News on Youtube Sep 2 2018

TNBN TV Live

For more infomation >> latest blouse designs for back | simple maggam work blouse designs | aari work,TNBN Tv Live - Duration: 11:54.

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Ce truc simple pour nettoyer votre salle de bain. Efficace 10 fois - Duration: 7:46.

For more infomation >> Ce truc simple pour nettoyer votre salle de bain. Efficace 10 fois - Duration: 7:46.

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5 Simple Thrifted Upcycles to Completely Change Your Wardrobe | BlueprintDIY - Duration: 5:19.

So you went to the thrift store

and found five items that you think have so much potential.

Other people may not see it...

but you feel it in your bones.

Well let me assure you,

this can be turned into this

and today I am going to show you how to turn the most basic

thrifted items into those that will have your friends like,

Hey friend, why don't you let me borrow...

I'm Angelina and this is BlueprintDIY, where we remake our clothes to be as unique as us.

Well, first up what do you do with those junior dresses

that you find at the thrift store that you like the fabric and basic shape,

but you don't want to wear it because you're a grown woman.

Well, I like to make them into tops.

For this first one, we're going to cut it off at the desired length

by measuring and adding pins then cutting.

Then, I'll fold it over about an inch and iron it down,

then I'll sew down the hem.

Next, I'll take what used to be the bottom of the dress

because it already has a large hem

and I'll cut 1.5 inch strips from it.

You'll have to make yours bigger if the hem was not large to start off with.

Also, I couldn't cut very long strips, so I am going to cut two strips for each arm.

Next, I turn them inside out and sew down the top and side seam.

Then, I turn them right side out and iron them flat.

Then, I can sew them down at the side seam where it will be underneath my arm.

Now I have a really cute peplum top with arm ties.

And definitely stick around until the end to see how I style all these.

Now for the next junior dress I'm going to do a little something different.

I call this the double bubble gather.

I'm going to lay the dress flat

and take the bottom of the hem and pin it to the waist seam.

Now I can play around with making a bubbling effect by folding it up to make two layers.

When I get it just how I like it, I can add a pin between the top and bottom layers.

Next, I can take the first pin out and lay it flat so that there is just one fold.

This is going to tell me how much to fold it all the way around for the first layer.

Once I have it folded and pinned all the way around,

I can take it to my sewing machine and add a gathering stitch

about an inch below the hem line.

Then I'll pull the string to gather it so that it's the same width as the waist

being careful to account for the elastic part in the back.

Once I have it all gathered, I pin it to the waist seam and then sew it down.

So now we have a double bubble top that's anything but junior.

Ok, so this next one is a little crazy, but you guys know I'm a renegade

and I don't care about failing.

I know it's snow pants,

but I loved the silver metal accents on the suspenders so i figured,

surely I can do something with these.

There was only one problem.

They were ripped, right underneath the bum area.

So, I just decided to cut them off and make shorts.

I added two seams about a quarter inch from the edge

and cut away the excess cushion layer.

Then I pull the edges to make it fray.

I really like how it looks like feathers now.

I figure that this would be a really great late summer beach cover up.

But you can see how I styled it at the end.

Ok, so what do you do with that random romper with the bad elastic waist.

Well first you take out the elastic and iron the seam flat.

Then, you cut off the bad elastic at the top and create a deep hem.

You can see that I tried it with the elastic, but I didn't like it.

So I cut it off then added the hem.

Then, you can add grommets.

These are large grommets that are typically used for curtains, but I love them.

Then, you can add any type of strap that you want.

This used to be a curtain tie back cord and I'm just going to put it through and tie,

then cut the excess of the inside cording.

You can even get creative and play around with different types of knots.

Ok, and what about that t-shirt.

I have found some of the best t-shirts in the men's section of the thrift store.

But, I'm obviously not a man and I like my t-shirts to have a little flair to them.

So why not cut it up and combine it with another men's item like a football jersey.

So I cut a rectangle out of the back of the tshirt

from right underneath the rear of the collar to about 5 inches above the hem.

Then, you can use that piece that you cut out

to cut out a piece of the jersey that is about an inch bigger on all sides.

Now, I can take that extra tshirt material and cut off strips

that are double the width of my d-rings and about 3 inches long.

Now, I fold the edges over and sew them down.

Then I add a d-ring to each one and fold it in half.

Then pin it down where you want it to the inside while folding the t-shirt cutout under.

Make sure to add two d-rings to the bottom ones to keep the belting secure.

Now turn it inside out and sew the jersey to the tshirt and d-ring loops.

Lastly, I'm going to cut a V cut at the front.

To do this, I'm simply going to fold the tshirt in half and cut a V.

Then, I just cut it away as close as possible to the neck line.

Now you can add whatever type of belting or strapping that you like.

So what do you think of these transformations?

I love how such small changes and added details can make such a big difference.

Go check the description box to see what small changes other people are making

because I have some of the most creative subscribers ever

and we can all learn from one another.

And if you haven't subscribed, definitely subscribe and hit the notification bell

so you don't miss any of this renegade upcycling fun.

Ok, see you in the next one.

Bye.

For more infomation >> 5 Simple Thrifted Upcycles to Completely Change Your Wardrobe | BlueprintDIY - Duration: 5:19.

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Simple trap for fruit fly from a plastic bottle | LifeKaki - Duration: 4:56.

Simple trap for a fruit fly from a plastic bottle.

How to get rid of fruit fly Drosophila midge for this you will need:

plastic bottle, a paper, apple juice or a piece of fruit or pour a little sweet wine, compote, apple cider vinegar.

Cut off the top of the plastic bottle

Fold the paper funnel

Place it with the cone down

Make a small hole!

Place it with the cone down

Secure the funnel with adhesive tape around the can.

I poured the apple juice!

Any sweetish, sour and wine liquid in the vessel is the best bait for the midges.

The trap is ready!

One day passed.

You see the fly is trapped.

The second day has passed and there is a result.

The fact is that insects do not remember the way back and will forever remain in this trap!

Click on Like! Do not miss the new videos!

For more infomation >> Simple trap for fruit fly from a plastic bottle | LifeKaki - Duration: 4:56.

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19 Simple Life hacks you want to know in 2018 - Duration: 10:19.

have fun

For more infomation >> 19 Simple Life hacks you want to know in 2018 - Duration: 10:19.

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Ce Truc Simple Vous Aidera A Découvrir Si Vous Auriez L'air Bien Avec Les Cheveux Courts - Duration: 1:24.

For more infomation >> Ce Truc Simple Vous Aidera A Découvrir Si Vous Auriez L'air Bien Avec Les Cheveux Courts - Duration: 1:24.

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new sravana masam muggulu | Simple chukkalu rangoli | Latest melikalu with dots | easy kolam designs - Duration: 1:59.

COPY RIGHTS

For more infomation >> new sravana masam muggulu | Simple chukkalu rangoli | Latest melikalu with dots | easy kolam designs - Duration: 1:59.

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Compression 101 | How to Understand Compressors (Made Simple) - Duration: 5:54.

In this video, I'm going to be showing you the simplest way to understand a mixing technique called compression.

Understanding compression overall is one of the ways to get your sounds sounding professionally and

properly mixed into your tracks and allow you to use any compressors that you see out there from the most basic compressors to multiband compressors.

I'm Wilson from CScales, and today you're going to learn the easiest way to understand compression that makes your music sound louder and clearer.

To Start off,

If you haven't watched my video on how to easily understand mixing, check that out first

because this video is going to use some of the basic concepts from that video.

Simply put, compression is just a more advanced way to control one of the three basic mixing movements, which is volume.

Let's define the differences between what compression literally does to the sound and what it's used for in mixing because this can seem confusing at

first. If you look at the sounds through an EQ,

you'll notice the sounds frequency bands. In some sounds sometimes, there are frequencies that are way bigger than the rest of the other frequencies.

What a compressor literally does is lower the volume of these frequencies.

However, when we use a compressor in music,

we're actually making the overall sound louder because when we decrease the volume of the loudest frequencies,

we have to increase the overall volume to compensate for the lost volume from the compression. In other words

what a compressor does is actually boost the lower volume frequencies to match the higher volume frequencies. For this reason

I like to think of a compressor as a tool to shorten the distance between smaller and bigger frequencies,

Instead of a tool that lowers bigger frequencies. So how do we compress a sound? Even though there are many different types of compressors,

they all fundamentally have the same five features which are the threshold, ratio, attack, release and gain. So, how do they work?

Let's relate this to a bullet.

The bullet is a representation of one of the frequencies in a sound and a decibels are the distance the bullet travels in the air.

Let's say you shoot a bullet up in the air. The highest point that it reaches is the volume without any compression.

The atmosphere is zero decibels, the loudest point possible before the sound starts to distort and shatter into more higher

frequencies and becomes impossible to change back.

So generally we don't want to go past this point in compression and mixing in general unless we want to achieve that sort of effect

in a sound. Starting with the threshold, this sets of points where anything louder than this points will have its volume lowered.

I like to think of this as an extra layer of gravity at the

point you choose to set it. When you shoot a bullet past this point,

gravity will push it down even more,

which will lower the bullets distance. How intense the gravity is comes down to the next feature of the compression

which is ratio. Ratio determines how much volume is reduced when a sound goes past a threshold.

So if we shoot our bullet up into our three to one ratio,

gravity will pull our bullets max height down by 1/3

once it hits our threshold. Now

sometimes the gravity becomes so strong that a bullet can't actually get past our threshold and it seems like it's heinous steel wall.

This is a high ratio compression.

which is more commonly called a limiter, which prevents sound from passing a certain volume.

Attack is how fast the compressor gets activated or how fast gravity comes in as soon as the bullet is shot past the threshold.

While release is how fast the compressor turns off or how fast the gravity turns off after the bullet drops down the threshold.

Finally the gain is simply a volume control on the compressor output, which means it's the volume after the compression has been applied.

This is how you compensate for the volume loss during compression and it's like moving the starting position of the gun and a threshold closer

to the atmosphere at zero decibels.

The compression is the same, but it's louder because it's closer to the zero decibels.

Remember again that this bullet is just one of the frequencies of the sound. The compressor acts on every single frequency

that is in the sound. So you really see a bunch of these bullets being compressed differently depending on their volume.

So how do we apply these compression features?

There's two parts of the sound, the transient or the head which is the part of the sound that allows the sound to cut through

the mix, and the tail which is the part of the sound that gives the body and presence.

Compressionn is all about balancing these two parts of the sound to create clarity in both parts of the sound.

Because of this, compression on a kick is completely different from a vocal because their transients and tails are completely different.

I don't want to get into too much

specifics on how to compress every single type of sound, but here are five general compression tips to get you started.

The first tip is that you want to start with a ratio of around three to one and lower the threshold down until the sound

is lowered to about five to ten decibels before adjusting the gain to compensate.

This is typically a good starting range to play with in compression because allows you a middle point to determine whether you should compress some

more or compress less. The second tip is to adjust the release based off of how fast the sound repeats.

If you have a fast repeating sound like a hi-hat, have shorter releases.

This will keep the important transients clear.

If you have a long drawn out

sound like a bass, have a longer release to give it more fullness and sustain on the tail ends of the sound.

The third tip is that if you want to lower the transients in general, set the thresholds to just above the tail with a ratio

of around three to one a low attack. This will compress the transients while leaving the tails untouched. The fourth tip

Is that if you want to lower the tails in general, you want to set the threshold

below the tail with around a three to one ratio and an attack just beyond the transients.

The longer attack is going to have the transients avoid the compression but still have the tails compressed. And finally number five,

Avoid overcompressing the sound.

Overcompression is when you bring the lower sounding frequencies of the sound too high up to the point where it actually interferes with the

other sounds in the track. Your sound should always have the ability to have a full range in dynamics. Ff there are no breaks in

the sound

chances are you're compressing too much and you need to tone the compression down by starting with lowering the threshold and ratio before moving on

to the attack and release. So now I want to hear from you guys. What compression tips are you going to try first?

Are you going to start by lowering your tails for your sound? Are you going to try avoiding over compression?

Let me know in the comments below. Ff you liked this video and want to see more

exclusive content on making music production simple and easy to understand for your own process,

check out learncscales.com and sign up for our free courses where we

deconstruct and decode the production of top 40 songs and other great music.