News on Youtube Apr 4 2018

[Steve Myers] How much sin do you accept in your life?

The Apostle Paul, in a sense, posed that same question to the church in Corinth.

In 1 Corinthians 5 and in verse 6 he says this to them.

He says, "Your glorying is not good.

Do you not know that a little leaven leavens the whole lump?"

So the Apostle Paul is comparing leavening to sin, because when you put that leavening

in the dough it causes that dough to rise and it, in a sense, infects that whole loaf.

So Paul says even the littlest amount spreads and grows.

And in fact the church of Corinth had become so tolerant and so merciful that they accepted

sin both in the congregation and in their own personal lives, and so God says no, we

can't do that. 

The Apostle Paul was inspired to write, "Therefore, purge out the old leaven that you may be a

new lump."

And then he connects that to Jesus Christ.

He says, "You're truly unleavened, for indeed Christ, our Passover, was sacrificed for us."

(1 Corinthians 5:6-7)

So Paul's saying look at yourself.

How much sin is acceptable in your life?

Paul says do everything you can to rely on Jesus Christ.

Have him live his life in you and through you so that we choose to be truly unleavened.

That's BT Daily, see you next time.

For more infomation >> BT Daily: How Much Sin? - Duration: 1:42.

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How Much Time Do You Spend Creating a Film Score? - Duration: 2:07.

so the amount of time I spent on Tomb Raider was roughly four or five months

which I would say is a great length of time there's always like other bits and

pieces going on so you never 100% for four months five months working nonstop

on the film because films overlap a little bit one is ending the other one

is starting and then when the other one is ending something else kind of starts

that's the nature of what film scoring is I've done movies as short as three

weeks 300 rise of an empire or black mass four weeks to a year and a half

fury roads Mad Max so it's like anywhere in between but four or five months is

pretty ideal because you can spend a few weeks really conceptualizing like what

you want to do for the score write a bunch of sweets get a sound pellet going

get unique influence and create unique instruments and write a bunch of music

with that idea and you present the music four or five months also allows you to

do a lot of like experimentation work let's say let's take two three weeks

just to create these really insane sound library you can do that in a period of

four or five months if you have three weeks to do a score

there's no time to you know fuss around you really need to get all the

parameters right and you need to write a lot of music in three four weeks and

it's very very stressful so in my opinion four five months is pretty ideal

and it also gives a director a lot of time to live with the music and just to

get comfortable with it give you the right feedback after listening to it ten

fifteen twenty times so it's pretty ideal to work on a movie with that time

frame it doesn't always happen like that obviously like I just said but it's a

great time for him to do a film so I