Hi there!
Here at FilterEasy we get lots of questions like,
"Why do I need air filters from my home?"
Or, "How are you guys so cool?"
But the number one question we get asked is,
Really?
That's the number one question?
Fine.
Well, what if?
*mash mash shmash mash*
How long? Just long enough.
How viral?
Alright, let's make it viral.
Kittens?
Let's get all the kittens. Why are we gunna hold back?
All the kittens.
Let's go full monty!
Alright, let's make an award winning commercial!
*DUBSTEP WHOMP WHOMP*
For more infomation >> What if Making an Ad for the Big Game Were as Simple as FilterEasy - Duration: 1:01.-------------------------------------------
Provider Data Management Made Simple | Cognizant's TruProvider® - Duration: 1:54.
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-------------------------------------------
Vibrato Started Using One Simple Singing Exercise - Duration: 6:57.
In this second of our 4-part video series on vibrato, I'll show you how to get vibrato
started using one simple singing exercise.
Hi, I'm Chuck Gilmore with Power To Sing
Thanks for your comments on Video #1.
Virtually everyone who watched the video thought that….well, rather than me telling you,
if you missed that video, watch it here and you decide!
What do you think?
"Can You Tell I Wasn't Born with Vibrato?
Listen!"
I was one of those singers who sang with a straight tone for 43 years!
I wasn't born with vibrato.
When I was a teenager taking voice lessons for the first time my teacher said if you
aren't born with it, you don't have it.
My teacher had her masters degree in vocal performance, recorded an album, and was a
well known singer and teacher in my hometown.
So...I believed her.
I felt bad because all the good singers around me had vibrato.
I sang a lot.
I sang constantly at home.
I was in choir in grade school, junior high and high school.
Our High School Madrigals did a singing tour of Europe the year I graduated.
I entered college as a music major and sang 4 years in the University Oratorio Choir.
Eventually I became so discouraged about my voice, I stopped singing solos for more than
20 years.
It wasn't until I was 44 years old that I discovered that I didn't have to be born
with vibrato and that I could develop it in my voice.
I want to credit Seth Riggs and his associate teacher at the time, Debra Bonner, for teaching
me how to do vibrato.
My new vibrato added quality to my voice, improved my pitch and gave me confidence enough
that I began auditioning for musical theater again.
Over the past 22 years I've performed in more than 40 shows...of which 28 were lead
or supporting lead singing roles.
When I learned to sing with vibrato, it seemed miraculous to me because for all those years
I thought it was impossible.
Whether you're convinced that you can develop vibrato in your own voice or not, it doesn't
matter.
In the next 3 minutes, you will experience the beginning of vibrato in your voice.
It's a technique I've never shared in public before.
Here's how you do it.
I call it, the "Puppy Dog".
Step 1: Do a puppy dog pant.
Use small, easy pants.
[Demo]
Step 2: Add your voice to the pant using the "uh" sound.
[Demo]
Step 3: Now slur or blend the panting together so you're panting on a continuous, smooth
sound.
[Demo]
Step 4: Take a larger breath to hold it longer.
If you run out of air, take a breath and keep it going.
Control it.
Keep the same pulse every time you start with another breath.
[Demo] There is kind of a pulse to it.
It's the feel of more - less, more - less...over and over again.
[Demo]
Step 5: Gradually increase the speed of your pulsing but stay in control.
[Demo] Increase the pulsing as fast as you can while maintaining control of your pulsing.
Do it long enough so your vocal cords can memorize the feeling of vibrato.
[Demo]
This is what vibrato feels like.
Pause the video and do it a few times until you feel the vocal cords get it...even for
a moment.
[demo] That's the beginning.
That small beginning is like discovering a vein of gold in a mine.
Even though you only see a small part of it...it leads to enormous "vocal wealth".
The more time you spend with this little nugget of vocal gold, the better it will become.
Yes it feels forced and awkward at first.
Remember how you felt when you first learned to ride a 2-wheeler bicycle?
Didn't you feel unsteady and insecure?
Didn't you fall several times?
Learning vibrato's no different.
But with practice you'll soon be riding without hands so to speak.
In other words, you'll be singing with vibrato as naturally as if you were born with it!
Don't worry about it stopping and starting at first.
That's normal.
Just restart it and sustain it as long as you can.
The vocal cords are memorizing the new feeling and will soon take over by themselves.
[Demo]
In a couple of days you'll get Video #3 and receive the Vibrato Success Plan.
You'll get a simple outline to help you go from vibrato "baby steps" to singing
with vibrato without even thinking about it!
As natural as if you've always had it!
Experiencing the birth of vibrato is so exciting and encouraging!
Please share your experience in the comments section below.
I want to hear from you!
This "new born" vibrato will eventually give you a huge quality boost to your singing
and performing.
I'm Chuck Gilmore with Power To Sing.
You can sing higher with beauty, confidence and power...and vibrato!!!
Please join me in the next video where you'll receive the Vibrato Success Plan.
-------------------------------------------
Очень простой рецепт классического мисо-супа по вегану - Duration: 1:41.
Miso soup
Miso paste
Green onions
Wakame
Tofu
Soy sauce
Sesame seeds
Ginger
Allspice
Onion
Carrot
Garlic
Boil until the veggies become soft, filter
Wakame seaweed
From this point - no boiling
Miso paste
Tofu
Add hot sauce if you like
Decorate with green onions and sesame seeds
Ingredients proportions are in the video description
-------------------------------------------
Tutorial: Simple Blender Animation (Thememaker's Toolkit) | Planet Coaster Tips - Duration: 13:24.
Hello there, welcome to Ms.RedNebula's PlanCo Tips - Thememaker's Toolkit Edition!
In this tutorial, we'll go over how to set up some simple animations in Blender - a pop-up
ghost, and a clock face with spinning hands.
This is a little more advanced than the sign tutorial, so I recommend watching that one first.
I'll put a link to that in the top-right corner!
You can use these techniques on your own creations, or if you'd prefer to follow along with the
tutorial, download the files in the description below.
Our ghost animation is based on this object, just a simple, flat cutout like you might
see in a budget dark ride.
I made this in the same way as I created the signs for the first tutorial.
I've positioned the ghost underneath the grid, which for now we can treat like the ground
from which the ghost will pop up.
All animations for the Thememaker's Toolkit are accomplished by attaching your mesh to
a special piece called a bone.
Most animations feature multiple bones, connected in a sort of skeleton called an armature,
but for this simple rig, we're just going to use one bone.
To add a bone, go to the Create tab at the left hand side of the screen and choose "Armature".
This object is a bone.
Its position doesn't matter much for this example, but just to get it out of the way,
let's shrink it and position it behind our ghost.
Up here in the Outliner, you can see our ghost cutout, as well as the armature group that
contains our bone.
There are several ways to parent the ghost to the bone, but here's an easy way.
In the Outliner, drag the Ghost_L0 object onto the Armature.
When this menu pops up, select "With Automatic Weights".
Weights are a somewhat complicated subject, but for this tutorial I'm going to handle
them as simply as possible.
Basically, the weight is how much influence a particular bone has over each vertex in
your mesh, on a decimal scale between 0 and 1.
When you only have one bone, any object you assign to it with automatic weights will have
all of its vertices 100% weighted to the bone, which is exactly what we want here.
Now, select the bone armature and go into Pose Mode.
When you right click the bone now, it will turn blue, meaning you have that bone selected
and can pose it.
The ghost cutout will move along with it.
By default, Blender will have a view called the Timeline open at the bottom of the screen.
If you don't see this, click and drag the diagonal lines at the bottom left corner of
the screen upward to open a new view.
Use the menu at the very left to change the view to Timeline.
The Timeline has a green line indicating the current frame.
Make sure the indicator is on frame 1.
You can see the current frame at the bottom of the view, you can also type a frame number
to jump there.
With the bone selected, you'll make a keyframe.
This first keyframe will tell Blender the position where you want your animation to begin.
You also need to tell it which property you want to animate - the rotation, location,
scale, or any combination of the three.
Click on this space and choose "Location".
Then, click the buttom with the key icon beside it.
Note a yellow line appears on the timeline, and the location property of your item is
yellow as well.
If you move along the timeline, the location attribute turns green, just an indicator that
at some point on the timeline, this property has at least one keyframe.
Move the timeline to where you want your ghost completely popped up.
By default, there are 24 frames per every second of animation.
To make the ghost pop up in half a second, place the timeline indicator on frame 12.
Move the bone straight up along the Z axis - the ghost will move with it.
You want your ghost just above the ground.
Press the Keyframe button again.
Now, when you move along the timeline between these keyframes, you'll see that Blender has
filled in all the frames in-between.
You can also use the Play button to see how fast the animation plays.
You can add more keyframes this way if you wish.
For the purpose of an animated object in Planet Coaster, you should always reset the object
to its starting point at the end of the animation.
In this case, we'll leave it up for 3 seconds, then ease it back down.
Let's look at another view that helps with animation.
Open a new view by clicking the diagonal lines and dragging up, and then change this view
to the Dope Sheet.
Here, you can see every keyframe attached to the selected bone, and you can select,
move, duplicate, or delete them.
You're at frame 12 now, so three seconds from that is frame 84.
Move the indicator to that frame.
On the Dope Sheet, right click on the second frame to select it.
Press Shift-D to duplicate the keyframe, and then move it over to frame 84, where your
indicator is.
The yellow bars in between just indicates there is no movement between those keyframes.
Next, give it a slow reset of 2 seconds.
Move the indicator out to frame 132.
Right click the very first frame, and duplicate it with Shift-D. Move it out to frame 132.
When you play the animation, the ghost pops up, stays, and then resets.
But there's still a long wait before the animation starts playing again!
In the Timeline, change the End frame to 132, the same as our last keyframe.
Now when you play the animation, it repeats right after it ends.
Of course, if you want to get a little more complex, you can add additional pieces to
an object like this, so it looks like it has some kind of pneumatic rig supporting its
animation, but that's up to you.
Our second animation is a little more complicated.
For this one, you'll need 3 bones - one for the static clock face, and one for each hand.
Go ahead and add an Armature.
In this case, the object is centered already, so the armature appears right where it needs to be.
If that's not the case for the piece you're working on, you can move the armature now
if you need to.
Shrink it and move it down until just the tip of the smaller end is showing.
Then, with the armature still selected, go into Edit Mode.
When editing an armature, you can move either end independently, select and adjust the whole
bone, and most importantly, you can add additional bones.
Select the "Tail" - the smaller end of the bone.
Go to Top Orthographic view - remember that is 5 and 7 on the numberpad.
Press E to extrude, which will create a new bone.
Drag this bone to match the clock's big hand.
Select the top of the original bone again.
Press E, and this time, drag it to match the clock's small hand.
When you have an armature with multiple bones, it's a good idea to name the bones to keep
track of them.
Select the original bone, and go into the Bone tab in the right hand menu.
The names don't matter in PlanCo, so let's call the first one "Root".
Select the bone for the big hand and name it something like "Hand_Big", and then name
the small one "Hand_Small".
That's it for the armature - return to Object Mode.
Next, we'll parent the clock face to the armature.
Since there's now three bones, using automatic weights would actually cause some problems,
as more than one bone would be set to influence different parts of the mesh.
This can work well for more complicated rigs, like an animal's body, but there's an easier
way for simple objects like this.
In the Outliner, drag the Clock_L0 object onto the armature.
This time, choose "With Empty Groups".
This means no bones will be automatically assigned any part of the mesh.
Now, select the clock face and go into Edit Mode.
You might also want to hide the armature in the Outliner so you can see the different
parts of the clock face more easily.
Let's take a quick look at this object.
The clock's mesh is made up of four separate parts - the clock face itself, the two hands,
and then the nose is just a small piece above the rest.
You can see the distinct pieces easily in Wireframe or Solid mode.
An easy way to select an individual piece is by hovering over it with the mouse and
pressing L. And remember, to deselect everything, press A.
We want to attach the clock's face and the nose to the Root bone.
Make sure they are the only two parts selected and then go to the Data tab in the right hand menu.
Under Vertex Groups, you'll see all of the bones listed.
Select "Root" and click "Assign".
Deselect them, and then select just the big hand.
In the Vertex Groups, select "Hand_Big" and then click "Assign".
Then, do the same thing for the small hand.
An easy way to make sure everything is done correctly is to scroll down the right Properties
panel and, under Mesh Display, turn on "Show Weights".
Then, when you click each Vertex Group, the section assigned to that bone will show in red.
You can turn off Show Weights when you're done verifying them.
Go back to Object Mode and make your armature visible again.
You may also want to switch back to Material shading so you can see the image.
Select the armature and go into Pose Mode.
When you select and rotate a bone, the corresponding hand moves with it!
Make sure you're rotating the hands in top orthographic view only, or otherwise limiting
their rotation to the Z axis, otherwise your animation will get weird very quickly!
Remember, you can always use Ctrl-Z to undo, or if you have one or more bones selected,
you can press Alt-R to snap them back to their original rotation.
In the keyframe type, choose Rotation.
Place a keyframe on the big hand in its starting position.
Let's make a 360 degree turn over the course of 60 frames.
Now most people's first thought is to go to frame 60, spin the hand all the way around,
and make another keyframe.
But it won't work, because Blender tries to extrapolate the shortest distance between
the two points - in other words, no distance at all.
An easy way to handle this is to do it in increments.
At frame 20, place a keyframe with the hand rotated 120 degrees - remember you can type
in the number for a precise measurement.
Then go to keyframe 40, rotate another 120 degrees, and place a keyframe.
Finally, to frame 60, rotate the last 120 degrees, and place a keyframe.
Set your entire animation to end at 60 frames so you can see it loop.
When you press play, it now spins, but there's an obvious problem!
It seems to slow down and speed up.
By default, animations in Blender ease in and out of transitions - great for many types
of animation, but not for a steady spin like this.
To fix it, open the Dope Sheet again.
Select all of the keyframes - the A key works to select all here, too - and then go to the
Key menu, Interpolation Mode, and choose "Linear".
There's one more tiny hitch at the end of the animation, when the hand is technically
at the 0 position for two frames in a row - it's there at the beginning of the animation
and 360 degrees later at the end.
Simply change the end of the animation to 59 instead of 60 to lop off that final frame,
and it will spin smoothly.
You can do the same for the other hand, perhaps spinning that one backwards instead.
If you're feeling adventurous, maybe add a tilting animation to the root bone to add
to the wackiness!
Remember that before you export, you'll need to create LODs, face the objects the correct
way, and apply the rotation and scale.
If you need a refresher on how to do any of those, give part 2 of my simple sign tutorial a watch.
There are a couple things about building the LODs that I want to point out, though.
Note that your object is now nested under the armature in the Outliner, so you'll have
to press the plus sign next to Armature to see it.
And for your LODs, you don't have to make any copies of the armature, only of the object
- so your finished project in this case would have one armature with Clock_L0, Clock_L1,
and so on, underneath it.
Any copies you make of the parented object will share its animation - all you have to
do is reduce the poly counts.
Also, when you're ready to export your file, the settings are the same as we did with the
sign in the previous tutorial - FBX 6.1 ASCII and Y Forward - but this time, you want to
leave the Animation option checked.
And that's it for simple animation!
Feel free to like or comment, and if you want random updates from my Planet Coaster exploits,
subscribe!
If you enjoy what I do and are interested in supporting the channel, check out my Patreon.
In addition to helping me out, you can also get fun perks like sneak peeks, voting on
future projects, and being the first to see new videos.
A big thank you to my current Patrons!
I am truly honored by your support.
That's all for now - Bye!
-------------------------------------------
Простые розы для букета из бумаги / DIY TSVORIC / Simple roses for a bouquet of paper - Duration: 10:15.
hello my name is Alain and today I I'll show you how I make these roses
bouquet until the end I haven't done it yet but you I was very much asked to show them
so today i will show what easy and just make
and already in one of the following videos I I will show you how we will collect
bouquet entirely so let's go with you in get down to work i used two
shade of paper and by the way they are between themselves turned out to be very very similar to although in
roll they are different so here it is shades 17 a3
548 is two pink shades of paper and 17 a8
it's dark so olive love interesting green shades at work not
I love ordinary wood color as well for convenience all my paper i like u
I do not have a palette glued to ordinary sheets and paste in the folder and here it is
my palette looks like this but i know what color i need under
what numbers is it called and here's my wire box
very often ask me about I use the wire that's all I have
there is yes I use in the works floristic wire but as we know
floral wire it is not cheap if you need her very very much and I
I think that you can use in some work where the teacher can be seen
but when you can't see it use absolutely any wire
I have this wire going from everywhere garages and grandmothers of grandfather somewhere at mom
at work somewhere at home during repairs and here in such thick wires there are such
Tiny very comfortable to use for stamens and for very small flowers
but for the flower legs i use here such wire is also inside
Different is in my opinion some kind of cable what or how is it properly called
he is in such a black winding her in front work you need to remove it is removed in
principle easy and cut the wire we need size but if you have no where
to take or not where to find such a wire then any
electrical wire sold in stores electricians so come on yes and
ask what you need it seems to me This is a budget option than
constantly buy tourist wire and here I have here are all sorts of
different bits of remains lying around in this box and at the right time I take the right
I need the amount of wire and work always pick up the wire
thickness to the size of the main flower look what
he is in nature and we take approximately such a walk
now for the middle of my flower I'm I will use foil foil ball
I have a diameter of about 2 3 a centimeter maybe a little more maybe
being a little less is not so important also instead of foil as many
asked you can use candy fit to size stick
candy on the wire and decorate the length of the wire for their roses
in I chose somewhere 20 28 centimeters since afterwards we will do
bouquet all the roses on my wire different
here is the length of the cut so there is
to not see through the top the foil was closed and I stick
small piece of paper the same paper from which I make
roses themselves
of course you can wrap all the foil but why if at the end we will have
seen from above only a small part. now for the rosette itself you need two
5 pieces of pink craze half our and a half centimeters and
green 5 by 7 centimeters fold petal and round the top and
here are two petals cut out now we stretch in the middle and precisely
in the middle exactly in the place where we have the ball itself will be inserted from
foil and one edge twist and and do with our two petals
take these two petals together we put one on another
about one and a half centimeters I I do everything by sight but it's not so
it is also possible at a distance of two centimeters just your petals
twisted will be in different place
I put a drop of glue in order to be it is more convenient to work and now we pack
our middle or if you will use candy
I put in the middle and what I noticed when i strongly pull the paper exactly
in the middle of our ball covering the top it turns out very beautiful so much
we stretch the paper and it is in the middle not above or below and in the middle
like this, we should now glue the edges of the paper so that we have it
did not fall apart and of course you need glue the bottom bend pour the glue and
squeeze the main thing is not to burn our fingers bud is ready left to make him and
sepal
take our green paper and cut 5 teeth
you can make them a little longer a little shorter see for yourself
can be done this way so that your sepal reached the very top
flowers I like to do all the time differently so that the flowers look in the end
completely different and more realistic
now I nail each petal with a nail and also stretch the bottom then apply
glue and glue everything well
I'm good at the bottom glued to transition from paper
the wire was smooth since we Rosettes will be without leaves and they
principle we will be in sight we need make everything very beautiful now cut off
paper and one centimeter wide stretch it and the first leg can
instead of paper use the client I always use paper
only due to the fact that it seems to me that looks much more beautiful when and
it is you and I first leg and myself sepals whether leaves in one color
we fasten the bottom with glue and our rose ready
I think it is very simple and fast option when you need a lot of roses
since i have in this case all my flowers are ready bouquet we will make up with
by you in the next video in the end I got 25 roses I do
rough sketch like not make flowers in a bouquet my bouquet I will say
will be a heart shape so I drew a little bit here
next video i will show you how we we will collect a bouquet and decorate it
but if you like, like subscribe to my channel and of course
do not forget to press the bell not to miss my next videos
bye Bye
-------------------------------------------
SIMPLE Abstract Painting Palette Knife - Just Playing around with Paints - For Beginners - Day#19 - Duration: 5:01.
For more infomation >> SIMPLE Abstract Painting Palette Knife - Just Playing around with Paints - For Beginners - Day#19 - Duration: 5:01. -------------------------------------------
Simon Sinek: The Simple Trick to See If Someone Is a Good Leader | Inc. - Duration: 0:59.
So one way that you can see whether there's good leadership or not inside an
organization is how they use email. Good leaders will actually ask for themselves
to be taken off all the emails. In other words, they trust their people to deal
with whatever is going on. Poor leaders asked to BCC'd on
everything because they want to keep tabs on everything. Not only is there a
paranoia but it's also a mistrust my favorite one is when somebody goes off
to some sort of conference or something and in every single break that leader
feels the need to email in and check in what's going on I like blue go with
green like whatever it is they feel the need there's no better way to say to
your people I don't trust you than to go away to a conference and feel like you
have to reply to every email in every break tell your people I'm going away
I'm gonna be off the grid for two days you got this and if there's an emergency
I still believe that you can fix it without me there's no better way for
your people to feel like you trust them than to take yourself off the CC it's
absolutely hugely impactful
-------------------------------------------
#13 Five Simple Nails Art Design Compilation | Hearts, Rhombuses, Tulips and Pearls - Duration: 4:22.
For more infomation >> #13 Five Simple Nails Art Design Compilation | Hearts, Rhombuses, Tulips and Pearls - Duration: 4:22. -------------------------------------------
Simple Beautifull 2019 Instant Mobile House Park Model Deluxe Park Model From RV Trader - Duration: 6:49.
Simple Beautifull 2019 Instant Mobile House Park Model Deluxe Park Model From RV Trader
-------------------------------------------
Rustic Gorgeous The Simple Life For Sale | Lovely Tiny House - Duration: 2:59.
For more infomation >> Rustic Gorgeous The Simple Life For Sale | Lovely Tiny House - Duration: 2:59. -------------------------------------------
Free hand easy daily rangoli, simple muggulu, easy Kolams - Duration: 2:38.
muggulu designs
easy rangoli
easy kolams
-------------------------------------------
(eng) BIHUN KARI EXTRA PEDAS ALA KOREA!! RESEPI PALING SIMPLE - Duration: 2:04.
1/2 onion - 3 cloves of garlic
cut into small pieces
8 green chillies
mashed them together
stir fry
until it turn yellowish
add on a lot of chiili paste
put a little if you cannot eat spicy
add on 1/2 tbs curry powder
wait until it well done cooked
put 2 cups of water
put the noodles inside
wait until it is boiling
add on some seasoning
wait for 3 minutes
DONE
not enough strong even the yolk still remain the same LOL
DEE BLOG
-------------------------------------------
Simple comme bonjour 29 janvier 2019 3 étapes essentielles pour savoir quoi publier sur ses rése - Duration: 5:30.
For more infomation >> Simple comme bonjour 29 janvier 2019 3 étapes essentielles pour savoir quoi publier sur ses rése - Duration: 5:30. -------------------------------------------
6 Simple Ways to Avoid Digital Burnout - Duration: 4:47.
Hi, I'm Sharmin from Digital Cooldown and this is a series that is all about how
can you notice our healthier online habits and so here are some tactics to
help you deal with digital burnout the first thing is slow down do things at
least 50% slower than you would usually do if you're reading an article you know
read more slowly like why do you have to read it so quickly if you're an
Instagram then really just appreciate this
it could be just like looking up at a dog for example and being like oh isn't
this I taking the moment to just kind of appreciate like its warm eyes and it's
cute little wet nose and it's silly kind of facial expressions the second thing I
recommend is do less okay so this comes down to like prioritization you know if
you if if there are three things that you have to do today what are they the
third thing I'd recommend is finding healthier wastes procrastinate things
like tidying up for instance like do the whole meri condo thing go to your
wardrobe and files and clothes I don't know whatever oh go for a walk
so to do what works for you but what I recommend is something that you know
requires a different physical posture so like maybe stretching
anything that kind of takes you away from you know just kind of I don't know
having your head down being quite slumped and being information-based
as well you know say even if it's just sitting down with nothing around you
taking five minutes to daydream and you know be bored out of your mind
that is a good way of doing something and I say make sure of something that
you want to do because you don't want to say okay my healthier way of
procrastinating is to do a an intense 45-minute here exercise routine which
means you just end up procrastinating even more from that and then beating
yourself up so you just come up with a list of things which are healthy
procrastination tactics and another thing I recommend that you do is to
check in just check in with yourself and how you actually feel at this moment I
mean if you're feeling tired and exhausted you know don't deal with that
by going to Instagram the tenth time and looking at puppies like that's tall it's
not necessarily going to help just just stop but I can't think how do I feel
right now like really is it sad is it angry
he just super super excited about something
and then remind yourself of why you're doing something and the other thing I
recommend is commit commit to something because even going through the process
of decision making is exhausting you're like oh should I reply to this email
right now what should I say should I reply to this message or should I go on
Twitter I can get rid of that kind of decision-making anxiety know what you're
doing and commit to it and the final thing I recommend is simplifying your
digital space so if you're watching this on a laptop you know ask yourself how
many tabs you have open right now like do you need all of them open so you know
I would say like one task one tab like one screen so I hope that you find these
tactics useful for dealing with digital burnout I think it is something that is
quite serious if we're constantly training ourselves to distract ourselves
and to interrupt ourselves then because he training us has to be in a constant
state of high alert and we're rewarding ourselves for for being distracted
instead of bleeding like meaningful lives and so on that note thank you for
watching this video remember to subscribe because there's a new video
every week and slow down like whatever you want to
do next remember to slow down to last commit to something and if you find
yourself exhausted have healthy aquatic Rastan ation check in with yourself and
simplify your digital space so enjoy that and I'll see you next week my next
PM
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5 to 3 dots simple muggulu || easy Kolams||easy rangoli - Duration: 2:13.
kolam with dots
chukkala muggulu
muggulu designs
simple rangoli
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