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Simple Chord Trick You Can Use for Your Trap Beats - Duration: 8:24.
allô and welcome to busy works beat.com
today we continue the music theory
series right here busy works beats calm
/ music theory I want to show you a
quick core technique for your trap
tracks and RMB trap tracks to make them
sound really unique now the trick is
that they're not even using courts we
are not using cords let me show you what
I'm doing here let me play it first and
I'll explain why it sounds cool
okay so the reason these chord sounds so
unique is because we're not really using
quartz similar to rock music where they
play fifths we're doing the same thing
here and our chord progression so
technically 1/5 isn't a chord because
you're only playing two notes so if we
break this down the reason it seems like
a chord is because we're playing three
or more notes but technically we're only
playing two notes so if you look here we
have F sharp and we have C what this
really is and we have G sharp as well
now that's a part of our let me zoom in
for you make these notes a lot bigger
hard to see so in the very beginning
okay so it looks like i zoomed into the
wrong portion here's what i was
referring to
so f sharp and then you have C sharp
what this really is is a fourth from C
sharp to F sharp that's considered a
fourth okay just like C the e is a third
see the F is a fourth and we go over
what fourths are busy works beats calm
and our new course called circle of
fifths and circle of fourths secrets
explained we go over not only what a
fifth and a fourth is but the secrets
behind it there's deeper knowledge to it
but the point is we're really just
playing a fourth here and then we're
backing that up with an octave of the
same note
so it's really just a fourth now the
second half right here f-sharp the
c-sharp a little hard to see my screen
is kind of far away so let me scoot in a
little bit more so I can see what is
going on so here we have F sharp and we
have G sharp now G sharp to C sharp is a
fifth so I'm playing the fifth and then
I'm stacking a fourth underneath it so F
sharp and C sharp are fourths together G
sharp and C sharp are fits so I'm
stacking the fourth and then the fifth
and we're doing the octave trick so
we're spacing these out in octave now
here I really like the suspended second
so we're adding a second and we go over
this and a lot of our trap videos how to
do chords for trap especially a busy
works beats calm we have full courses on
chords and chord progressions and one of
the genres recover is trap so for
example we go over in trap music we use
a lot of suspended fourths and a lot of
suspended second chords and this would
be adding the second in so here starting
at G sharp a sharp would make that a
second if we were to build out that
chord so for example the major chord of
G would be G B D so we know the end note
is d so that's our fifth so we're
playing the fifth and then we're playing
a second
so we're stacking a second and a fifth
and then we're just doing an octave of
the fifth it's a lot of fifths a lot of
interval stuff it's not really chords
per se
unless it's in that case the suspended
second same thing here we're playing the
fourth and then the fifth on top and
then we're playing that second so all
we're doing is playing seconds fourths
and fifths and we're just stacking them
up so that's the trick so instead of
thinking like should I play a minor or a
major chord here start thinking in terms
of intervals so if I want to play you
know what's go up an octave C and I want
to play the fifth I'm gonna add G so
it's really two notes playing but it
feels like a chord then to make it
really feel like a chord I can add an
octave of the root note if I want to
make this feel a little more trappy
let's add a second in here add a little
more tension okay and we can do octaves
we can do the fourth
so it gives the same kind of vibe
let's hear it in context okay so another
thing is the vocal part that comes in
let's solo this and then I'll wrap it up
for today
but this eight it supports the chords so
that's why I'm pulling it up pull back
to the beginning first but these are
separate patterns okay so I'm pattern
five where it really gets cool when it
harmonizes again we're using fifths and
seconds and just you know to spend a
second but right here I think I raised
this note up if we pull it back down
it's hard to identify interval stuff
when they're like an octave apart so
what I like to do is pull stuff an
octave up so I can understand what it
actually is so what this actually is is
a fourth and then this little jump here
these two notes
is another force that's forth the fourth
right here and then we can see this jump
is another fourth to jump just an octave
apart I'm stacking this over top the
cords and again it's just fourths and
fifths we're not really making complex
chords
all right so trap music is the modern
rock per se as far as pop music then we
were gonna use the same musical
techniques which is fourths and fifths
just like in rock music so if you want
to learn more about music theory I
highly suggest you join us at busy works
beats dot-com we have tons of courses
there on everything from music theory to
mixing to mastering to composition to
how to make beads to how to sell your
beats how to sell your music it's all
there just go to Bizzy works beats com
every picture you see on the front page
is its own course that's how crazy
in-depth we go we have courses on the
circle of fifths and fourths explained
and all the secrets behind it complex
chords how to build chords from number
or nothing with no scales that's called
chord codes you know so there's a lot
there just go to Bizzy works beats calm
thanks for watching today if you want to
learn more about music theory go to
busywork beats comm slash music theory
it's busy work sweets deca
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maggam work blouses online with price | simple maggam work blouse designs | aari work,TNBN Tv Live - Duration: 6:31.
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88,8m² A Compact, Energy Saving House With A Simple Shape Has 3 Utility Bedrooms - Duration: 3:52.
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its simple, What Would Jeff Do? Dog Training Tip of the Day #171 - Duration: 1:28.
- Hey, everybody, how are you?
It's Jeff Gellman, Solid K9 Training,
with my What Would Jeff Do? dog training tip of the day.
Tip number 171.
A lot of nonsense going on out there,
always been a lot of nonsense going out there.
People are yelling, people are screaming,
about positive and reward and punishment you don't need.
But let's make it really, really clear,
really, really simple.
Whenever you want to teach a new behavior,
or reinforce a behavior that you want more of,
you use a reward for the dog.
Whenever you want to decrease, eliminate, suppress,
lessen a dog from doing something,
you use punishment.
So you need to learn how to properly reward a dog,
and properly punish a dog,
in order to train what you want,
eliminate what you don't want.
People are gonna yell and scream
that you don't need to use punishment.
Listen.
You might feel that you don't need to do that,
you might feel a certain way.
But guess what?
Facts don't care about your feelings.
Jeff Gelmann, Solid K9 Training,
I'm madly in love with you.
If you're not doing that, if you're not doing a balance,
you're leaving out 50% at a minimum,
of a conversation for your dog, you will struggle,
your dog will struggle,
you are gonna be stuck, your dog will be stuck.
We see it all the time, that's just the way it is.
So, learn how to reward, learn how to properly punish.
Jeff Gelmann, Solid K9 Training, madly in love with you.
Take care, bye.
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5 Simple life hacks you need to try - Duration: 2:31.
5 simple life hacks you need to try!
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Savez-vous:7 Raisons de boire cette recette simple et miraculeuse - Duration: 4:41.
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Simple preparation nectarines for winter 🍑 - Duration: 1:32.
Nectarines for the winter
Ingredients: nectarines - 6-8 pieces packages for freezing
Cut the nectarine in half
Remove the bone
Slice nectarine
Put the nectarine on the kitchen board
Freeze
Bon Appetit!
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Cornelius Composer Tutorial #1 - Start Simple - Duration: 5:15.
Cornelius Composer is a new music sheet editor that we've developed at Classplash
that has some unique and interesting features.
First of all, it is, totally cross-platform.
Available on Windows, Mac, Android and iOS.
It has powerful multiple selection and editing tools.
Coloured and animated notes that can be customized to your liking.
Solfège voice playback, where notes are literally sung or chanted.
And it even supports editing the sheet while playback is happening at the same time.
The first screen you'll see when opening up the app is the score manager
where you can create new scores and access your saved ones.
Just click the plus button, located in the bottom right corner, to create a new score.
The new score window will appear, where you can set the initial settings for the score
that we're creating by clicking the "Advanced" button.
These are, of course, just starting values, you can always change them later
while editing the sheet.
And here, you can change the number of starting measures of your sheet,
you can change the clef,
the key signature,
the time signature
and the tempo of the song.
On the top right of this window you can see a preview of how your measures will look like
with the settings you chose.
To start composing, you can drag figures from the figure library directly to the sheet.
Alternatively, you can select a figure, which brings you into insertion mode
and then click on the sheet to place it.
When you're in insertion mode, meaning with a note from the library selected,
clicking anywhere on the sheet will place that note and you have to deselect the note to return
to normal mode.
In the figure library, there's multiple types of figures: from single notes
to notes in groups, rests, sharps, dots and even ties or slurs.
If they don't all fit on the screen at the same time, you can drag the figure library
from side to side to reveal more.
The order in which the notes are displayed matches the order in which they are taught
in Rhythmic Village, which is one of our other apps.
For notes on the sheet you can drag them up and down to change their pitch.
If you drag a group of notes by the beam that is connecting them, you will change the pitch
of all the notes in that group.
If you've made a mistake, you can use the undo and redo buttons located near the bottom
left of the screen.
Selecting sheet elements can be done by simply pressing on them.
Orange highlights represent notes, while yellow highlights represent measures.
After selecting any sheet elements, we can access the context menu by pressing the right
mouse button, if you're on PC, or by clicking the button to the left of the figure library
where you can access the exact same functions just displayed in a different way.
Once again, orange buttons have options for notes, while yellow buttons have options for
measures.
But we'll look at the context menu in more detail in future videos.
While editing the sheet, pretty much everything you see is clickable and editable:
you can click the cleff and change it to a new one, the time signature, bpm and key signature.
You can move through the sheet by scrolling with your mouse wheel
or by pressing and dragging.
Zooming in can be done by holding down the control key and scrolling with the mouse wheel,
pinching the screen on a touch device,
or dragging the slider in the bottom-right corner of the screen.
After you're done composing, you can listen to your beautiful creation by pressing the
play button in the bottom right corner of the screen.
This has been the first tutorial video for Cornelius Composer.
Thank you for watching and let's make music!
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