Thứ Ba, 31 tháng 7, 2018

News on Youtube Jul 31 2018

BREAKING Hillary Clinton's $3 Million Secret Goes Public – It's All Over

FBI informant Douglas Campbell dropped a bombshell on Wednesday that has left Washington DC — and

indeed, the rest of the country — in complete shock.

FBI informant Douglas Campbell dropped a bombshell on Wednesday that has left Washington DC — and

indeed, the rest of the country — in complete shock.

Campell testified that Russian nuclear officials admitted hiring American lobbying firm APCO

Worldwide in the hopes of influencing relations with the U.S during the Obama administration.

Western Journalism reported that the goal of this was get former Secretary of State

Hillary Clinton to "reset" the fragile relations between the U.S. and Russia, with

funds also going to support Bill Clinton's charity efforts.

"The contract called for four payments of $750,000 over twelve months," Campbell said

of the deal while Hillary was Secretary of State.

"APCO was expected to give assistance free of charge to the Clinton Global Initiative

as part of their effort to create a favorable environment to ensure the Obama administration

made affirmative decisions on everything from Uranium One to the U.S.-Russia Civilian Nuclear

Cooperation agreement."

Campbell was testifying before the Senate Judiciary, House Intelligence, and House Oversight,

and Government Reform committees.

Both the APCO and the Clinton camp have spoken out to deny the allegations against them.

"All actions on these two unconnected activities were appropriate, publicly documented from

the outset and consistent with regulations and the law," APCO told The Hill.

"Any assertion otherwise is false and unfounded."

The APCO went on to claim that though the Russia lobbying did not involve Uranium One,

it did focus on regulatory issues geared towards assisting Russia to become a stronger competitor

in nuclear fuel contracts within the U.S.

Clinton spokesperson Nick Merill also spoke out to claim that this testimony was part

of a conspiracy theory in which White House officials distract from the Trump-Russia investigation

currently bearing down on Washington.

Campbell, however, held firm in his allegations as he accused the Obama administration of

making decisions that directly benefitted the nuclear industry in Russia, which allegedly

led to them seeking to build a monopoly in the global uranium market.

He testified that foreign executives "boasted" during their "vodka-fueled meetings" about

how "weak the U.S. government was in giving away uranium business," and how they were

confident Russia would soon get the advantage over the U.S. in the uranium market.

"I expressed these concerns repeatedly to my FBI handlers," Campbell said.

"The response I got was that politics was somehow involved."

He admitted that he gave the FBI "documentary proof that officials in Moscow were obtaining

restricted copies of IAEA compliance reports on Iranian nuclear inspections, a discovery

that appeared to deeply concern my handlers."

What do you think about this?

Let us know your thoughts

in

the

comments section.

For more infomation >> BREAKING Hillary Clinton's $3 Million Secret Goes Public – It's All Over - Duration: 11:37.

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Smoking ban in public housing - Duration: 0:43.

For more infomation >> Smoking ban in public housing - Duration: 0:43.

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Nassau County residents irked by beachgoers defecating on public beach - Duration: 2:13.

For more infomation >> Nassau County residents irked by beachgoers defecating on public beach - Duration: 2:13.

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Breastfeeding in public - Duration: 2:04.

For more infomation >> Breastfeeding in public - Duration: 2:04.

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[FSM] Fake Love Semi-Public Mep Sign Up (19/20 Open) - Duration: 4:01.

If it's for you I can act like I'm happy even when I'm sad

If it's for you I can act strong even when it hurts

Hoping love will be perfected with only love

Hoping that all my weaknesses will be hidden

In this dream that won't ever come true I grew a flower that couldn't be blossomed

I gave you the world,

I changed everything

In our forest, you weren't there

I forgot the route that I came on

Now I don't even know who I used to be

So I ask the mirror, who are you?

If it's for you I can act like I'm happy even when I'm sad

If it's for you I can act strong even when it hurts

Hoping love will be perfected with only love

Hoping that all my weaknesses will be hidden

In this dream that won't ever come true I grew a flower that couldn't be blossomed

For you, I'm enacting a pretty lie

I'm erasing myself to become your doll

For you, I'm enacting a pretty lie

I'm erasing myself to become your doll

I don't know

Smile, tell me you love me

Look at me, I threw myself away

Not even you can understand me

You say I'm strange when I changed into the person you liked

You say I'm not the person you used to know

What do you mean? No, I've grown blind

What do you mean this is love, it's all fake love

I don't even know myself

For you, I'm enacting a pretty lie

I'm erasing myself to become your doll

For you, I'm enacting a pretty lie

I'm erasing myself to become your doll

If it's for you I can act like I'm happy even when I'm sad

If it's for you I can act strong even when it hurts

Hoping love will be perfected with only love

Hoping that all my weaknesses will be hidden

In this dream that won't ever come true I grew a flower that couldn't be blossomed

For more infomation >> [FSM] Fake Love Semi-Public Mep Sign Up (19/20 Open) - Duration: 4:01.

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Birthright (Georgia Dept of Public Health, 1951) - Duration: 42:26.

[Music]

[Narrator:] Many people gave their time to help tell this story.

People from [?] and Gainesville.

People like Boyce Brown, young chicken farmer who plays John,

and Marjorie Morris who takes the part of his wife, Liza.

Mr. and Mrs. Jarrett play Liza's father and mother,

and Paula Haygood plays Nell.

[Music]

[Produced by Southern Educational Film Production Service, Athens, Georgia]

[Script by......George C. Stoney, Photography by..Ralph A. Woolsey, Sound by.........Bill Godsey,

Music Director...Louis Applebaum, Music by.......Lan Adomian, Edited by........Fred Lasse,

Assistant Editor..Barbara Clements, Assistant Cameraman..Bob Gordon, Assistant

Director..Speight Cooper, Associate Producer..Ralph A. Woolsey, Sound System]

[Directed by Bill Clifford]

[Music]

[Jeremiah:] How many dead this time?

[John:] Five, six. Two more about gone.

[Jeremiah:] You checked the temperature [?]

[John:] Yes, I checked it.

[Jeremiah:] Did you check the water?

[John:] Yes, I checked that, too.

[Jeremiah:] Well, it's dry now. Valve is stuck.

I thought you fixed it.

[Music]

[John:] Hey honey! [Patsy:] Hi!.

[John:] What you got there?

[Patsy:] A boat.

[John:] Where'd you get it?

[Patsy:] I rowed it.

[Liza:] Her grandfather brought it from town.

[Silence]

[John:] They're going to spoil that child rotten if they keep that up.

[Liza:] No use your talking that way, John, and you know it.

If we've got to live together, they're bound to spoil her.

[John:] Yes, we'll keep on living here.

Doesn't your father decide how we're going to raise our children,

your mother decide how you're going to dress...then pretty soon well,

[Liza:] Hush up John, please.

You wanted to do business with daddy.

It was your idea to get all that money tied up, his life savings.

[John:] You act like I haven't got anything in it at all. Do all the work, building all the houses,

all the fetching and carrying.

[Mama:] Oh lordy, my biscuits!

[Liz:] I got them, mama.

[Mama:] Well they're ruined, totally ruined.

[Liza:] They're not burnt too bad to eat.

[Mama:] If more folks around here'd stay out of the kitchen and tend to their own work,

we'd be better off.

[John:] Well, I've been working over in that wind for the last five hours.

If a man can't stop for five minutes to get warm, then I don't know what.

[Mama:] Well, Jeremiah said you lost eight more chickens this afternoon,

and if keep that up John, you're gonna have us all in the poorhouse.

[John:] I lost them?

Guess he didn't have anything to do it.

Guess he didn't let that salesman talk him into buying untested chicks,

because they were two cents cheaper.

[Liza:] Hush up, John.

Mama, John has as much right to be in here as anybody.

[Mama:] Well, somebody's got to think about saving the two cents,

and Lord knows it wouldn't be you.

[John:] You call it saving.

I call it wasting.

[Jeremiah:] Young man.

I've been living on this farm for 30 years, before you ever came on with your big ideas

about chicken-raising, and I can do it again.

[John:] All right, all right, if that's the way you want it, I'll get out.

[Liza:] John, Papa didn't mean it that way.

[John:] Count on you to take sides against me, Liza.

[Liza:] John, wait.

[Music]

[Nell:] Can I help you?

[John:] Yeah, let me have a beer.

[Nell:] What kind?

[John:] Oh, any kind.

[Doug:] Hey John! Come on over.

[John:] Hi Doug!

[Doug:] How's the chicken farming?

[John:] Boy, you can have it! I wish I were back on the roads with you guys hauling the darn things.

You know there are more ways a fellow can lose his shirt raising chickens than you can imagine.

[Nell:] Is this where you want it?

[John:] Lordy, is everybody mad today?

[Nell:] I'm sorry, I had a bad day.

[John:] That's okay.

[Doug:] Say, that's not empty.

[Nell:] Look at that mess.

[Doug:] Watch out, Drake.

[John:] I'll help ya.

[Waiter:] The girl will get that up.

[John:] She might cut her hands.

[Nell:] Thanks for helping me.

[John:] That's okay.

[Music]

[Doug:] Drink up Ben, let's go.

Come on John, you gotta get going, too.

[John:] Ahh, I'm going to stick around a while.

[Nell wipes down the bar.]

[Nell:] Can't spend the night here, chicken farmer.

[John:] Okay, I'm going.

[Music]

[Nell:] How are you going to get home?

[John:] I got my truck over yonder.

[Nell:] You can't drive home like this.

[John:] I can't, huh?

[Nell:] No, you can't.

Come on, you better come over to my place and get some coffee and sober up.

[Nell:] Good night.

[John:] Good night.

[Footsteps walking away, then dramatic music]

[John:] You still up? [Liza:] Yeah.

I wanted to get this dress finished. I can't get a thing done when mom's around.

She knows how to do some things better than I do, I guess, but she hasn't the least idea about style.

[John:] Aw, it's cold.

[Liza:] Don't you think it's going to look nice when I get it finished?

Look, John.

C'mon honey, don't be like that.

[Music]

[John:] Look at that, mama.

First week barefoot and they're tough as shoe leather already.

[Mama:] They sure are.

[John:] Go along then.

[Mama:] She's going to be a tough one to handle when the new baby comes.

[John:] I guess so, but I still don't see why Liza waited so long to tell me about that.

[Mama:] Ah, used to be a woman didn't tell her ole man 'til she couldn't hide it any more.

One time I kept my condition from Jeremiah almost four months.

You want a boy don't you? I never saw a man that didn't.

[John:] I guess I do, it's only natural, but shouldn't Liza be seeing a doctor?

[Liza:] What do I need a doctor to for?

I've got at least six and a half months to go yet and no doctor in the world can do anything about that.

[John:] I know that much honey, but haven't you got to be thinking about it?

[Liza:] Mama, I even showed him my maternity dress and he didn't even guess.

[Mama:] Well once they get ya married, a man don't take notice of anything, but John's right,

you should see Dr. Tidwell and make sure that everything's all right.

[Liza:] Oh, I'll go when the time comes, all right.

You two stop fussing at me.

[Mrs. McElvery:] You see Nell, we can cure you, but most people don't have to take examinations

like you food handlers do, and that means that anybody that you might have been with

in the past few months may have syphilis and not know it.

[Nell:] Yes ma'am.

[Mrs. McElvery:] And if they're married, they will probably make their wives sick with syphilis.

[Nell:] The way that no good husband of mine did before he ran off to Macon.

[Mrs. McElvery:] That's right Nell, but it can be even worse than that.

Suppose that this John that you told me about is married, and his wife should get pregnant.

Unless we find her soon and she takes treatment, it's very likely that her baby will be born dead or diseased.

[Nell:] I'll do anything you say to help, honest, but all I know is that the fellows

with him were teasing him about chickens and they called him John.

[Health worker:] Isn't there any way that you can get a message to him?

[Nell:] He hasn't been since that one night, but I've got to do something.

I wouldn't want anyone to get sick or die on account of me.

[Doctor:] Tall, dark-haired chicken farmer named John, I'm afraid...

[Mrs. McElvery:] You don't know if he's even from this county, doctor.

The girl wants to help all she can, I'm sure of that but we have so little to go on, and if he's married...

[Doctor:] And if his wife is pregnant that will make it all the worse.

[Music]

[John:] Cross your fingers honey.

Haven't lost but eight chicks out of this batch, and they're in the tenth week already.

[Liza:] You're going to make a chicken grower yet, with a few years of practice.

[John:] Hey! Take it easy honey.

[Music]

[Mama:] Lord have mercy, John the way you act, you'd think Liza's baby

was due tomorrow night.

A woman's gotta have some exercise.

[Jeremiah:] It's gonna be a boy ain't it, Liza.

[Mama:] Jeremiah Crawford, you'll wait five months to find out.

[Music]

[Waiter:] Anything else?

[Doug:] I guess that'll be all today.

[Nell:] Hey mister, pardon me.

Weren't you in here one night a couple of months ago?

[Doug:] Yeah, what about it?

[Nell:] You know the fellows that were with you, the one named John?

Do you know where I could find him?

[Doug:] Look little girl, if John wants to find you, he'll know where to come.

He's a married man you know.

[Waiter:] Come on Nell, let's wait on the tables.

[Nell:] I saw this other fellow, I'm sure he knows who he is and where he lives.

[Mrs. McElvery:] That may be Nell, but you see, this information that you gave us about John,

we have to keep in the strictest confidence, that's the law.

So you see we just can't go around asking everybody, even though you do know he's married.

[Nell:] But suppose his wife is, is going to have a baby.

[Mrs. McElvery:] That's the saddest thing of all.

If she is, let's hope to goodness she gets to a doctor right away.

[Nell:] And everything will be all right.

[Mrs. McElvery:] If she gets treated in time.

You see Nell, in the first four months of pregnancy,

the disease does not get from the mother to the child.

In the fifth month and after it's very likely.

[Nell:] Then the baby will die?

[Mrs. McElvery:] No, there's a still chance to save it.

A great many women don't go to doctors until they've been pregnant for seven or even eight months,

and even then they don't take blood tests and no one knows until a baby comes

that anything is wrong.

[Nell:] I'll keep looking Mrs. McElvery.

[Mrs. McElvery:] Good girl. Bye.

[Nell:] Bye.

[Chicks chirping]

[John:] How many dead this morning?

[Jeremiah:] You know we've haven't lost but ten out of this pack yet.

Reckon you can raise boys as good as ten chickens.

[John:] Liza says it feels like twins, both of them girls.

[Music]

[John:] Hey honey! The load of feed I'm picking up this morning is gonna finish off this batch.

Ought to make $400 easy.

[Liza:] I want to see daddy's face when the check comes in.

[John:] Liza, why don't you come into town with me and see the doctor?

You're nearly five months gone.

[Liza:] Listen John, I feel perfectly all right.

I know when it's time to go to the doctor.

It isn't as though I haven't been through this before.

[John:] Okay, bye-bye.

[Music]

[Conference speaker:] The really important thing about this multiphase health testing program

that you civic leaders are helping to put on here in the county is just this:

Now for the first time, we'll be able to help a lot of our people who are walking around

with one or more of these diseases and don't know it. Some of them are right in your own organizations.

With one x-ray we can check for signs of tuberculosis, and certain heart abnormalities.

With one sample of blood we can check for signs of anemia, diabetes, and syphilis.

And from a dental inspection, we can warn many of our people of oral cavities and of other oral defects.

[Woman 1:] Everything is strictly confidential.

Your tests are marked by a number and if they find anything that shows that you need

special treatment, you can go straight to your family doctor.

[Conference speaker 2:] And speaking for the county medical society, I wish to urge each and

every member of this organization to get behind this worthwhile project.

[Music]

[Man 2:] If everybody keep working like this, we'll test the county a hundred percent.

[Man 3:] That's the truth.

[Music]

[Woman:] Sorry. [John:] That's okay.

[Music]

[John:] Hot enough for you? [Woman:] I'll say, it's boiling.

[Music]

[Man 3:] Sounds like you're doing all right, John.

Folks usually have trouble the first batch or two.

Broilers are harder to raise than most folks think.

Are you going home now?

[John:] Yeah. You want a ride?

[Man 3:] I'd appreciate it.

My wife's helping with this big health program and I can't leave town before I go by

and get my checkup.

[John:] Okay, I'll wait for you.

[Man 3:] Thank you.

[Music]

[Nell:] Pardon me, is Miss McElvery in?

[Secretary:] No, she isn't. She's over across the square at the testing station.

Could somebody else help you?

[Nell:] No, no thank you. I'll go over there.

[Music]

[Man 3:] Won't you come on in with me?

[John:] No, I got a couple things I wanna do. I'll just wait.

[Man 3:] All right.

[Music]

[Nell:] John...

[Nurse 1:] What do you mean running off that way?

You come on in here and get yourself tested.

Where is Liza and all the family?

You should bring them all in and get them tested.

[Music]

[Barb:] Take this card over to the desk and she'll tell you what to do.

[Nurse 1:] I have another customer, Barb.

[Barb:] Your name, please.

[John:] John Lloyd.

[Barb:] Address.

[John:] Route 4, Madisonville District.

[Barb:] Married, Mr. Lloyd?

[John:] Yes.

[Barb:] Have you any children?

[John:] Yes, have one, going on two.

[Barb:] Good. Hope you'll have the whole family tested.

[John:] Reckon I will ma'am.

[Music]

[John:] Well doctor, what makes you so sure?

[Doctor:] Well, we can't be absolutely sure until the results of this second blood test

come back tomorrow, but your blood test did show a high titer.

[John:] Well, I haven't had any of these symptoms, except nausea and sore throat.

[Doctor:] Well that's just the trouble, Mr. Lloyd.

We're finding more and more cases like yours.

In the early infectious stages of disease, the symptoms are often so slight

that they go unnoticed.

By the way, I think when you come tomorrow for the results on this second blood test,

you'd better bring Mrs. Lloyd in with you for the test.

[John:] But her, what's this got to do with her?

[Doctor:] Sit down, Mr. Lloyd.

We treat a lot of people in our VD clinics, Mr. Lloyd.

In fact, we have information that you've been exposed to an infectious case of syphilis.

Now only the two of us here in the clinic who have to do with treatment know this.

In fact, this is strictly confidential information.

I can't even tell you who gave us the information, but whoever did it, did you a real service.

In all probability you went through the infectious stages months ago,

and it's entirely possible that at that time wife was exposed.

[John:] But doctor she's pregnant, nearly five months I think.

[Doctor:] Then Good Lord man, you can't let her go another week without treatment,

while that baby is in danger of its life.

[John:] Why don't you go to the doctor, Liza?

[Liza:] But I told you John, I'll go see the doctor when it's time.

What's made you so worried all of a sudden?

[John:] It isn't all of a sudden.

I've been asking you and asking you and asking you.

Mama here can bear me out on that.

You act like I haven't got any right to take an interest in the child.

[Jeremiah:] [?] in my day the women called for the grandma...

[John:] You keep out of this, it's none of your business.

[Mama:] Everybody hush. Hush John.

Liza's a woman and she knows her time, no occasion for anyone else to be meddling in it.

[Music]

[John:] Liza. I lied to you this evening.

There is a reason why you've got to see a doctor.

[Liza:] Oh really?

[John:] They say I've, I've got syphilis and if I've got it, then you've probably got it, too,

and if we don't do something quick the baby might be born blind or crippled or even dead.

[John:] Are you sure, doctor?

[Doctor:] There's no doubt about it.

Both your test and Mrs. Lloyd's are definitely positive,

and the sooner you start taking a treatment, Mrs. Lloyd, the sooner that baby of yours will be out of danger.

[John:] But doctor.

[Doctor:] Both of you can take a treatment in a few days time and it's an-almost certain cure.

You can receive your treatment either from your family physician,

or you may take it here at the health department.

[Liza:] And my baby?

[Doctor:] When we treat a pregnant woman for syphilis,

her baby receives the same medicine through the blood.

[John:] Are you sure it'll be all right, doctor?

[Doctor:] No cure can be guaranteed at 100 percent. It would have been much better had Mrs. Lloyd

gone to a doctor earlier, as any good doctor would have taken blood tests as a part of his regular care.

Your wife is on her fifth month now, but our chances of curing her

and of saving the baby are still good.

[John:] When do we start, doctor?

[Dr. Tidwell:] The John Lloyds, oh yeah, yeah. I delivered her first baby.

[Doctor:] They want to start right away, so I'll send over the results of the test,

and well, it's been a pretty bad shock to the wife, so...

[Dr. Tidwell:] I understand. Umhmm. Yeah.

[Dr. Tidwell:] Well, Mrs. Lloyd, that's the last treatment.

Of course I'd like to see about every four weeks for a checkup before the baby comes.

I don't think we've got much to worry about.

[Liza:] And the baby will come normal and...

[Dr. Tidwell:] Look Mrs. Lloyd, we doctors do a great deal sometimes, but we're not magicians.

Thousands of babies die every year, from this and lots of other diseases simply because

women won't see their doctors during the first month or two of pregnancy.

When they put off coming until much later as you did, we can still do a great deal,

but it makes things a lot harder.

Why did you wait so long?

[Liza:] I thought it was all right, I felt all right.

[Dr. Tidwell:] Exactly, you thought you were all right and yet you, you endangered the life of your own child.

[Liza:] Maybe it ought to die.

[Dr. Tidwell:] Now don't be foolish Liza, there is no reason to get yourself all upset.

Everything's going to work out all right.

[Music]

[John:] Liza, before we get to where we can't talk, I want to tell you how, exactly what happened.

[Liza:] No need to do that, John.

Dr. Tidwell says it's been my fault too, for not coming in to see him.

[John:] I know but Liza it's, it's all my fault, I caused all of it.

[Liza:] Oh John, for heaven's sake, let's go home.

[Mrs. McElvery:] That's right, Dr. Tidwell. Prenatal clinic every other Thursday at 2.

[Dr. Tidwell:] I've asked Mrs. Lloyd to come along too, she's pretty upset about things,

and I'm afraid that if she loses interest in her baby, it might not be so good.

[Mrs. McElvery:] I understand. Of course. Just send her around and we'll take care of her.

Goodbye.

[Music]

[Mrs. McElvery:] Kitty, this is Mrs. Lloyd. This is Kitty Kendrick.

[Liza:] How do you do? [Kitty:] Glad to meet you.

[Mrs. McElvery:] They're the young couple that lives in the house just beyond you.

[Music]

[Liza:] Let me show you.

[Kitty:] God but you're quick, how many babies have you had?

[Liza:] Just one. But that's enough to teach you how to change diapers.

[Mrs. McElvery:] The trouble with learning on a doll, Kitty, is that a doll can't wiggle.

[Liza:] That's the truth.

[Music]

[Brad:] Hi folks.

[Kitty:] Brad. Come meet John and Liza.

This is Brad.

[Liza:] How are you?

[Brad:] Glad to meet you folks.

[John:] How are you Brad?

[Kitty:] Liza goes to the clinic too, they save me that awful bus ride.

[Brad:] Hope you'll pardon my looks, this heat is about to get me down.

[John:] That's all right, you'll get used to it in a year or so.

[Brad:] Guess I'd better, the heat is so bad out at the plant,

we're putting in a new air conditioning machine.

[Kitty:] Brad, these people have to go home.

Liza has a whole family to cook for.

[Brad:] Oh sure. Sorry folks.

Come see us sometime.

[Kitty:] Yes, please do Liza.

[Liza:] We'll do that. And you people come see us.

We'd love to have you.

[Mama:] It's too hot to eat, much less cook.

[Jeremiah:] August is always the hottest month.

[Liza:] I've got to go put supper on the table now, Kitty.

But call me back later.

And don't worry, you've got months to go yet.

[Jeremiah:] Is them women still talking?

[Mama:] Oh that kid is just fine.

Every time she gets a kick she thinks her time is come.

[Liza:] Kitty says she's buying both pink and blue just to make sure.

[Jeremiah:] Where is John, I'm hungry.

[Liza:] Still out in the chicken house again.

[Jeremiah:] Looks like he's 'bout to go live with those chickens,

the way he sticks out there all the time.

[Liza:] He makes some hay, doesn't he?

If more people around here would work as hard to make things run...

[Jeremiah:] All right, all right. I'll go get him.

[Liza:] No, leave him, papa.

He'll eat with me later, when it's cool.

[Music]

[Liza:] John, what's the matter?

Staying out here night after night.

I know you want to make a go of these chickens,

but you don't have to cut yourself off from everybody.

[John:] After what I've done to you Liza, I haven't any right...

[Liza:] But John, I don't feel that way.

It was both our faults and besides, we just can't keep on like this.

[John:] And if the baby isn't born right I'd never forgive myself.

[Liza:] But the doctor says it has a good chance.

Don't let this thing get you all twisted up.

Everybody makes mistakes.

[John:] After what I've done, I haven't any right to a son. I haven't any right to a son at all.

[Mama:] Cry it out. Whatever is bothering you, Liza baby.

[Music and crying]

[Rooster crowing]

[Grandfather:] It works itself.

Never have to touch it.

[Liza:] They're so cute.

[Grandfather:] Spent more than $450 on our last four thousand broilers.

Got another batch coming off next week.

[Mama:] Kitty came over to see Liza off to the hospital,

but looks like the old man's gonna keep her in the chicken house all day.

Jeremiah, we'd better go.

Jeremiah!

[Liza:] Coming.

[Music]

[Jeremiah:] Having babies in the hospital is just plain foolish.

That bed upstairs was good enough for you to have your babies in.

[Mama:] That's before I could [?]... they probably didn't have these treatments.

[Music]

[John paces as the family waits in the hospital waiting room for the baby to be born.]

[John:] Doctor, are you sure you've done everything possible?

[Dr. Tidwell:] I took another blood test just yesterday John, and it looked all right.

I don't think we've got anything special to worry about.

Of course I'll have to check the baby every month for three months after it's born.

[John:] I know Liza's up there suffering to birth a child that won't be right.

Just because of what I did.

It's happened to other people. I have seen those kids, all twisted up.

[Dr. Tidwell:] John, listen to me.

Liza's baby is in far less danger right now than dozens are that are going to be born

in this hospital between now and Christmas, simply because their mothers haven't had blood tests.

If there was just some way we can get women to understand how important these tests are.

[Nurse 2:] Dr. Tidwell, you're wanted in delivery.

[Dr. Tidwell:] Okay. Take it easy John.

[John:] Okay, thanks doctor.

[Music]

[Voice in John's head:] I haven't any right to a son. That baby's in danger of its life.

[Nurses's voice:] Blind, crippled, or dead.

[Dr. Tidwell's voice:] That may be right.

That baby's in danger of its life.

[Distorted voices of the doctor and nurse in the background.]

[Dramatic music]

[Baby crying]

[Female voice:] Date of birth, September 18th, weight 7 pounds 8 ounces.

Sex, male.

Name of parents, John and Liza Lloyd.

Isn't he sweet, John?

He looks just like you.

[John:] Does he?

[Liza:] Pick him up and hold him.

[John:] No, I think I'd better not.

[Liza:] Why not?

[John:] I'd better not just yet.

[Liza:] Oh, John.

[John:] Well, I better be getting back.

It's getting late.

I'll see you tomorrow. Bye.

[Music]

[Dr. Tidwell:] Yes sir, he's one of the finest babies I've ever had the privilege of delivering.

Aren't you boy?

[Liza:] He's growing so fast he'll be answering you back in another month or so.

[Dr. Tidwell:] I want to make a final blood check at the end of the three months.

There's absolutely nothing to worry about, but it's always best to make sure.

[Liza:] All right.

[Music]

[Dr. Tidwell:] You got yourself a prizewinner in this boy, John.

[John:] Thanks doctor.

[Kitty:] Look, Brad, isn't he cute?

He's the sweetest baby.

[Dr. Tidwell:] You're about ready for your examination, Mrs. Kendrick?

[Kitty:] Yes, doctor.

Bradley dear, will you hold my bag?

Wait for me Liza, let's have a milkshake before we go home.

[Liza:] Okay.

[Music]

[Kitty:] Let's go down to the Merry Maid Dairy.

They make milkshakes that high!

[Liza:] Okay.

[Bradley:] That woman is always hungry.

[John:] They all are about this time.

[Music]

[Patsy:] I'n gonna take it to my room granny.

[Mama:] All right Patsy.

But don't be climbing on things.

[Patsy:] I'm not.

[Mama:] Liza, what's John got against that boy of his?

[Liza:] Nothing that I know of.

Why?

[Mama:] It's not natural the way he's acting.

Don't ever play with this baby like he used to be doing Patsy all the time.

Don't think as much as I've ever seen him pick up the child.

He don't act natural to you, either.

[Liza:] John's got lots on his mind, mama.

He's always asking about the baby.

And besides you can't expect a man to, sshh, here he comes.

[John:] Hey. [Liza:] Hi.

[John:] Warm enough in here, Liza?

[Liza:] Heavens yes, you've got it hot as an oven in here now.

[John:] I got to get back and get the house cleaned up before dark.

[Liza:] Well, we'll be eating in another hour.

[John:] Okay.

[Music]

[Telephone ringing]

[Music]

[Mama:] John, John.

[John:] What's the matter?

[Mama:] Kitty's time's coming and not a soul in the house to get her to the hospital.

[Music]

[Liza:] How far apart are the pains now, Kitty?

Well, stay just as quiet as you can. We'll get you there, honey.

[John:] You'll be all right. We'll have you there.

[Kitty:] But Dr. Tidwell said it'd be three weeks!

[John:] Easy now, Kitty, easy.

We'll have you there in no time.

[Brad:] Gee thanks John.

Tell Kitty I'll be there just as quick as I can drive.

[John:] Well, for goodness sake don't kill yourself on the road.

I'll stay here.

Okay.

That's his first one.

[Receptionist:] I know what you mean.

[John:] Better watch out Brad, they're gonna charge you extra for wearing out their floor.

[Brad:] Gosh John.

Something must have gone wrong. Dr. Tidwell said it wouldn't be for three weeks yet.

[John:] But look Brad, I talked to Dr. Tidwell when I brought Kitty in.

You've got a lot less to worry about than Liza and I had when our boy came.

You see Liza didn't go to the doctor right off as soon as she found out she was pregnant,

like Kitty did.

And when she seemed to need me most, I was so tied up with all sorts of things

that I just couldn't seem to help her.

[Brad:] That's my trouble John, I'm off at the plant all day, nobody home.

I don't know how Kitty is going to manage by herself.

[John:] Good Lord Brad, when Kitty gets hold of that baby there'll be me, Liza, Mama Crawford.

Somebody over there all the time.

We'll be over there so much you'll have to start charging us board.

[Delivery nurse:] Mr. Kendrick.

[Brad:] Here ma'am.

[Delivery nurse:] You can come up now.

[John:] I'll see you later, Brad.

[John:] Liza, Liza. It's a girl. Six pounds.

[Liza:] Come already?

[John:] Yeah, Kitty came through it fine, and you should have seen Bradley.

That boy was so excited I thought he'd pop.

He was really something.

[Liza:] I bet he was.

[Music]

[John:] Lordy, he's heavy.

[Liza:] He ought to be, he's almost three months old.

And Dr. Tidwell said he's the healthiest baby in the county.

[John:] He's gettin' big as a young calf.

Do you really think he looks like me, Liza?

[Liza:] He's the spitting image of you, John.

[Music]

For more infomation >> Birthright (Georgia Dept of Public Health, 1951) - Duration: 42:26.

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Smoking No Longer Allowed In NYC Public Housing - Duration: 0:47.

For more infomation >> Smoking No Longer Allowed In NYC Public Housing - Duration: 0:47.

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NYC Admits to Lead Poisoning in Public Housing - Duration: 4:02.

For more infomation >> NYC Admits to Lead Poisoning in Public Housing - Duration: 4:02.

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Smoking ban in public housing now being enforced - Duration: 2:51.

For more infomation >> Smoking ban in public housing now being enforced - Duration: 2:51.

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Liberty Parkway becomes public road - Duration: 1:20.

For more infomation >> Liberty Parkway becomes public road - Duration: 1:20.

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Ben Stiller and Christine Taylor Seen in Public Together for First Time Since 2017 Split - Duration: 3:37.

 Ben Stiller and Christine Taylor announced their separation in May 2017 after 17 years of marriage

But on Monday, the estranged pair were all smiles as they stepped out together in New York City

 The actors — who share daughter Ella, 16, and son Quinlin, 13 — were photographed on the streets of Manhattan after dining together at a Tribeca restaurant

 Stiller, 52, wore dark jeans and a navy T-shirt, and carried a backpack on his shoulders as he pushed his bicycle

 Taylor, meanwhile, wore a summery dress that she accessorized with a brown purse, gold jewelry, and pink shades

The 47-year-old star also carried a white shopping bag.  It's the first time the two have been seen together publicly since news of their split made headlines

 A source tells PEOPLE that "the pair remain friendly and devoted parents to their kids

"  Putting the kids first has been a priority for the stars from the beginning, both mentioning it in their joint statement about the split

 "With tremendous love and respect for each other, and the 18 years we spent together as a couple, we have made the decision to separate," Stiller and Taylor said

"Our priority will continue to be raising our children as devoted parents and the closest of friends

We kindly ask that the media respect our privacy at this time."  A source told PEOPLE at the time that Stiller's hectic work schedule helped contribute to the breakup

 "It gets hard — he has a very busy Hollywood career, and she's been very focused on being a mom," the insider said

 "They are a very loving family," added the source, who didn't expect a messy uncoupling from the pair

"[Christine] and Ben respect each other and will do anything to make sure their kids are happy

"  Stiller and Taylor, who costarred in Zoolander, Dodgeball: A True Underdog Story, Tropic Thunder, and Zoolander 2, wed in May of 2000 in Kauai, Hawaii — with Stiller popping the question to Taylor while in rehearsals for Meet the Parents in November 1997

 "[Our] relationship was a gradual thing that happened over a quick period of time, maybe seven or eight months," Stiller told Parade about his relationship with Taylor in December 2013

"We just started hanging out with each other and it developed into, 'Wow, this feels great

I really like this person. I think I love this person. I really do – I love this person

' It hit me out of the blue."

For more infomation >> Ben Stiller and Christine Taylor Seen in Public Together for First Time Since 2017 Split - Duration: 3:37.

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Contaminants discovered in public water sites around western Michigan - Duration: 2:23.

For more infomation >> Contaminants discovered in public water sites around western Michigan - Duration: 2:23.

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Public housing smoking ban set to take effect Tuesday - Duration: 1:59.

For more infomation >> Public housing smoking ban set to take effect Tuesday - Duration: 1:59.

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Annual Report 17/18 : Public Services Boards 14 week advice period - Duration: 3:38.

I think for us what was useful was the on-going dialogue that we had.

We had several meetings with Heledd Morgan from the Future Generations Commissioners office.

She was extremely helpful.

It was useful not to just have a written report at the end,

obviously we'd submitted the draft well-being plan

and we were really grateful for the advice and assistance given on that.

I think if we'd have had the written advice at the end

it would have been almost too late for us to do anything about it.

Having that on-going dialogue with Heledd,

she was able to come and speak to us at various stages,

we were able to show her what we'd done,

we shared things via email, the way in which we were going about our engagement

our engagement plan , our engagement strategy,

some of the content as it was developing,

the well-being objectives, the actions.

Heledd also came to one of our PSB meetings,

so was able to discuss with them the approach and the way things were going

so for us that was really useful.

There seemed to be a level of empathy from the Commissioner to the PSBs

about actually where they were.

I think that's important because a lot of this is around cultural mind set change.

So that empathetic approach, I think, has been really helpful.

In terms of the written advice, we did find that extremely useful.

It was very detailed, we were surprised how detailed it was

when it came through because there's a lot of hyperlinks in there to research papers

and things that we might find useful for particular areas of our plan.

Obviously, either directly related to the goals,

or related to our objectives as they were developing

That was useful and we did spend some time going through

each of those pieces of advice and checking out those research papers.

What it enabled us to do is to reinforce some of the key points,

messages and principles of the Act.

So where we were trying really hard to do involvement,

in our case through the 'Blaenau- Gwent We Want' programme,

the messages that were coming through from that advice was really helpful

in encouraging us and the PSB

to see that this is really positive and this is a good way to go.

Our original draft of the plan didn't explicitly make reference to each of the well-being goals,

it didn't tabulate against each of them,

because we thought that was almost artificial,

in that all of them were contributing to all of the goals in one way or another.

We had a conversation with Heledd,

and realised that is important that you demonstrate that you've done these things.

So the plan was redrafted in that way,

more explicitly referencing the goals and the five ways of working,

we restructured our objectives around positives.

So yeah, it was useful and we did make some changes as a result of that advice.

There was some parts of it that we took very specifically,

which was around actually trying to galvanise

what we were saying in that original draft,

into some sort of key action.

That was something that had come through

and we worked then with the PSB and they actually agreed

an initial, immediate, strategic work programme,

where different organisations took the lead.

They agreed three key projects,

where they could come together and really add value,

that were big issues in the community.

It's been a really useful relationship for us,

and it's been very valuable for us to have that on-going dialogue.

having several meetings from several officers from the office

and a couple of times we've been down to the office for conversations as well.

So it's been useful in helping us with drafting.

They're walking alongside us,

and nobody knows what that route looks like quite yet,

we're navigating through it.

So that was a helpful approach as well.

For more infomation >> Annual Report 17/18 : Public Services Boards 14 week advice period - Duration: 3:38.

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✅ Alan Alda goes public with Parkinson's disease diagnosis to get ahead of potentially 'sad' tabloid - Duration: 3:56.

Alan Alda has Parkinson's disease.The legendary actor from M*A*S*H and West Wing went public with the news Tuesday on CBS This Morning

Alda, 82, said he was diagnosed in 2015 and since then he's had a full life. However, he recently launched his podcast, Clear+Vivid With Alan Alda, and during the press tour noticed his thumb had been twitching, as tremors are associated with the disorder of the central nervous system

So he decided to go public with his diagnosis to get ahead of any potentially "sad" stories about his health, which are tabloid gold

"I haven't said in public until now that I was diagnosed with Parkinson's disease," he said. The reason I want to talk about it in public is that I was diagnosed three-and-a-half years ago and I've had a full life since then

I've acted, I've given talks, I help at the Alda Center for Communicating Science at Stony Brook, I've started this new podcast

 Alda, who appeared on The Good Fight earlier this year, said that an article he read in the New York Times led to him asking his doctor to test for the disorder

"I asked for a scan because I thought I might have it," he revealed. "I read an article … that indicated that if you act out your dreams there's a good chance that might be an early indication when nothing else shows

And by acting out your dreams, I mean I was having a dream that someone was attacking me and I threw a sack of potatoes at them

What I was really doing was throwing a pillow at my wife."Alda had no other symptoms. Months after his diagnosis, he noticed his thumb twitching

"The thing I want folks to know — and this is not to short change people who are suffering with really severe symptoms. Symptoms can get really bad and their families can suffer," he said

"But in the very beginning to be immobilized by fear and think the worst thing to happen to you. It hasn't happened to you

You still have things you can do. I've taken boxing lessons — three times a week. I do singles tennis a few times a week

I march to Sousa music because marching to march music is good for Parkinson's."He said when he was initially diagnosed, his reaction was mainly helping his family not be worried

"It's common for us all to go to the worst thought, but what's interesting is this is a disease that is different for everyone who has it

There is some common symptoms but mostly everyone is different. And each day is different from the next. One day you wake up and think, Oh, it's over

It's gone. The next day it's back a little worse. You don't know what it's going to be. But the main thing is, there is stuff you can do

You know how I look at it? It's a puzzle to solve. What do I have to adapt to to carry on a normal life? And I enjoy solving puzzles

"Alda, who says he's "not angry" to be diagnosed, says he plans to discuss it further on his podcast.Read more from Yahoo Entertainment:Alyssa Milano defends new Netflix show 'Insatiable' after fat-shaming backlashPotential 'Office' return should take a page from 'NCIS,' says creator Stephen Merchant

For more infomation >> ✅ Alan Alda goes public with Parkinson's disease diagnosis to get ahead of potentially 'sad' tabloid - Duration: 3:56.

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Rare two day protest over China vaccine scandal reveals public anger Report - Duration: 2:37.

For more infomation >> Rare two day protest over China vaccine scandal reveals public anger Report - Duration: 2:37.

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Conversations with Moxie: Tricia Brouk on Being a Captivating Public Speaker - Duration: 29:19.

- Hi everybody, I'm Deb Beroset, the influence stylist

and founder of Moxie Creative and Consulting,

which is all about helping you transform from a hidden gem

expert into an influential go-to authority,

making a big impact and I'm really excited,

very excited today, because not only are we kicking off

a series called Conversations with Moxie, which is

conversations with people like our guest today,

who are influencers and experts who inform and inspire,

but today, we have with us Tricia Brouk.

Now, first of all, hi Tricia, welcome.

- Thank you Deb.

I'm so excited to be on the Moxie channel.

- Well, thank you, thank you.

You've got moxie so you belong here.

I'd like to share with folks a little bit about you

so that they can get a sense of who

we're in conversation with.

So, everybody, Tricia Brouk is not only host of the podcast

the Big Talk, where she interviews people who speak

for a living, she also has directed people onto eight

TEDx stages, she is an award winning filmmaker

and director, she's worked with a lot

of big Hollywood names.

Can we name drop a little here Tricia?

- I'll catch 'em for you.

- Okay, okay.

So let's see, James Gandolfini, let's see,

Christopher Walken, Kate Winslet, that's a little sampling,

is that all fair to say?

- It's true.

- It's true.

And also, I just want everybody to know that we scooped

Sirius radio, she's being interviewed next week

on Sirius radio but this week

she's on Conversations with Moxie.

So anyway, getting direct access to someone

with the stature and expertise of Tricia Brouk

is really a treat and I'm really happy to be able to share

you and your expertise with the Moxie audience, Tricia.

- I am so excited to be talking with you today Deb.

- So I'm gonna be firing some questions at you,

questions that I know our peeps want to have answers to,

are you ready?

- I am so ready.

- I know you are.

Okay, so for one thing, there's the question, why do this?

A lot of people have a fear of public speaking.

What's so important about speaking?

- Well, I think the fear of public speaking

is what prevents people from sharing their very important

message and potentially creating global change.

My whole thing is, my mission is about helping people

who have important things to say and do

take big stages and big screens.

So I think if you have an important message

or a story to share, it's robbing the world

if you don't share it.

If you want to make great impact in the world

or have impact on others, you must take a stage and speak.

If you want to champion a cause or an idea,

if you want to raise awareness around

a specific organization, if you want to raise money

for your favorite charity, it's time

to start talking about it.

And if you want to sell your book, simply getting on a stage

and talking about what your book is about,

and getting people excited with your keynotes

so that you can have this companion talk with your book

as authors is why you need to take big stages.

The other part of this that people forget, Deb,

is that when you're an entrepreneur or a consultant

at any company and you're asked to talk about what it is

that you're doing, what it is that you're selling,

what product you're offering, if you don't know how

to articulate and walk onto that stage and inspire

instead of pitch, your productivity, your income,

it's all going to be impacted.

So I truly believe that we all need, at some point,

to understand what it means to speak.

And whether it's on massive stages like Tony Robbins

or whether it's on a panel at a small conference,

all of the content and information that you are sharing

with those people will directly impact them.

That's why I think speaking is so important.

- That's great, that's great.

Now, a lot of the people that I deal with are coaches,

consultants, and other change makers, right,

and one of the things that I've been asked about

is how speaking leads to new business or clients.

- When you take a stage, whether it's a keynote

at an organization or a TEDx all over the world,

you elevate your credibility instantaneously.

You are the expert speaking from the stage,

sharing your important ideas,

therefore we see you differently.

So when you begin to incorporate speaking with your business

you've just raised the level of your game.

- Now, you mentioned to me about somebody you knew

who got a really big consulting gig

out of speaking, is that right?

- Absolutely.

Mari Carmen Pizarro who is longtime client and dear friend

of mine, she and I were working on her keynote,

which was after we had worked on a TEDx together,

so we continued to work but in the different direction

of speaking and while we were working on what it meant

to bridge the gap of cultural leadership,

she's a latina woman from Puerto Rico who works

with leaders in white corporate America,

and we were talking about how to bridge this cultural

leadership gap and when we were in the middle of writing

this keynote, she landed two six-figure consulting jobs

and the reason that she did that and she shared this with me

the reason she believes she did that is because

we had done so much research on what the talk was about

and we got so dialed in on what it is she was going

to express about this idea, bridging the gap

in cultural leadership, so she was able to walk into a room

and just inspire people to hire her on the spot.

So that's why the process of speaking,

the process of writing your keynote and your TEDx,

it takes you to a new place as an entrepreneur.

- I love that, I love that it kind of leaks into everything

you're doing when you work on a talk like that.

It has you more confident speaking about your business

in an elevator, the stereotypical elevator pitch even.

- Absolutely.

You become so much more fine tuned in what it is

you're trying to express about the idea so you're no longer

saying you need to buy this because, it goes to the idea

and that's what people get excited about.

The idea's what's sexy, not the product.

- That's really great.

Now, a lot of people are nervous about public speaking.

I know it's one of the top fears that people report having

so how do you help people deal with nerves?

- This is a great question.

One of the things that I talk about specifically

is that when you have an idea worth spreading

or an idea that you need to share with the world,

if you put your focus on that, you will get past the nerves.

You will not remove the nerves, you might work through

the nerves, but really thinking about why it is you must

share your idea will give you the confidence to then

move towards the nerves.

Once you've moved towards the nerves,

it's all about rehearsal.

You have to rehearse over and over and over again.

And that means in front of people.

The biggest mistake a speaker can make is to rehearse

by themselves in front of the mirror

because there's no stress, there's no stakes.

So you have to create mild stress.

Start off with mild stress, which is in front of your family

they're not gonna judge you if you mess up or forget,

they're not gonna make fun of you.

And then increase the stress.

Start to deliver the talk in front of your colleagues,

and then increase the stress a little bit more

because our bodies, I guarantee you, will betray you.

You're gonna get a dry mouth, you're gonna get sweaty,

you're gonna have butterflies in your stomach.

So if you've never given the talk under those circumstances,

you don't know what's going to happen to your mind.

You might start thinking my hands are shaking,

I don't know what my talk's about.

So you must rehearse under mild stress,

increasing the stress slowly so that you know what

to do when you're in front 50, 100, 1000 people.

And the part about not rehearsing alone is super important.

Do the talk in front of as many people as possible.

One of my speakers at TEDx Lincoln Square,

in the cab ride over to the theater, she did the talk

from top to bottom to the cab driver

and it was just another opportunity for her to do this

in front of another human being and have those nerves.

- You know, that just reminds me, I don't know

if I mentioned it, you also happen to be

the executive producer of TEDx Lincoln Square,

Lincoln Center, New York City, right?

- You were right the first time, Lincoln Square, yeah.

- Lincoln Square, okay, okay.

When you are working with people,

do people come to you sometimes and say I'm an introvert,

I don't think this is for me?

- Most speakers are introverts.

Kristina Hallett is on right now, I see her beautiful face.

- Oh, hi.

- One of my Speaker Salon superstars and she's probably

one of the few extroverts who I've worked with

and she's just stunning on stage and incredibly smart

and so comfortable.

That's not always the case.

I have many speakers who are terrified and they're very shy

but what I try to do for them is remind them the idea

is what's important so focus on the idea that you're sharing

and get the focus off of yourself.

You have to focus on the idea and the audience

and then you can let go of the, they're gonna think I'm dumb

what I'm saying is stupid, all of that self-judgment

that comes in.

- Yeah, you know, I've heard that our brains are wired

to avoid risk but our brains also enjoy

the pleasant cocktail of providing value and that experience

and it sounds like that's what you're talking about

is to focus on that.

- That's a really great point Deb, yes.

The value that you're going to share with the world

by taking the risk of having fear

outweighs your personal fear.

- Yeah, that's awesome, alright.

So talk to us a little bit about what it takes

to be a captivating speaker.

- It's so interesting, this question, because there's this

sort of mysterious, ethereal what makes people captivating,

what makes people, why do some people have charisma

and some people don't?

Well, that's a great question and I do believe

some of us are born with charisma,

some of us have to work for it, but with regards to becoming

a captivating speaker, there are techniques that you can use

to create that feeling from the stage every single time,

even if you're having a bad day, even if you're tired,

even if you're jet lagged,

and I'm gonna share what those are.

So the first thing, know who you are as a speaker.

Don't walk up there and pretend to be somebody

you think we want you to be because that's going to come

across as false and we're gonna turn off,

we're gonna stop listening, we're gonna have this weird

feeling that we don't know why we don't trust you,

but we just don't.

So never try to pretend to be anyone except who you are,

own that, love that, embrace that.

- Great.

- Second thing is I want you to think about speaking

with authority but also with a little bit of vulnerability.

Many times experts take a stage and they're really, really

passionate and really really smart about the content,

what ends up happening is they come across,

A, smarter than anyone else in the room,

which is not what their intention is,

but then we think well, I guess I'm too dumb

to understand this content, or B, they're so passionate

that it comes across as angry, and then we're like

oh my gosh, okay, I'm not gonna, I can't,

I have to turn off.

So when you are the expert and you have authority,

put a little bit of vulnerability in there and how you

can do that is by starting with a personal story.

Something that you can share with us about you

that shows us you're vulnerable and relatable

and another human being.

And then, the third thing is, and this is where

the technique comes in, know what you want

from your audience and how you're going to get it.

And I teach this and it's objective in action

and it's what I use with my actors,

it's what I use with my speakers.

For example, if you want your kids to go to bed

or you want your spouse or your partner

to take out the trash, those are objectives.

How you're going to do it is the action.

So if I want my kids to go to bed, I could bribe them,

I could nag them, I could seduce them, well that's more

like partner taking the trash out, I could sweet talk them.

So if you know the objective that you want

from your audience and how you're going to get it,

when they're not paying attention and they've turned off

and they've gone to their cell phones or they're yawning,

you know that what the action you're using is not working.

So you have to pivot and sometimes people call this

tactics, you have to change your tactics.

If you know that you are not getting your objective,

which is for the audience to adopt your idea

as their own, or to donate to your favorite cause,

switch your action so that you can get that objective.

That is how you can be captivating and how you use

technique to be captivating.

- Oh wow.

Wow, okay, that's cool.

That is cool stuff.

So, when it comes to the topic, if someone's interested

in speaking because they really want to support

their business and they want to share some of their

expertise and value with an audience, is there any advice

you have about how to choose the right topic?

- I think the first thing one needs to consider

is if your passionate about the topic.

It looks like Robin Meyers is on, hi Robin.

If you are speaking so that you can, amazing.

If you're speaking so that you want to drive business

to your company, that's a valid reason to speak.

If you want to drive business to your book launch,

to your book sale, that is a valid reason to speak.

But what's most important is that when you are sharing

this information, it comes from a place of belief,

a place where you are seriously passionate about

the information you are sharing, not just the dollar signs.

Because that's a great outcome if your book gets sold,

but it's really gotta start from the idea

and from the place of passion.

Again, when you walk on stage and you're not being yourself,

people don't trust you, they don't know why,

but they just don't.

It's the same thing if you're going up on stage

and your ultimate goal is to raise money for yourself.

If your goal is to raise money for another company

or for an organization that you believe in,

that is something we can talk about passionately

without feeling weird about, right?

- Right, right, right.

- So it's the same thing, start with the idea,

start with the passion.

- Okay, that is great.

Now another thing that I know people wonder about

is the difference between a TEDx and a keynote.

- These are great questions.

They're very different.

For anyone who wants to learn from the master

what a TED and a TEDx talk, it's TED Talks,

the Ultimate Guide to Public Speaking by Chris Anderson.

He is eloquent and so beautifully descriptive in this book

about what a TED and a TED Talks,

what a TED and a TED Talk are.

They are an art form, they're a different beast completely.

So let me start with keynote.

Thank you Kristina.

Keynotes are usually teaching tools, there's a clear

call to action at the end, they run 45 to 60 minutes long.

They definitely start with an introduction of the material,

you set up what we're gonna talk about,

you hit all those key points, and then you wrap it up

and there's a call to action.

A TEDx is a gift, not an ask, it's an idea, not an issue.

And you want the audience to adopt your idea as their own

at the end of the experience.

So there might be a call to action to think differently,

but there's not necessarily a call to action as to

write me a check or buy my book, it's really a thought,

let's think differently as human beings.

That's the big differences between a keynote and a TEDx.

- Okay.

And a lot of the people that I work with,

that is exactly the kind of thing they want to be doing.

They are change makers and I know that's true

of a lot of people you work with too.

So how does somebody know, oh, by the way,

there's Robin and Kristina talking about how helpful you are

and how basically you are phenomenal at supporting

and mentoring, so obviously there are people

who are raving fans, that's how I learned about you,

actually Tricia, was raving fan Janet Zaretsky.

So how do you know you're ready to take the stage?

- I think if you dream about it,

if you are afraid to say it out loud,

and if your big talk is on your bucket list,

it's time to move it onto the to-do list.

If you dream about making a difference in the world

by sharing your message, if you are afraid to say it

out loud because then you'll have to follow through

and if you've been thinking about it but haven't really

made it come to fruition, that's when you know it's time.

There's never perfect time.

You have to start, you have to chose to start writing,

you have to choose to start coming to events

where you can speak, you have to choose to surround

yourselves with people like Robin and Kristina

who have formed this incredible community

with the New York Speaker Salon.

The support of other speakers, the support of a mentor,

I have seen so many speakers become who they are meant to be

they walk on stage one way and walk off another

and that's why I do this, Deb, because I get to watch people

become bright lights and make impact on other people

and the world and that's what this is all about.

- Yeah.

I can relate to that.

I come at it from a different direction

but I can totally relate to that.

It's fantastically fulfilling, right?

- It is, yeah.

- I mean, and it's also the case that a lot of people

launch major careers from talking.

But here's the thing, if all those categories

you just listed, you know, where you have this sort of

nagging idea, you've got this fire in your belly,

it's on the bucket list, for all of you out there

who you heard yourself in what Tricia just said,

I've got some really great news for you that I'm very

excited that Tricia is coming

to Chicago in just a few weeks.

Woo, woo, woo, right.

We're doing Speaker Salon Chicago, she's leading

the workshop, I'm hosting, and why don't you tell us

a little bit about what is in store for the folks

who are going to be in that Speaker Salon.

- I would love to.

I am so excited to come to Chicago.

I'm from the Midwest so I'm super excited.

The Salon in Chicago is going to be accelerated version

of what I do with my speakers here in New York City,

because we are in a weekend event and it's not

six or eight weeks of us spending time together,

I'm going to give you as much material as I can

without completely overwhelming you.

So we're going to talk about ideas, we're going to work

on content and delivery, and because all of the speakers

are in the same room the entire time watching each other

take the stage, watching each other give,

watching each other take direction from me,

there's going to be direct feedback and the observational

learning from being in the audience is equally,

if not more valuable, than taking the stage.

But within those two and half day of being together,

every speaker will have an opportunity to get on stage

multiple times, practice material, work on delivery,

I will direct them with regards to performance,

I will give them feedback on their content,

we're gonna talk about ideas and at the end of all of this,

I'm going have dinner with you all and we're gonna

pull back the curtain on what it takes to be a TEDx speaker.

And the reason that I love doing that is because

there's so much mystery surrounding TED and TEDx,

and I've been an organizer for two years now,

I'm coming into my third event, and yes, Kristina,

you learn so much from watching other people speak.

It's amazing, it's one of my favorite things to observe

is watching speakers witness their amazing colleagues.

And you can also steal what's good and not do what's bad.

Those are things too that you have to really think about.

So I'm gonna pull back the curtain on TEDx,

we're going to talk about the best way to apply,

how to vet us, because I also believe it's really important

that you know who you are getting involved with

and what kind of a stage you are taking

because there are so many variations on TEDx's

and TEDx organizers, and so I'm gonna spend

the entire weekend supporting all of the speakers.

You are one of them, I cannot wait to work with you,

and really getting as dialed in as possible

with any amount of content, whether it's a keynote,

whether it's an opening to a new talk, whether it's

a presentation you have to give at an upcoming panel,

anything and everything is on the table for us to work on

together and I will be working with you all just like I do

my actors and my speakers.

It's a safe environment where we get to play,

we get to take risks, we get to fall down and get back up.

- Well, I'll be right in there falling down

and getting back up.

Now, one of the things I'm just gonna put out there

right now, I don't have a talk ready.

I don't have a talk.

I do have an intention to do a TEDx talk in 2019,

putting it out there right now, putting it out there.

- Amen sister.

- Alright, and I don't have a talk.

So what do you have to say for those of us coming

to the Speaker Salon who don't have that talk in hand?

- This is where the magic happens.

I'm gonna put you up on stage and I'm gonna prompt you

with questions and I'm gonna have you improvise

a conversation with me in front of all the other speakers,

exactly, did you get a little nervous?

- Yes, I'm feeling the butterflies.

- Right? - Yeah.

- All of the sudden, in that place of complete rawness

and nakedness, I promise magic happens and I've seen it

happen over and over again.

So if you don't have a talk or you don't have an idea,

or you have too many, this is the place for you to come

because I'm gonna be able to help fine tune and guide you

so that when you leave this weekend, you are gonna have

so much energy around a really specific idea

that you can take anywhere.

- Okay, that is, that's gold, that is gold.

I'm really excited.

I'm a big believer of magic and serendipity,

so bring that on.

You know, the other thing, excuse me.

The other thing I want to make sure to mention

that's special about the Speaker Salon Chicago

is that we are booked at a Soho house for a member event

on Friday evening, the 17th of August,

and you're gonna be, I'm gonna be interviewing you

about what it is to be a fearless speaker

and that is only open to Soho house club members

during their performance themed month

and anybody who's in the Speaker Salon Chicago

will be a guest at that event on Friday night,

plus as I recall, you said you were taking

us all out to dinner--

- Absolutely, we're gonna talk about ideas after that.

After that Q and A, we're going to have a beautiful meal

together and talk ideas.

- Yeah, that's gonna be just a wonderful way

to start the weekend, get to know each other

and get in that whole speaker world.

And anything you want to add about just the fact that,

I've been told Tricia, and I've experienced it myself,

that once people are in your orbit, you are just

the most generous person about sharing connections

and networking and all that.

You put me in touch with the brilliant Jamie Broderick,

that's very cool.

Do you just want to say a little bit about

your philosophy on that?

- Thank you for saying that.

I feel very strongly that we are all here to make

a difference in the world and there's plenty to go around.

And if we can continue to stay open to amazing human beings

coming in our lives, then we should also be willing

to share those human beings with other people.

So I love making introductions to any and every TEDx

organizer that I've met.

I go to TED Fest every year and I'm constantly

making introductions.

I believe in the collective of helping and holding

each other up and that's what I do on a set with my crew,

it is, I believe, why I get so much shit done.

- Yep, yep.

- And it's also about leaning on the people you can trust,

people you know have your back, and so yes, I'm all about

sharing my orbit with everyone.

- Yeah, that's wonderful and just wanted to acknowledge

that and thank you and also share with everybody

that that's the kind of human being you're gonna get

to be with you come to the Speaker Salon in Chicago.

And there are limited spots.

It's a maximum of 15 people so that everyone gets

plenty of that individual attention magic

you're talking about, right?

- Absolutely.

- So I'm gonna put in the comments below this,

I'm gonna put a link to the page where people can go

for more information and to register.

You're also free to contact me, Deb at itstimeformoxie.com,

I'm happy to have a chat with anybody who's interested.

Come one, come all, play with us.

I'm gonna be in there, I promise you.

I'm gonna be mixing it up with everybody else.

And it is time for moxie, right?

- Absolutely.

One more thing I want to just share with everyone, Deb.

It's going to take place at the Hotel Monaco,

the beautiful Afinia hotel in Chicago.

So it's going to be a great venue.

We're there all day so we have lunch there,

we have dinner there, you don't have to worry

about the stress of leaving and going and coming,

it's all going to taken care of for you.

- It's a beautiful sexy little boutique hotel you picked out

so thanks for that.

I love that environment.

We're going to be so cool, it's going to be so fun.

And I also understand that people make great new friends

when they do this and form new communities which is,

you know, phenomenal, I'm always up for that.

- Absolutely.

It's a really inspiring and vulnerable experience

that you come being completely new

and that's what I love observing.

- Alright, that's great.

Well thank you again so much for being here, Tricia.

I can't wait to be with you in person

in about two or three weeks.

- I know.

Oh, did we say the dates?

It's August 17th through the 19th.

- That's right and on the 17th, it starts in the afternoon

at 4:30, so you can still work on Friday

and just cut out early to come.

- Absolutely.

- Okay great.

Alright thank you and I will talk to you soon Tricia,

thanks, bye bye.

- Thanks Deb.

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