Thứ Ba, 4 tháng 9, 2018

News on Youtube Sep 4 2018

When it comes to developing a practice, most people seem to think they are too busy, are

unable to sit still, or can't quiet their mind long enough to meditate.

When I first tried to sit in meditation, this was definitely the case for me.

But when someone told me that if I meditated for just 10 minutes a day I would change my

life, I became determined to find a way.

After doing my research I came up with some effective techniques that actually helped

my ever-racing mind to meditate.

For a few years, I practiced daily and before I knew it, I just couldn't get enough time

in my day for all the meditation bliss I wanted!

I began teaching classes that I called, "…for Real People," and they became quite popular.

We explored accessible meditation techniques that anyone, even the young children in my

youth classes, could practice.

Every good meditation practice must begin with finding what and where works best for

you.

Remember, there is no right or wrong way to meditate.

All you need to begin is to find a comfortable seat, so experiment and try out different

positions.

Ideally, your back is straight and your spine is aligned.

But it is not necessary to sit on the floor or even to cross your legs.

If you're unable to sit for any length of time, find a propped lying down position — just

try not to fall asleep!

Here are six simple methods to try, to help you begin your meditation practice today:

1.

Guided meditations

There are hundreds of resources online that have a huge supply of guided meditations and

music to help sooth your soul.

Try perusing Google Play or iTunes or my newest favorite, SoundCloud.

2.

Candle Staring

If you have trouble focusing, you can light a candle and stare at it.

Your attention will be held.

If your mind races, just observe what it is doing and let those thoughts release.

3.

Mantra

Repeating words over and over again, can help you find calm and focus.

You can choose from a number of Sanskrit mantras like the Gayatri Mantra, which has meaning

in its words and sounds, or you can even make up your own.

It doesn't matter what you choose, just that you feel good about your choice.

4.

Visualization

Another easy and down-to-earth meditation technique is to picture an idyllic being or

setting in your mind.

Focus on the picture and let yourself embellish it as much or as little as you need to.

5.

Present Moment Meditation

Close your eyes and begin to focus on your breath.

Take a few moments here then allow your focus to broaden to your body and the sensations

that it's feeling.

Now expand your focus to anything touching your body, noticing those sensations.

Lastly, expand your awareness to everything you can hear and sense.

Now reverse this process and come back, one step at a time to your breath.

6.

Become the Observer

Focus on becoming the observer of your mind.

Close your eyes and focus on the spot about an inch above of the spot between your eyebrows

(Third Eye Chakra).

Begin to watch what your mind and body are feeling, thinking and doing.

I have been able to sustain a meditation practice for many years now, and I've seen my emotional

and mental state improve, calm and expand.

Begin with just 10 minutes a day, and that's all you have to do to see real change in your

life.

For more infomation >> 6 Simple Meditation Techniques For "Real People" - Duration: 5:05.

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simple how to make RGB Split effect with adobe premiere pro - Duration: 4:25.

hello everyone,

come back with me again,

this time I will bring a simple tutorial how to make RGB Split effects with adobe premiere pro

ok just go to premiere pro,

first import the video,

and input to the timeline

like this video view that has not been given effect

then right-click on the video, and unlink

right-click again, and click copy

activate the second line toogle video and turn off the first line toogle video

then paste

then activate the third line toogle video and turn off the second line toogle video

and paste

like this

if it has,

go to effects,

and import presets

the download presets link can be seen in the description below

then input the EBD presets RGB Split bottom to the video on the bottom row

input EBD presets RGB Split middle to video in the middle row

and input the EBD presets RGB Split top to the video on the top row

then click one of the videos,

see in effect controls,

and set the scale, like this

then set the scale in the second line video, like this

you can set the scale on each video until it feels enough

then try playing,

and the results are like this

then to make the RGB split shadow effect to be different,

cut the video in the second and third lines, like this

and remove the pieces,

then slide the second line video and third row, parallel to the first line video

you can see the RGB split shadow effect being different

then match the size of the video

and like this the results

For more infomation >> simple how to make RGB Split effect with adobe premiere pro - Duration: 4:25.

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How To Stop Hitting Behind The Golf Ball (SIMPLE FIX!) - Duration: 7:51.

Hey, guys, Eric Cogorno here with Performance Golf Zone.

In today's video, we're going to talk about how to stop hitting behind the golf ball.

I want to explain why it's happening, what you need to do to correct it, and then how

you can practice it with a couple simple feedback drills.

So, in terms of hitting behind the ball, let's first sort of define what we want to do, and

then we'll talk about, what are the ways and things you can do to stop that from happening,

and I'll give you some drills to do.

Now, I'm going to pull a simple alignment rod.

Now, we're on a mat here, on which an alignment rod here will work fine.

If you're on the grass, you can use, sort of, spray-paint a line or just have a line

as a reference.

A piece of tape, something like that would work fine.

Now, what I'm going to do is, I'm going to put this alignment rod basically straight

in line with the golf ball on the ground.

So, the point here is, obviously, when we're hitting too far behind the ball, that compromises

our contact, compression, distance the ball goes.

We want to fix that.

So, the goal would be, if I were to take a normal setup here, if we watch good golfers,

their club will come down, will strike the ball first, and hit the ground second.

So, if I remove this golf ball, and that's the line where it normally is on, what we

want to be able to train to do is have the club head hit in front of the line where our

golf ball would be.

That's the first piece of this.

So, when someone would come in to train this in person, if we have solidness of contact

issues, I will put a line on the ground, we'll set up as if the golf ball's right on it,

and we'll start with little short swings, just chip length, and get you getting that

club head to hit the ground in front of it.

So, just little short, foot-long swings just to understand, "Hey, this is what I'm trying

to do here first.

Can I get the club head hitting the ground there in the right spot?"

After you can do this with little half-swings, I'd typically want somebody to be able to

do three to five in a row like that, we'd gradually build up swing length and speed.

So, if I can do it from a little half-swing, I would then kind of build into about a three-quarter-length

swing to do it, and then, eventually, I'd go into my full-length swing, just being aware

of where the club head is hitting the ground relative to the line.

Obviously, you have to be careful with this alignment rod in terms of hitting it and the

feedback you would get.

Just a simple piece of tape or spray-paint on the ground would be ideal here.

But, that's the first concept.

Obviously, we're trying to not hit behind the ball.

We want to hit in front of it.

Now, what are the factors that influence where the club hits?

Well, there's a couple involved, but there's two main influencers here.

The first part is weight distribution and/or where your body is in space, meaning, if I

took a normal setup, let's say I'm 50/50 with my weight in my feet, the more I move me,

my mass of my body, to my right or to the right of the golf ball, the more I do that

anywhere in my swing increases the odds of me hitting behind the ball.

Sort of, loosely, if you were to imagine your low point is associated with where your sternum

location's at, the more that I turn to the right and shift to the right, the more my

chest is to the right, the more I'm going to hit behind the ball, or at minimum, I have

to do a lot to get back to neutral at the golf ball.

So, where I shift where my body is, obviously, if I go to the right, that makes it harder,

but then, also, if I stay to the right, if I'm too far to the right with my body and

my weight in my feet, the odds of me hitting fat shots increase dramatically, where I'll

hit more fat shots compared to if I'm more left.

And then, the opposite of that becomes true, meaning, if I had me being more middle, I

don't want you to be way left when you go back, but if I stayed somewhat centered over

the ball, my sternum location is still right over it, decreases the odds of fat shots.

And then, during my downswing, I want to be moving a little bit to my left.

So, if I wanted to never hit a fat shot again, completely eliminate it, I would be 50/50

with my weight in my feet at address, my head would be right over the golf ball.

As I went back, I'd stay relatively feeling like I'm 50/50.

I'd stay turned pretty much centered, not a big shift to the right, and then I would

shift with my weight and a little bit of my body to the left.

The more I move me to the left, you could imagine, if that line is still on the ground,

more of my body to the left would certainly be easier to have the club hit out in front

of the ball.

More of my body to the right would make me hit more behind it.

That's point number one.

The second part with hitting in front of the line is rotation.

So, in a simple sense, the more I rotate during the follow-through, the more my body is open

to the target.

Again, imagine my sternum location, I said.

Not only where it is in space, right or left, influences where I'm going to hit the ground,

but also, where it is in space, right or left, in terms of rotation.

The more it's pointed to the right, obviously, how am I going to get that club up in front

of the golf ball from here?

It's very difficult.

If I'm pointed to the left, I'm already pointed in front of the golf ball, very easy for me

to hit in front.

So, that would be the second piece I would do, which would be, I would want to have the

most body rotation, or turn my body more towards the target to increase the odds of hitting

in front of the line.

If it was like a life-on-the-line type of thing, I would do those two the most, meaning,

first, I'd get myself to the left of the line with weight in my feet and my body during

the downswing.

I'd also open up a lot.

I'd turn a bunch.

That would make it easiest for me to hit in front of the line.

And test that for yourself.

Put that line down and try and do it where you don't shift left and don't turn your body,

and you're going to have a heck of a time getting it in front.

If I enable myself to turn and shift left, it's going to be a whole heck of a lot easier.

That would be the first part that I think that I would do to get hitting behind the

ball.

Put the line on the ground.

See what feels you need to have to do it.

Look at these two pieces first - weight transfer and turn.

The more you do those two, the easier it's going to be.

Now, the last thing I would do from a drill perspective to check is, I just have a towel

here, and you could use a towel, a head cover, some sort of object behind you.

What I do is take a normal-sized towel, maybe you could just use a beach towel or a bathroom

towel, and I would put this behind the golf ball.

So, if I fold it over once or twice, and I put the towel, typically, I'll put it roughly

about a grip, maybe a little bit more than a grip behind the golf ball and have it somewhat

level, and I'm using this as a reference point.

So, when I make swings, I want to the have the towel just high enough off the ground

where I know, if I miss that towel, I'm going to hit the ball solid and not hit behind it.

So, I'd probably have the ball just slightly farther back here, and I'm going to rehearse

those two feels.

I'm going to want to miss the towel.

I want to make sure I shift left, and open as I go.

Those are going to be my two main pieces.

We'll go ahead and demonstrate while I'm here.

And that was a nice ball, first contact.

And, again, whether you choose to use the towel, you can use the alignment rod as feedback,

you want to have something where you know, "Hey, if I miss this object, I've done this

correctly."

Again, shifting to the left and turning will help me get rid of my fat shots.

And there's another pretty solid ball for a strike there.

So, line on the ground, towel behind for feedback.

Understand that you want to move more of you towards the target.

You want to turn more to decrease the odds of fat shots.

If you catch yourself hanging back on your right or shifting too much to the right in

the beginning, you want to fix that.

If you notice you don't have enough rotation during the downswing follow-through, you want

to fix that piece too.

So, look at those parts first.

Hope that that makes sense.

If you guys liked this video, click the Like button down below, click the Notification

bell.

If you haven't subscribed, please do, and leave us a comment if you guys have any questions.

For more infomation >> How To Stop Hitting Behind The Golf Ball (SIMPLE FIX!) - Duration: 7:51.

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Modukalu Preparation | Simple and Easy | Amruthas Kitchen and Beauty - Duration: 2:17.

Let us know how to prepare Modhukalu

Take Wheat Flour

Add Salt

Add Warm Water for fast forming of dough

Dough is ready for preparations

Take Butter in PAN

Add Coconut Powder, Cashewnut Powder & Suger, Poppy seeds & cordimom powder and mix well in butter

Now Make it ready the mixture laddus and Dough

Now take Dough and prepare small round Chapathi shape

Now take mixture Laddu and keep on Chapathi shape dough and cover the mixture laddu in Modhuka shape

Now take PAN with hot Oil and start frying and complete the Modhuka preparations

For more infomation >> Modukalu Preparation | Simple and Easy | Amruthas Kitchen and Beauty - Duration: 2:17.

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Simply Simple 2-MINUTE TUESDAY TIP - Double Duty Shammy by Connie Stewart - Duration: 2:27.

Hello everybody its Connie with Simply

Simple Stamping.com. Thank you for

joining me for a two minute Tuesday tip.

Hey, not long ago I shared with you some

information about Stampin' Up! brand-new

simply shammy. This is a great cleaning

cloth. I've loved mine; what I shared with

you is how I keep it here in one of our

clear mount stamps cases, how it stays

wet and I wanted you to see this is what

a well-loved shammy looks like! And you

know what? That's exactly what we're

going for

um yeah it'd be great if it stayed that

nice pretty purple forever but you know

what? It's doing it's job when it's like

this. But you know what? The other day as

I was working I came across an idea

where I was going to buy myself a

second chamois and let me show you what

I'm gonna do with it. I cut it in half! I

know some of you are probably cringing

right now and although I love this great

big shammy for when I'm cleaning off my

stamps; but you know what there are times

that a smaller shammy was going to come

in very handy. One for travel we like to

go camping and it's nice to have

something a little bit smaller to take

with me. I especially love it when I'm

using my stamparatus! So I was working

on cards today and I got some ink here

on the side of the stamparatus. Well

it's nice to have this smaller shammy

that I could just come along and clean.

So much easier! I can just throw this in

a ziploc bag, I can seal it up I'm not

even gonna seal it up all the way. I

want a little air to get to that if I

need it

but look that's gonna store well; not

with a stamp in there, so we'll remove

that but you can see that's gonna store

right there with my stamparatus nicely.

It's kind of nice to always have a

shammy when you're working with your

stamparatus. I wanted you to see the

nice thickness of the shammies; these are

not little wimpy shammies they're really

nice and thick. That's what? Probably a

good quarter-inch thick

and of course since that one's going

with my stamparatus I've got an extra

one here! This is going to be great to

either leave in another area with my

other stamping supplies or in my travel

bag because yes, I do have a stampin

travel bag! So guys there is a great tip

for you, why not buy an extra shammy?

They are only eight dollars here in the

U.S. so they're very

affordable. Go ahead and cut one up that

makes it four dollars a piece, you can't

beat that right?

For more infomation >> Simply Simple 2-MINUTE TUESDAY TIP - Double Duty Shammy by Connie Stewart - Duration: 2:27.

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saree blouse designs online with price | simple maggam work blouse designs | aari work,TNBN Tv Live - Duration: 6:15.

TNBN TV Live

For more infomation >> saree blouse designs online with price | simple maggam work blouse designs | aari work,TNBN Tv Live - Duration: 6:15.

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5 Simple life hacks you need to try - Duration: 2:31.

5 simple life hacks you need to try!

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For more infomation >> 5 Simple life hacks you need to try - Duration: 2:31.

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presente simple - Duration: 12:08.

For more infomation >> presente simple - Duration: 12:08.

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new sravana masam muggulu | Simple chukkalu rangoli | Latest melikalu with dots | easy kolam designs - Duration: 1:23.

COPY RIGHTS

For more infomation >> new sravana masam muggulu | Simple chukkalu rangoli | Latest melikalu with dots | easy kolam designs - Duration: 1:23.

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Forget Shorter Showers: the limits of simple living | Derrick Jensen subtítulos español - Duration: 11:24.

For more infomation >> Forget Shorter Showers: the limits of simple living | Derrick Jensen subtítulos español - Duration: 11:24.

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Cornelius Composer Tutorial #1 - Start Simple - Duration: 5:15.

Cornelius Composer is a new music sheet editor that we've developed at Classplash

that has some unique and interesting features.

First of all, it is, totally cross-platform.

Available on Windows, Mac, Android and iOS.

It has powerful multiple selection and editing tools.

Coloured and animated notes that can be customized to your liking.

Solfège voice playback, where notes are literally sung or chanted.

And it even supports editing the sheet while playback is happening at the same time.

The first screen you'll see when opening up the app is the score manager

where you can create new scores and access your saved ones.

Just click the plus button, located in the bottom right corner, to create a new score.

The new score window will appear, where you can set the initial settings for the score

that we're creating by clicking the "Advanced" button.

These are, of course, just starting values, you can always change them later

while editing the sheet.

And here, you can change the number of starting measures of your sheet,

you can change the clef,

the key signature,

the time signature

and the tempo of the song.

On the top right of this window you can see a preview of how your measures will look like

with the settings you chose.

To start composing, you can drag figures from the figure library directly to the sheet.

Alternatively, you can select a figure, which brings you into insertion mode

and then click on the sheet to place it.

When you're in insertion mode, meaning with a note from the library selected,

clicking anywhere on the sheet will place that note and you have to deselect the note to return

to normal mode.

In the figure library, there's multiple types of figures: from single notes

to notes in groups, rests, sharps, dots and even ties or slurs.

If they don't all fit on the screen at the same time, you can drag the figure library

from side to side to reveal more.

The order in which the notes are displayed matches the order in which they are taught

in Rhythmic Village, which is one of our other apps.

For notes on the sheet you can drag them up and down to change their pitch.

If you drag a group of notes by the beam that is connecting them, you will change the pitch

of all the notes in that group.

If you've made a mistake, you can use the undo and redo buttons located near the bottom

left of the screen.

Selecting sheet elements can be done by simply pressing on them.

Orange highlights represent notes, while yellow highlights represent measures.

After selecting any sheet elements, we can access the context menu by pressing the right

mouse button, if you're on PC, or by clicking the button to the left of the figure library

where you can access the exact same functions just displayed in a different way.

Once again, orange buttons have options for notes, while yellow buttons have options for

measures.

But we'll look at the context menu in more detail in future videos.

While editing the sheet, pretty much everything you see is clickable and editable:

you can click the cleff and change it to a new one, the time signature, bpm and key signature.

You can move through the sheet by scrolling with your mouse wheel

or by pressing and dragging.

Zooming in can be done by holding down the control key and scrolling with the mouse wheel,

pinching the screen on a touch device,

or dragging the slider in the bottom-right corner of the screen.

After you're done composing, you can listen to your beautiful creation by pressing the

play button in the bottom right corner of the screen.

This has been the first tutorial video for Cornelius Composer.

Thank you for watching and let's make music!

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