News on Youtube Oct 31 2017

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Hello, this is Mas Sajady from the podcast Exponential Intelligence® giving you a little ghost story for Halloween.

We drove up here midnight, late last night. It was kind of creepy, a lot of woods, a lot of darkness. We were lost.

We got that scary feeling, especially with my boys here. He's not my son, by the way.

He's just a good friend of mine. We came into the hotel. We checked in. And, everybody felt this heaviness

as we walked in. It was like "Wow." And, a little smell of dankness coming through. And as we checked in,

we got settled in, and we started talking about the heaviness. And, I asked Zeus, my youngest son, like

"How do you feel?" And, he started telling me, "Hey, dad, I don't know what this heaviness is."

And, Zak, do you want to tell your story on what you felt when you walked in?

Zak: I felt like the place was heavy and kind of sinister and occupied.

Mas: How about you, Juan?

Juan: Yeah, I also felt like my heaviness around this area, and like an oppressive feeling.

Mas: So as I walked in, I felt that heaviness as well. Just me understanding the whole concept of what happens

on the other side or other realities that are intertwined within us.

It's like a piece of fabric. There's realities intertwined. I was seeing, yes, there is a heaviness.

And then, the story just opened up in such a beautiful, romantic story.

It seemed like a nice wealthy family, at the time, very, very happy.

The father...so there was a mother, a woman, two daughters, and a young son.

And, they were just waiting for the father, her husband, to come home.

And, they kept waiting and waiting. At some point, they were out, it seemed like she was telling me, back there

out in the field. And, they died, probably a planes, maybe wartime, they got shot.

So, instantly and abruptly, they got killed.

So, and they didn't know that they were dead, so they just came back in and for,

I don't know how many years, they started living life just the way they normally would,

but just on the other side not knowing that they were dead. They were still waiting.

She was still waiting for her husband. The kids were still waiting for the father to come home.

So, that was that heaviness that they were feeling.

And then, the father, I kind of tapped into him, kind of finding him. He was in the war.

And, he must have stepped on a bomb and instantly died. And, he was...the last moment of his life was that

"Oh my God, I want to come back to my family. Where's my kids? Where's my wife?" And, he never left.

So, he was always searching. These guys were always searching.

And, I don't know for how long they've been searching, they've been stuck in that time loop.

So when we came in, we started settling in. The woman started coming up, and was like

"Oh my God, who are you guys? What are you guys doing in my house?" It seemed like they had gotten

stuck in a time reality. It's just like as we don't see them. They weren't seeing us.

So, they didn't realize that their house or their mansion had turned into a hotel now.

They were stuck whatever, like maybe in the 1940s. They were stuck from that timeframe, and they saw

their house as their house. And, as we came in because we were bright beings, something ignited in them.

They started to see the reality of what's here, and they even said, she even said,

"Oh my God, this is atrocious furniture. What is going on here?" And then, I explained to her.

It's like "Gosh, you know, you're dead." And, it's like "Oh wow." It's like "What are you doing here?"

It's like "Well, we're waiting, I'm for my husband. These kids are waiting for their father to come home."

And then somehow, I don't know how all the logistics work, but I brought them together,

and they blessed us, and they went along their way. And then afterwards, just within minutes after that session,

my son, my youngest son, Zeus, he chooses not to be photographed, he's just so handsome.

He said, "Gosh, it feels really, really light." Do you, Zak, want to tell how you felt afterwards?

Zak: I felt a lot better. I could, I didn't have this weight on my chest anymore.

And, just felt like a much better, more beautiful place. It wasn't so sinister.

Mas: And even this morning, Juan, as he was going out to breakfast, he was, he came up

and told me, what were you telling me?

Juan: Yeah, I just felt much better. The place much cleaner. The environment much, much, much lighter,

basically -- expansive. So, Mas, one question:

For example, you're somewhere new or visiting a country, or, and you feel this kind of feeling

that we felt yesterday, is there anything you can do to clear that space?

Mas: Sure. So, if you're visiting a country and it doesn't have to be an old country, it could

be a brand new house that somebody died in or whatever.

You feel something heavy, chances are there's probably a presence around you although they're not in this reality.

But, you can try to clear it out yourself.That's totally fine, but just remember you have to be a certain level

or an awakened level to clear somebody up.

So, you can try it on your own, okay. And again, you have to be at a certain level to really clear an entity out,

especially permanently. If that doesn't work, if you're not just there yet, you can play some of the podcasts or

anything free that's out there. Also, I do have a Medihealing on entity removal if it's really severe, really dark.

But, like these individuals, they're wonderful people, didn't know they had died.

So, it's quite amazing. There are things on the other side that affect us here.

And again, when I woke up coming downstairs, it felt like a nice loving family feel, very nice welcoming home again.

So, that's your ghost story for this upcoming Halloween. And, this is, we're in Florence, Italy.

If we see more ghost stories along the way, we'll keep you updated. So again, guys, take care. Notice what you notice. Listen to the podcast Exponential Intelligence.

For more infomation >> Mas Sajady | Haunted Hotel - A Love Story - Duration: 7:42.

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Interview: Robin Sheppard, Bespoke Hotels - Duration: 4:27.

Since our launch in 2016 we've managed to gain a lot more traction in terms of

the publicity that the competition first engendered so we had over 120 entries in

year one, which wasn't bad from a standing start, 21 on the shortlist

and then six on a very short list. We have three winners of various

categories, and a total of £30,000 went out to them, and we managed to give

work to the out-and-out winners - a combination of a company called Motion

Spot and Ryder Architecture. They're now helping with the design of a new

build project in Manchester which I think will be a real clarion cry for

what can be done with a bit more imagination into the disabled spaces in

a hotel. We've managed to talk to a number of stakeholders, so Channel 4

have come on board and enabled us to have the launch party for this year's

competition in their headquarters, which is a stunning place because the

facilities are so anticipative of disabled people's needs. We've had a

number of notable sponsors on board, not least Dyson who got behind the campaign

as well, and that's helped us particularly in terms of moving away

initially from just a design through architecture to design through

the Design Council and design through companies who are excellent at design.

We've expanded now to five prizes from three this year. A little bit like the

football season we've kicked off in September of 2017, with the winning

period at the end of April 2018. We're going back to the House of Lords

to announce the winners, which is a great spot. However it is probably one of the

most difficult buildings in Britain for someone who's disabled to get in or out

of, but we like a challenge! I'm delighted that Penny Mordaunt, who is

the Minister for the Disabled has come on board and is now right behind the

scheme. We have various notes of support from Lord Rogers, the architect, as well as Alan Stanton

who in his own right is an outstanding architect, but is disabled. Celia Thomas

remains the main champion of the cause, she herself being restricted to a

mobility scooter, and we've started to work with other industry bodies like

Blue Badge Style and Fiona Jarvis who I think have been doing a fantastic job

in rewarding hotels who have made a difference. Our scheme is slightly

different in that we're trying to incentivise and reward the designers of

hotels, to think ahead so it becomes automatic

rather than reaction, and that's where we're currently sitting.

Well, to my make great shock but utter delight, RIBA and the Design Council

between them have now managed to take this competition truly international and

we just had our first interest from Canada and Croatia - a little bit of

alliteration there - which is great. If Crete would just join in we'd have

the full set. So I'm hopeful that we'll still get a lot of support from the

domestic market and if we can start to reach the far corners of the earth then

we're going to get a much higher and greater breadth of competition entries. I

think one of the nicest things for the winners from last year, all three of them,

was the work and commissions that they have picked up as a result of the

profile that the award scheme has given them, and particularly the monies that

have been used and how sensibly they've been used to encourage and nurture additional

new members of staff into their teams for the special aim of catering to the

disabled. I think the statistic is something like 43% of able-bodied guests

when offered a disabled room at check in say 'No, I insist on an able-bodied room'.

That's a sad indictment of humanity and it's a systemic problem

I would like to avoid if we possibly can.