at once in the--

OK.

So now that's going.

I'm going to put the juice.

I'm not going to waste this.

As I said, you know, you see the sand on the bottom.

And I'm going to just toss this away.

Mushrooms, we have here--

this is-- what is it?

The king--

JASON: King trumpet.

LIDIA BASTIANICH: King trumpet is delicious.

It's a delicious mushroom.

It's an expensive mushroom, but it's a delicious mushroom.

It's in season.

It's as close as it gets to porcini for me.

This is the hen mushroom.

This is--

JASON: Cremini.

Cremini.

LIDIA BASTIANICH: Cremini.

You know better than I do.

Cremini and chanterelles.

Whatever the mushrooms, the more diversified, the better it is.

But can you make it only with champignons and cremini?

Of course.

Substitute a little bit more of the dried porcini, which

will give you really that kind of mushroom feeling,

and you are on your way.

So let's return to those vegetables.

And everybody loves-- you know, I myself a vegetable risotto.

But I like my vegetables to kind of break down in the risotto,

but I also like to have a little crunch.

So I split it in half.

I throw half in like I do the mushroom, and let that half cook and cook.

And then the other half that I want just to remain crunchy.

So it's a question of, you know, just timing.

It's like dancing.

You do those steps and then you do the other steps,

and then together, it looks good.

So--

[LAUGHTER]

So you do that.

And taste as you go along.

I always say, I even taste like--

you know, let me taste this.

OK.

That has-- it's flavorful, but it doesn't have any salt.

And that's fine, because I know what to do here now.

So when you're cooking, you have a fabulous apparatus here.

You really do.

It knows your whole history of what you like, what you didn't like,

what you ate, which you didn't eat, how much salt you like.

It's all in here.

So use it to tell you.

Taste as you go along.

Salt. If you have a recipe and you don't know, you know,

how to gauge yourself with salt, let me first--

OK.

Let me add a little bit more stock.

How you guys doing?

OK?

OK?

Did you put your porcini in?

JASON: Yes.

LIDIA BASTIANICH: OK.

[LAUGHTER]

So when you go to Italy, you go-- look for Jason

and tell him, I want one of those risottos, or whatever you want.

He hangs around.

Where do you hang around mostly, Jason?

JASON: All over.

Everywhere.

LIDIA BASTIANICH: You're all over.

There can-- yeah.

They can find you all over the place.

OK.

[LAUGHTER]

So a little more salt. I'm going to add salt, because I've salted the onions,

but I didn't salt the rice and the liquid that I put so far.

When you have a recipe and you say, OK, I

believe in salting every product at its optimal time, you know,

when it really takes in the salt.

So if you throw all the salt in the onion at the beginning, yes, it's OK.

It dissipates.

But this is better.

You're dividing it.

You take whatever the recipe tells you--

let's say it says one teaspoon of salt like that--

and you put it on the side.

I have a little--

a little-- whatever.

You put it on the side.

[LAUGHTER]

And then from here, you salt every step of the way, every major ingredient.

Salt, rice, stock.

And when you come down to the end, the recommended salting of that recipe,

you know, that you've been using it.

Always leave a little bit, because then you taste your apparatus here,

and you add if you feel you need it or not.

OK.

So you can see that this is a big pot.

The center is here.

I am moving it around.

It does-- the center does stick a little more,

and I make sure that I address that.

Because-- so if you're doing a wide pot and you have-- make sure--

sometimes when I'm at home, I even move the pot a little here, a little there.

You know, you have to distribute the heat evenly.

And you know, what temperature do you cook your risotto?

Certainly not at maximum.

You cook it so that everything continues, that this reaction that's

happening continues at the same speed.

That as you can see, that the stock evaporates, the flavor of the stock

remains there.

But at the same time, it pulls out the starches.

And so it continues.

OK.

So at this point, mushrooms are quite resilient.

And they just clean and cut, you know.

I don't believe in washing in a lot of water,

because mushrooms absorb water and are porous.

So sometimes if you take--

you cut off the base, the dirt very well, and then you take a wet towel

and you clean them off, usually that works well.

So I'm going to put my mushrooms in.

You guys?

[LAUGHTER]

No, no.

They have their own--

I mean, this is-- they've made many risottos.

They have their own--

[LAUGHTER]

--they have their own rhythm.

But I'm just checking.

[LAUGHTER]

OK.

So I have here a little pepper.

I like that.

But pepper has tannin.

It's a seed.

And it's a seed that has its flavor, but it also has tannins .

And if you cook it, the more you cook it,

there's a bitterness that comes out.

That's why you see the pepper mill on the table.

It's not because, you know, initially, oh, they

want it to look good and serve you.

It's because it just makes sense.

You add pepper for maximum.

And purest flavor of black pepper is to add it the last minute,

not to really cook it.

Maybe a few minutes before, but not to overly cook it.

So I have it there, and I'm going to leave it there.

And I'm going to salt a little bit of mushrooms.

Not too much.

And continue the cooking process.

So this continues back and forth until--

so here we have the long grain rice.

the difference in it.

I just put it there because they show here they

have the carnaroli, the arborio, and the different rice to cook.

When you use rice--

and because rice has certainly many uses.

We use it in Italy a lot for soups, especially vegetable soups

just as that extra.

We use also pasta, tubettini or whatever we put in the soup.

But rice, if you do use it for your soup, as well as pasta,

you boil it in the soup.

You don't make a whole pot of soup, put the rice, and then put it away.

And then you pull and you reheat it.

The rice and the pasta should be cooked in that soup before serving.

It should not be--

the one option that you have is that you cook the rice maybe

separately in water and even pasta, and you leave it on the side.

And then when your guest comes, you leave it a little bit al dente.

You just add it the last minute, and then you serve it.

The risotto, when my grandmother always used to say,

if you're not home to eat the risotto when it's finished,

the risotto will wait for you at the door.

That means, you know, that just-- it grows and grows and grows.

[LAUGHTER]

And so it becomes thick.

But also risotto, you say, OK.

All of this now.

[SIGH]

Can I prepare myself?

Can I do something in advance instead of standing here?

I think if you do it at home and you have your guests or your family,

then it's a beautiful thing to do, because you

can converse like I do with you.

You can have some of the kids mixing it or whatever.

And you know, the aromas.

And you look like a great chef.

[LAUGHTER]

But if you want to prepare some, certainly the mise en place,

as we call it in our industry, the preparation and everything, cutting,

everything, that's permissible.

The only part of the risotto that you can do ahead

is that you toast them and you add the wine and you dry it back,

and then you spread it and you leave it.

But still, you know, it loses something, because then it's cold.

It has congealed to some extent, the starches.

And then you have to bring it back to life, bring it back to--

so I think if you're seeing--

do you see how the liquid is getting--

is there too much light?

Can you see the creaminess of the rice?

Risotto, the one thing that's good about the risotto is that, you know,

you can make one pot, and it would feed a substantial amount of people.

But you have to serve it as soon as you make it.

And you know, risotto, as well as pasta, you know, one is concerned evermore,

you know, of starches.

So much starches today, everybody.

You just kind of change the ratio of your vegetables, your proteins,

and your pasta.

And instead of having 80% pasta, 20% vegetable,

you can have one third vegetable, one third proteins, and one third pasta.

Who says you can't?

You can get the satisfaction and the pleasure,

and you're balancing your meal.

And you can do the same with risotto.

Add more vegetables and proteins.

The last step in--

[LAUGHTER]

Coming along.

JASON: Getting there.

[LAUGHTER]

Did you taste it?

Is it salty?

Where are you?

Did you guys taste everything?

Yeah?

How about you?

Did you taste yours?

[LAUGHTER]

You know, I opened my first restaurant-- maybe I'll share a little bit about

my--

I opened my first restaurant in '71.

I was rather young.

So it's been a long road in restaurants for me, and I love it.

I still have a good time, as you can see.

And along the way, those restaurants and all the restaurants

that we have now in Italy and all of that, one of the great pleasure

is precisely working with young people.

Young people that are enthusiastic, that are passionate,

that are sweating over those stoves.

And I think to myself, then why are you doing it?

I did it because, you know, I had to do it, in a sense, and I loved it.

But for me and evermore, you know, as you grow into your profession

and you kind of develop this collection of information and maybe knowledge

to share it, to cook with them, to work with them, it is really wonderful,

you know?

And it's not that I have time now to go everywhere .

And plus, I have this Achilles tendon.

If you didn't-- if you saw me hopping around,

my Achilles tendon is ripped a little bit.

So it's a pleasure to work with you guys.

I work with them on and off, but now especially.

But I come from a part of Italy that is no longer Italy.

I was born in Istria.

Istria's a little peninsula.

It was Italy.

And after World War II, it was given to communist Yugoslavia.

And 350,000 ethnic Italians actually left Istria back

into Italy and into the world.

I was just born, 1947.

I'll tell you my age.

[LAUGHTER]

And that was just the--

I was born, I think, three or four weeks before the peace treaty.

So my mother was expecting me.

They decided not to go anywhere.

Where are you going to go in the world expecting?

But I was born and the Iron Curtain went down.

And so my formative years, I spent with my grandmother

who remained there under communism.

And the beauty of it was that--

still is-- that my grandmother, because food was scarce,

was not all that available-- the regime, the Iron Curtain went up,

the regime was tight--

and she had everything to feed the family.

We had chickens, we had rabbits, we had two goats.

Every year, she had three pigs.

And you know, she grew everything.

We made olive oil.

Grandpa made a little bit of wine.

We even grew our own potatoes.

I remember, you know, going with her to harvest the potatoes from the Earth.

And she would pick up-- pluck-- because, you know, it's a bush.

She would pluck it all up, take the big potatoes off the roots.

Mine was to collect the little ones that was left in the dirt.

And I still recall holding the potato in my hand, and it was warm.

It was warm as it had life.

And you know, I can't get that out of--

that connection of food out of my system, you know?

The appreciation that we should have and my connection to food.

So I work with--

I cooked with, how we used to have beans,

eat them when they were string beans.

They got bigger.

We shelled them.

That was for the winter.

Even wheat, the kernels, she would harvest, and we would have the kernels.

She would keep them in the canteen, as we said.

And when she needed flour, we would take two, three burlap bags,

go to the mill, come back with fresh flour.

Now the flour was quite different, because those kernels had the germ.

You remember I was talking about the germ?

Had the germ.

And so it had more flavor, more nourishment, and more-- you know,

sometimes you think why today the flavors are different.

Why?

And it's those memories, you know?

Collecting that cherry, that fig, that perfect fig.

It would hang, and it had almost, like, stretchmarks on its skin.

And it had, like, a drop of honey on the bottom, nectar.

I mean, I still remember.

I go back, and I still look for those figs.

So I think that, you know, that connection to food and to flavors

stayed with me.

And in 1956, my parents decided--

I was nine something--

that they could no longer-- my mother was an elementary school teacher,

my father a mechanic.

And they just couldn't continue to raise--

and I have a brother that's older than me.

So they decided that they were going to go back to Italy.

But they didn't give you permission to go back to Italy.

You had to stay there.

You couldn't get a visa or something.

But we had family on the other side.

So my mother decided that my brother, myself, and her

would go to visit Aunt Nina, supposedly who was ill.

And my father had to remain as a hostage, in a sense.

But two weeks later, he escaped.

Actually, the border, the barbed wire and the whole thing.

Met us in Trieste.

And in Trieste, we stayed with our cousins, but also we stayed in Trieste.

We couldn't depend and stay there on another family's weight,

as we called it.

We entered-- my parents entered a political refugee camp, San Sabba.

Now it's a museum.

And for two years, we were in that camp.

And again, in that camp, waiting for a possibility to migrate someplace.

So you know, when you talk about migration today, for me,

it's very moving, and I really feel what that meant.

And there we were for two years in there, almost like today.

Where did we go for lunch today?

We went to the--

yeah, to the freshman cafeteria, in line.

I was in camp also in line.

[LAUGHTER]

Waiting.

Waiting for food.

But you know, when you have these connections to food,

really visceral from one to the other, it just stayed with me, and it just--

you know.

Food for me is--

because when we left there, I didn't know

that we were not going to come back, and I had not

said goodbye to my grandmother.

So food was my memories.

I would cook the flavors, the thing that grandma taught me.

And they remain my connection to her and to the place where I was born.

And I continue that.

I did go back.

I did see grandma after I was married, so that was settled.

But for me, at that age, because in 1958, Dwight Eisenhower

was the president.

He opened-- we had a visa, and we came to the United States.

The Catholic Relief Services brought us here,

because we had nobody here either.

We were kind of-- oh.

There's the salt missing.

[LAUGHTER]

It Is.

[LAUGHTER]

But we were almost--

are you guys almost there?

Did you taste the salt?

[LAUGHTER]

Yeah?

OK.

You will tell me if they didn't.

[LAUGHTER]

So the last step in a risotto is the mantecare.

Mantecare is sort of the whip.

And you do that--

some great cheese.

Grana Padano cheese.

I love that cheese there.

100% cow's milk cheese.

It's in the Emilia-Romanga in Lombardy.

And cubes of butter at room temperature.

So when you have products like this like butter or cheese,

these are products that are almost finished.

And the more you cook them, the more you lose their flavor.

If you cook with butter from the beginning-- had I put all this,

it would have separated.

I would have gotten all the fat.

The flavonoids, the nice aroma would have dissipated,

and I would have gotten maybe half of the value in flavor of that butter.

So if you love butter, but you don't want to use it that much,

add it at the end.

At the end, the last moment, just let it--

you'll get the maximum of the flavors, the flavonoids, and everything,

and it will not separate.

Cheese is sort of a pre-digested product,

because you know, the bacteria of the cheese itself break--

that's what aging cheese is all about.

Breaks down the proteins into these wonderful kind of molecules of cheese

with all its aroma.

If you cook it, if you apply heat, you get the string and the puddles of fat,

I'm sure when you cook cheese, because you are breaking it down further.

So you want it--

this is maximum for cheese and butter.

And mantecare is the last step when you will take it off the fire,

or just shut the fire, and whip it in the last minute.

And you'll get the maximum, one or the other.

And then just a little bit of scallions, just a little greenness

to freshen up this complexity of flavors.

How are yours, guys?

Sky At what point are you?

Huh?

You know--

[LAUGHTER]

Yeah, but it's-- it does--

I wouldn't kid you.

[LAUGHTER]

It's missing.

[LAUGHTER]

Oh.

Oh, it's-- I'm talking too much.

It's sticking a little bit.

So I'm looking.

So risotto, sometimes people prefer it nice and dense.

Means only being careful of towards the end how much liquid you add and let

evaporate, and the risotto is nice and dense.

In Italy, we like it also loose, and it's called all'onda, to the wave.

And that's, again, you see now it's kind of looser.

It's just a question of gauging the liquid towards the end,

but not overcooking it.

And all'onda risotto usually is best with lighter-- with seafood,

with vegetables.

And then denser risotto is maybe better with meats and game and so on.

Yeah?

I'm on the cusp with salt.

[LAUGHTER]

I'm neither here nor--

I don't know.

But I'm going to add the cheese, and cheese has a little salt. Always--

because once it's in there, you can't get it out.

You know?

By the way, I get that question a lot, you know?

I always salted my soup and whatever.

There's not much that you can do except dilute it, add more liquid.

Sometimes what works is if you take potatoes, whole potatoes, raw potatoes,

you peel them, and you throw them whole in the soup,

and they will take some of the salt away.

But you know, once you have oversalted something,

it's not easy to go the other way around,

unless you just dilute it with more of--

so pretty soon, they're going to--

we're going to let you taste that, and then we'll open it up to questions,

and we'll have some more fun.

Do you have your cheese and your butter?

JASON: I'll get it.

LIDIA BASTIANICH: You got it in already?

JASON: Not yet.

[LAUGHTER]

LIDIA BASTIANICH: Good.

[LAUGHTER]

[APPLAUSE]

And I think it's cooked.

I think-- yeah.

I think you can shut it off.

And mantecare, you're OK.

So I'm going to shut it off.

So you know, you're looking at this-- oh my God.

All this butter.

I'm not going to put it all in.

But--

[LAUGHTER]

--but you saw, just the oil is in there.

There's a lot of rice here.

I think I started maybe with four or five or six teaspoons of oil.

So there's not a lot of condiment, and you have a lot of starchier mushrooms.

So this is the mantecare process.

OK.

So like this, the last-- you've just maximized--

I feel the butter.

And you know, and I'm trying to make it quick, because this is how you lose it,

you know?

When you cook and it goes away.

But-- and the cheese.

AUDIENCE: Is the burner off?

LIDIA BASTIANICH: The-- off, off, off.

I turned it off.

Once I started with the butter, it's off.

I just keep it here because it's underneath.

You see it.

But it's off.

OK.

I have no more tasting spoon.

This is it.

[LAUGHTER]

Oh right.

You have the salt here.

You need-- you need the--

JASON: Yeah, we'll take it.

LIDIA BASTIANICH: OK.

So they'll portion it off, and you'll taste it,

and you'll tell me what you think.

PIA SORENSEN: So thank you very much for coming in.

Let's thank Lidia one more time.

[APPLAUSE]

For more infomation >> Lidia Bastianich: The Science of Risotto; Science & Cooking Public Lecture Series 2017 - Duration: 1:05:43.

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Deregulating public schools - Duration: 1:41.

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Duchess of Cambridge Makes First Public Appearance Since Pregnancy Announcement - Duration: 0:19.

For more infomation >> Duchess of Cambridge Makes First Public Appearance Since Pregnancy Announcement - Duration: 0:19.

-------------------------------------------

How to Travel Korea | Public Transportation [Korean Boys] - Duration: 2:50.

(Don't try this)

Dangerous!!! X3

OHH I missed subway!!

I will show you how to use a transportation card in Korea

(Don't run....)

Wait!!

Did you forget??

Don't forget subscribe!!

We are in front of convenience store

You can buy "T-Money Card"(transportation card) in here

Follow me!!

Hi, Is "T-money Card" here??

Where is it??

How much is it?? / 2500won(=2 dollars)

Can I see it??

This card is not recharged yet right??

Yes, you have to recharge it

This is my card

You have to buy it for free transfer

If you use cash, have to pay each time you transfer

You should buy this T-money card!!

All korean use T-money card

You can recharge it in subway or convenience store

Let's go

You can recharge T-money card in here(in subway)

Put card on here and press this button

Put card on here and

Choose how much you wanna recharge

1300won(=1 dollar) for taking subway 1 time

After press button and put money on here

But...now I don't have any money....

Tap your card on here

This sound means "you don't have enough money"

But how about this...??

Wow same.. the machine is accurate

Wow this one too(stupid...)

Hope you get rich

Okay today we show you about using T-money card

You should buy it

Give us comments!!

If you have something that wanna know about korea

Right now!!!

Okay this was MC DDori of Korean Boys

See you!!

For more infomation >> How to Travel Korea | Public Transportation [Korean Boys] - Duration: 2:50.

-------------------------------------------

Dave East Rates VR Dating, Air Jordans, and Public Sex - Duration: 3:47.

(chaotic drum line)

(drum roll)

- Virtual reality dating, overrated.

I feel like that's

the best way to get cat fished,

that's super, you're just settin' yourself up for

a cat fish situation.

The internet is tricky.

So, yeah that's overrated.

(drum roll)

Cold showers are overrated and super wack.

I actually come from an environment where

the showers wasn't hot all the time.

I'm in the projects so it's a buildin'

with a hundred people we all usin' the same..

I guess hot water, y'know what I'm sayin'?

So I can remember, two, three days out the week

havin' to boil water,

and bathe that way so that's

all the way overrated.

That was wack.

(drum roll)

Overrated.

I ain't feelin' it, nope.

It's a smart and

trendy way to get everybody's face

(laughs)

under a certain data base,

but where's that goin'?

Where's that, it's goin' to Apple?

I doubt it, I doubt it's going to Apple.

(drum roll)

Deep fried Kool-Aid?

Oh, nah that sounds like death.

Overrated, nuh-uh, mm-mm, overrated.

That's like the hood

best drink ever,

but Kool-Aid cleans toilets,

you can clean your toilet with Kool-Aid

so once I realized that earlier,

later on I'm not givin' my daughter no Kool-Aid

she not drinkin' that.

(drum roll)

Underrated.

Your closet should be full of Jordans.

I'm a big Jordan fan so, yeah.

I got all, every...

Not every color but I got from,

one to what is it, 20?

I don't know, however many came out.

I usually had to

go to war to get my mom to buy,

so when I got a little rap money

I went and bought every Jordan.

(drum roll)

Underrated, keep doin' it.

Ya'll keep tattin' me all,

just keep doin' it that's fire, that's real love, genuine.

Somebody tatt me on them that means

I'm with them forever, so that's...

I love it, that's dope.

So they put my face on they arm,

first it was lyrics, the lyric thing was dope

but now it's, more recently it been

more of my face.

That's fire.

(drum roll)

Brass knuckles are overrated.

They hurt you a little more,

then whoever you're tryin' to use 'em on.

I broke my hand, I broke my pinky usin' brass knuckles.

But, yeah overrated.

Use your regular, you don't need them.

But if you hit somebody with that on your hand

you gonna break your hand,

oh that's gonna hurt.

So be mindful.

(drum roll)

Public sex?

Underrated.

There's not enough of it

I feel like there should be a lot more of that.

I feel like the world is so...

Conservative, nobody wanna just...

I'm wild so I'm with all that,

we can be in a elevator, whatever.

Coney Island, a Ferris wheel.

I feel like that's just, live your life man.

You shouldn't...

I mean be smart of course,

you don't wanna get locked up 'cause you was

havin' sex in the train.

(chaotic drum line)

For more infomation >> Dave East Rates VR Dating, Air Jordans, and Public Sex - Duration: 3:47.

-------------------------------------------

What Happens When A Woman Abuses A Man In Public? - Duration: 4:25.

For more infomation >> What Happens When A Woman Abuses A Man In Public? - Duration: 4:25.

-------------------------------------------

Top 10 Indian tv actress Who Kissed in Public in Real Life - Duration: 3:08.

Top 10 Indian tv actress Who Kissed in Public in Real Life

For more infomation >> Top 10 Indian tv actress Who Kissed in Public in Real Life - Duration: 3:08.

-------------------------------------------

The National for Tuesday October 10th: California wildfires, Catalonia's declaration, Go Public - Duration: 1:04:22.

For more infomation >> The National for Tuesday October 10th: California wildfires, Catalonia's declaration, Go Public - Duration: 1:04:22.

-------------------------------------------

Jon Gosselin vs. Kate Gosselin: Cops Called Over Huge Fight ... in Public, with Daughter Present - Duration: 6:55.

Jon Gosselin vs. Kate Gosselin: Cops Called Over Huge Fight ... in Public, with Daughter Present

Contrary to what most people around the world likely think, Kate Plus 8 is still a TV show. It airs new episodes and everything.

Similarly, despite neither its star nor her estranged husband being in the news very much anymore, Kate Gosselin and Jon Gosselin remain at odds.

Thats putting it mildly. This remains one of the most volatile and ugly celebrity breakups in history, and years later, may even be getting worse if not better.

Sad case in point:. According to police in Wyomissing, Pennsylvania, a call was made on Tuesday afternoon regarding a custody dispute between the ex-spouses and reality TV co-stars.

As reported by TMZ, E! News and other outlets, cops were called to an orthodontist's office around 1:10 p.m. due to a "verbal domestic dispute over child custody involving one minor (Female/13 years old)..

One of the controversial parents took their child to her appointment, but then the other showed up and an argument broke out over who would be driving her home.

A Wyomissing Police Department spokesperson didnt offer too many details, but did reveal to Entertainment Tonight:. "The call came in at 1:10 this afternoon for a verbal domestic argument … over the custody of one of their 13-year-old daughters.

"No one was arrested and the daughter did go home with the father after she expressed that was her desire to do.

Married for a decade until their divorce in 2009, the Gosselins rose to fame as the lead cast members on Jon & Kate Plus 8. They starred on the series along with their eight children.

Twins Mady and Cara recently turned 16; Jon and Kates sextuplets Aaden, Alexis, Collin, Hannah, Leah and Joel are 13.

Tension has existed between Jon and Kate ever since their split, but they have operated under the same custody arrangement for seven years now.

Details are mostly kept under wraps, even as they feud about this in public; Jon and Kate share custody in some complicated fashion.

Kate recently made negative headlines after an episode of Kate Plus 8 aired in which the sextuplets celebrated their 13th birthdays. All except Collin, that is.

The young teenager was missing because he's in some mystery facility being treated for special needs by so-called behavior specialists.

This is perfectly fine and maybe even healthy for the child, but Kate has seemingly just gone on with her life and her show.

Fans have accused her of essentially shrugging over the fact that one of her sons isnt part of the family, not even for milestone occasions. Jon, meanwhile, has done very little for years.

Waiting tables, DJing and working other jobs to pay the bills, he did sort of perform at a strip club this spring, so thats something, we guess. Look, both Jon and Kate are very annoying.

We dont know exactly how their latest tiff was left, but, as always, we hope they can keep things as amicable as possible moving forward.

There are quite a few kids in the picture here. One would think that would be the determining factor in behaving like adults, but .

UPDATE: According to a new report, Hannah was sitting in her dads car in a parking lot off a Pennsylvania highway when this went down.

Thats when her mom insisted on taking her home. which led to an insane altercation that landed Hannah in the hospital.

Hannah "screamed, sobbed, and violently resisted" while Kate grabbed ahold of her arm and tried to force her out of the vehicle.

"No! Stop, please stop! Let go of me, Mommy!" Hannah allegedly yelled as Jon actively encouraged his child to resist her mom. If you don't want to go, don't go, the magazine claims Jon said to Hannah. I can't help you.

The showdown lasted three hours, an insider says, adding that Hannah said her arm was injured in the back-and-forth.

An ambulance was even called to the scene. At the hospital, "Kate told the police she thought Jon was a danger and Hannah needed to be protected, an insider alleges, adding:.

So the police removed Jon while Hannah was being treated, which is incredible for almost too many reasons to list here.

That Kate would manhandle her daughter. that Jon would egg her on, rather than try to break it up. that the cops came .

that they ended up in the hospital because they couldnt get along and then couldnt even be civil at that point.

For more infomation >> Jon Gosselin vs. Kate Gosselin: Cops Called Over Huge Fight ... in Public, with Daughter Present - Duration: 6:55.

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Lawmaker teams up with superintendents to deregulate public schools - Duration: 1:44.

For more infomation >> Lawmaker teams up with superintendents to deregulate public schools - Duration: 1:44.

-------------------------------------------

10/10/17 Public Works Committee - Duration: 1:56:03.

For more infomation >> 10/10/17 Public Works Committee - Duration: 1:56:03.

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Children's Books Come Alive Through New Exhibit At Brainerd Public Library - Duration: 1:08.

BAXTER AND RIVERSIDE ELEMENTARY.

>> DENNIS: CHILDREN'S BOOKS WILL

COME TO LIVE.

THE INTERACTIVE EXHIBIT WAS

BUILT BY THE MINNESOTA

CHILDREN'S MUSEUM AND BROUGHT TO

THE COMMUNITY BY BREMER BANK.

THE BOOKS WHERE SPOT, PETER THE

RABBIT ARE TRANSFORMED INTO A

THREE DIMENSIONAL PLAYING AREA.

IT'S FOCUSING ON SOUND

AWARENESS, LETTER KNOWLEDGE AND

VOCABULARY.

>> EARLY LITERACY IS A HUGE

COMPONENT OF WHAT WE DO HERE.

>> PARENTS ARE JUST GETTING INTO

LEARNING WHAT EDUCATION IS AND

THIS IS A HUGE PIECE OF MAKING

THAT BE POSSIBLE AND INTRODUCING

THEM TO THE BOOKS WHEN THEY GET

HERE, TOO, SO IT MEANS A LOT TO

US TO HAVE IT.

>> DENNIS: THE STORY LAND

EXHIBIT WILL BE OPEN TO THE

PUBLIC UNTIL FEBRUARY.

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